Books › Antonio Stradivari, 1900 › scan 69
Scan 69
Antonio Stradivari, 1900
6 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1perceptible improvement in tone quality. In another instance, to prevent the encroachment of the collector's arch-enemy, the worm, the innovation seemed to have proved ineffectual. Stradivari may have tried this and perhaps, for once at least, met with failure. The bar—there is but one—ofttimes erroneously called sound-bar or bass-bar—is, in common with all the violins of the old Italian school, quite inadequate for modern requirement, that of supporting the upper table on the fourth string side against the pressure caused by the tension of the third and fourth, the heaviest strings.
3That the length, thickness and disposition of the bar has much to do with the good going order of every violin there is no disputing. Stradivari did not live long enough to make acquaintance with the numberless proposals for acquiring his quality by making this part longer, shorter, thicker, or thinner, besides various modes of attachment. That some of them would have raised a smile on the features of the veteran Cremonese, we may be quite sure. That he was quite content with the size of the bar in general use during his life-time there can be no doubt, as there is no record or evidence of any experiments having been made by him, fair argument that none were considered necessary; the instruments finished, the ordinary bar of the period was inserted and there was an end. The whole of the interior indicates an absence of any question of improvement on what had been done before by his master Nicolas Amati and his predecessors, apart from good finish.
5A few words as to the thickness of the upper and lower tables. Of this much has been written, an extremely small portion being from actual observation, and most of the other parts being reiterated assertions started many years back by people whose supposed knowledge rested solely upon simple conviction, without an iota of bona fide evidence in support. To them the fact, well known to everyone engaged in the manufacture of sound-boards of musical instruments, that a very thick sound-board produces different results to that of a
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