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Scan 1572
Baker S Biographical Dictionary Of Musicians, 1900
16 lines. Read by computer on 12 September 2026. Printed page 1552. See the scan on archive.org.
18, 1871. His father was an amateur violinist, and he received his primary music education at home; then studied with Hubert Parry at the Royal College of Music; made his début as a cellist in London on Feb. 12, 1891, and became a popular recitalist in England; wrote a cello concerto and many other cello pieces. He retired in 1941, and lived in London.
3Stäblein, Bruno, German musicologist; b. Munich, May 5, 1895. He studied at the Munich Academy of Music with Beer-Walbrunn (composition) and at the Univ. of Munich with Adolf Sandberger and Theodor Kroyer (musicology). He was theater conductor in Coburg (1920-26), music teacher at Regensburg (1931-45); in 1946 appointed privatdozent at the Univ. of Erlangen. —Publications: Hymnenstudien (Erlangen, 1946); edited reprints of important source materials pertaining to medieval music ('Monumenta Monodica Medii Aevi,' 'Musica Divina,' etc.); contributed a number of articles to Die Musik in Geschichte und Gegenwart' and to musical journals.
5Stade (shtah'-deh), Friedrich, German organist and writer on music; b. Arnstadt, Jan. 8, 1844; d. Leipzig, June 12, 1928. He studied in Leipzig with Riedel and Richter; served as church organist (1885-95); edited works by Bach; publ. Vom Musikalisch-Schönen (1870; 2nd ed., 1904), using the title of the celebrated treatise by Hanslick, but directed against Hanslick's ideas.
7Stade, Heinrich Bernhard, German organist and composer; b. Ettischleben, near Arnstadt, May 2, 1816; d. Arnstadt, May 29, 1882. He was organist and town cantor at Arnstadt; restored the organ of St. Bonifaziuskirche, on which Bach had played (1703-07). He publ. Der wohlvorbereitete Organist, ein Präludien-, Choral- und Postludienbuch in 2 parts; and other organ music.
9Stade, Wilhelm, German organist and composer; b. Halle, Aug. 25, 1817; d. Altenburg, March 24, 1902. He studied with Fr. Schneider in Dessau; was court organist and conductor at Altenburg (1860-91). With Liliencron he ed. Die Lieder und Sprüche aus der letzten Zeit des Minnesangs' (1854). He composed the celebrated Vor Jena, which became a favorite student song; also wrote 2 symphonies, a violin sonata, 7 books of organ pieces, an attractive and unique Kindersonate for piano, 4 hands; many sacred and secular choral works.
11Staden, Johann, German organist and composer; b. Nuremberg, 1581; d. there (of the plague), Nov. (buried Nov. 15), 1634. He was court organist to the Margrave of Brandenburg from 1604 to 1616, at Kulmbach and Bayreuth; then returned to Nuremberg, where he was church organist until his death. He publ. 4 vols. of Harmoniae sacrae (1616, 1621, 1628, 1632); 2 vols. of church music (1625-26; 2nd vol. contains a brief treatise on thorough bass); 4 vols. of Haus-Musik (1623-28; posthumous collected ed. 1648, containing sacred songs with instrumental accompaniment); Musicalischer Freuden- und Andachtswecker (1630); Hertzentrost-Musica (1630); Geistlicher Musik-Klang (1633); Davids Harfe (1643); Neue deutsche Lieder nach Art der Villanellen (1616, 1609; includes some dances); 3 books of dance pieces (1618, 1625, and a posthumous ed., 1643); etc. Selected works by Staden were edited by E. Schmitz for the 'Denkmäler der Tonkunst in Bayern' (VII, 1; VIII, 1) and by K. Sannwald for Nagel's 'Musik-Archiv' (1936). —Cf. 'Monatshefte für Musikgeschichte,' XV, 104 ff.
13Staden, Sigmund Theophilus, German organist and composer; son of Johann Staden; b. Nuremberg, 1607; d. there, July 30, 1655. As a youth, he studied in Augsburg with the organist Jacob Baumann, and later in Berlin with the resident English player on the viola da gamba, Walter Rowe. Returning to Nuremberg in 1627, he held the position of town piper; in 1634 succeeded his father as organist at the St. Lorenz Church. Staden wrote the earliest extant German opera, Seelewig, in an Italian manner; it was produced in Nuremberg in 1644. The text, and separately the music, for voices and thorough bass, were publ. in Harsdörffer's Frauenzimmer Gesprächspiele (vol. IV, 1644); reprinted by Eitner in vol. XIII of 'Monatshefte für Musik-Geschichte.' R. Schulz-Dornburg arranged the score for a production at Cologne in 1912. Staden edited Hans Leo Hassler's Kirchengesänge (1637), adding 11 songs by his father and 5 songs of his own. —Cf. E. Schmitz, Zur Bedeutung der Harsdörfferschen 'Frauenzimmer-Gesprächspiele' in the 'Liliencron-Festchrift' (Leipzig, 1910).
15Stadler, Anton, famous Austrian clarinet player; b. 1753; d. Vienna, June 15, 1812. His name is chiefly important in connection with his friendship with Mozart, and his influence on Mozart's works: trio (K. 498), the so-called Stadler Quintet (K. 581), clari-
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