Books › American history and encyclopedia of music (1910)
American history and encyclopedia of music
Hubbard, W. L. (William Lines), 1867-1951, editor. Toledo: Squire Cooley Co., 1910.
On archive.org as americanhistory07unkngoog.
67 pages read (scans 27 to 496)1 name found0 makers on this site cite it
Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 27 | A STUDY ON VIOLIN PLAYING | Read | |
| 28 | A STUDY ON VIOLIN PLAYING | Read | |
| 29 | A STUDY ON VIOLIN PLAYING | Read | |
| 30 | A STUDY ON VIOLIN PLAYING | Read | |
| 31 | A STUDY ON VIOLIN PLAYING | Read | |
| 32 | A STUDY ON VIOLIN PLAYING | Read | |
| 33 | A STUDY ON VIOLIN PLAYING | Read | |
| 34 | simplicity in execution and the student… | Read | |
| 35 | A STUDY ON VIOLIN PLAYING | Read | |
| 36 | A STUDY ON VIOLIN PLAYING | Read | |
| 37 | A STUDY ON VIOLIN PLAYING | Read | |
| 38 | A STUDY ON VIOLIN PLAYING | Read | |
| 39 | velocity in all technical matters, a man… | Read | |
| 40 | A STUDY ON VIOLIN PLAYING | Read | |
| 41 | A STUDY ON VIOLIN PLAYING | Read | |
| 42 | This is the version of the composer to t… | Read | |
| 43 | A STUDY ON VIOLIN PLAYING | Read | |
| 44 | A STUDY ON VIOLIN PLAYING | Read | |
| 45 | Studies," and under the guidance of his… | Read | |
| 46 | tasks, and finally to have seen him arri… | Read | |
| 53 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 54 | the entire twelve lessons. Being a summa… | Read | |
| 55 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 56 | part of the left hand is worse than usel… | Read | |
| 57 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 58 | may retain a slight arch. A straight or… | Read | |
| 59 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 60 | stant retention of the bow on the string… | Read | |
| 61 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 62 | (thumb, first and little fingers), at en… | Read | |
| 63 | in this way the beginner's attention can… | Read | |
| 64 | and positions at a distance from each ot… | Read | |
| 65 | the glissando. In this form of scale the… | Read | |
| 66 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 68 | exceptions to every rule and so there ar… | Read | |
| 69 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 70 | crossings is because two things are bein… | Read | |
| 71 | mized in order that the room for the bre… | Read | |
| 72 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 75 | bowing belong to the uninterrupted or co… | Read | |
| 76 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 77 | ing absolutely on relaxation, quietness… | Read | |
| 78 | and the natural varying of finger length… | Read | |
| 79 | in the higher positions, retains the sam… | Read | |
| 80 | to think of the content. This system of… | Read | |
| 81 | sure on the strings. This position must,… | Read | |
| 82 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 83 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 84 | by fastening or fitting a small clasp or… | Read | |
| 85 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 86 | necessity, limited to the overtones of e… | Read | |
| 95 | SOME REMARKS ON QUARTET PLAYING | Read | |
| 96 | ity (this is especially true of the firs… | Read | |
| 97 | the viola, thus the lower strings of the… | Read | |
| 98 | acter of the movement at once shows that… | Read | |
| 99 | (no line here) | Read | |
| 109 | Piano-makers knew nothing about harpsich… | Read | |
| 110 | the rest being an absurd hybrid compound… | Read | |
| 121 | ART OF MUSIC BEFORE 1750 | Read | |
| 122 | The form of the viol is simpler and smoo… | Read | |
| 130 | perfection, and his six sonatas for the… | Read | |
| 131 | The volume of tone of the clavichord com… | Read | |
| 156 | may be written on three different degree… | Read | |
| 454 | Enrico Clifford, O., ii, 357. | Read | |
| 455 | INDEX | Read | |
| 459 | INDEX | Read | |
| 496 | INDEX | Read |