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An Encyclopedia of the Violin, 1925
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1fessor at the Cincinnati College of Music; later at the Broad St. Conservatory, Philadelphia and the Institute of Applied Music in New York. Schradieck had many distinguished pupils, among them Maud Powell. Compositions include many valuable technical studies for the violin. D. New York, Mar. 25, 1918.
3SCHROEDER, HERMANN, German violinist and composer, b. Quellinburg, July 28, 1843. Studied under A. Ritter at Magdeburg and founded a music institute in Berlin. Wrote an excellent violin method and an essay on stringed instruments. D. Berlin, Jan. 31, 1909.
5SCHUBERT, FRANZ, German violinist and composer, b. Dresden, July 22, 1808. Studied under Rottmeier, Hasse and Lafont. Succeeded Lipinski as concertmaster of the Dresden Orchestra in 1861, retiring in 1873. Compositions include études and pieces for the violin. His dainty composition "L'Abeille" (The Bee) is still much in use. D. Dresden, April 12, 1878.
7SCHULTZE, WILHELM HEINRICH, German violinist, b. Hanover in 1827. Came to the United States in 1848 as a member of the Germania Orchestra. Became leader of the Mendelssohn Quintette Club at Boston and professor of music at Syracuse University in 1877. D. Syracuse, Sept. 1888.
9SCHUPPANZIGH, IGNAZ, Austrian violinist and composer, b. Vienna in 1776. A member of Prince Rasumovski's private quartet, where were first played Beethoven's great quartets, in addition to those of Mozart and Haydn. He made a successful tour as soloist and with his quartet in Germany, Poland and Russia. Schuppanzigh has the distinction of having taught Beethoven both the viola and the violin. Compositions include a violin solo with quartet accompaniment. D. Vienna, Mar. 2, 1830.
11SCIPIONE, GUIDI, Italian violinist, b. Venice in 1884. Appeared in recital at the age of eleven; afterwards entering the Royal Conservatory of Music in Milan, where he was awarded first prize. He also founded the Guidi Trio in London and became concertmaster of the New York Philharmonic Orchestra and member of the New York Trio.
13SEBALD, ALEXANDER, Hungarian violinist and composer, b. Budapest, April 29, 1869. Studied under Saphir at the Royal Hungarian Academy of Music and later with César Thomson, becoming a member of the Gewandhaus Orchestra. Resigned in 1903 in order to tour Germany and other European countries. Came to the United States in 1910, touring extensively, and settling in Chicago as a teacher. Compositions include solo pieces and a technical method for the violin.
15SEGALL, ARNO, American violinist, b. Savannah, Ga., 1906. Studied under Leopold Auer, at the Brussels Conservatory where he won the highest honors, and is at present concertizing in Germany and continuing his studies under Willy Hess. He will make an American tour in 1925.
17SEIDEL, TOSCHA, Russian violinist, b. Odessa, Nov. 4, 1900. Studied under Auer, making his first public appearance in 1915. Has made a successful tour of Norway, Sweden, Denmark, England, France, Australia and the United States, where he first appeared in 1918.
19SENAILLÉ, JEAN-BAPTISTE, French violinist and composer, b. Paris, Nov. 23, 1687. Studied under Anet and Vitali. Was a member of Louis XV's "Twenty-four Violins." Composer of fifty sonatas for the violin, which give evidence throughout of their composer's admiration for Corelli. D. Paris, Oct. 8, 1730.
21SENKRAH, ARMA, American violinist, b. New York, June 6, 1864. An American girl whose real name was Harkness and who studied under Wieniawski, Massart, Vieuxtemps and Hilf, winning the first prize at the Paris Conservatory. Toured Europe and England successfully for many years. D. New York, Sept. 5, 1900.
23SERATO, ARRIGO, Italian violinist, b. Bologna, Feb. 7, 1877. Studied under Sarti, appearing in Berlin as a soloist in 1895. Made a successful tour of Europe and came to the United States in 1914, appearing with distinction all over the country. In 1901 M. Serato first performed Sinigaglia's "A Major Violin Concerto" at Berlin.
25ŠEVČIK, OTOKAR, Bohemian violinist and world-famous teacher, b. Horazdiowitz, Mar. 22, 1852. Studied under Bennewitz at the Prague Conservatory. Appeared as concertmaster of the Mozarteum in Salzburg and the Komische Opera at Vienna. Became professor of violin at the Prague Conservatory in 1892 and director of the violin department in 1901. His pupils include Kubelik, Kocian, Marie Hall, Ondricek, Zimbalist, Suchy, Culbertson, Leonora Jackson and many others. In 1909 he became
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