Scan 54
Baker S Biographical Dictionary Of Musicians Third Edition, 1919
18 lines. Read by computer on 18 September 2026. No printed page number was found. See the scan on archive.org.
1I. La Musicologie médiévale (1899); II. Les Proses d'Adam de Saint-Victor (1900, w. Abbé Misset); III. Lais et Descorts français du XIIIe siècle (1901, w. Jeanroy and Brandin); IV. Les plus anciens monuments de la musique franç. (1903, with 24 phototypes); Essais de Musicologie comparée, 2 vols.: I. Le Rythme tonique dans la poésie liturgique et dans le chant des églises chrétiennes au moyen-âge. (1903); II. Esquisse d'une Bibliographie de la Chanson populaire en Europe (1905); Les Caractères de danse. Histoire d'un divertissement pendant la première moitié du XVIIIe siècle (1905); Au Turkestan. Notes sur quelques habitudes musicales chez les Tadjues et chez les Sartes (1905); La Musique et les musiciens d'église en Normandie au XIIIe siècle … (1906); Estampes et Danses royales. Les plus anciens textes de musique instrumentale au moyen-âge (1907); Recherches sur les Ténors français dans les motets du XIIIe siècle (1907); Recherches sur les Ténors latins dans les motets du XIIIe siècle (1907, w. Gastoué); Le Roman de Fauvel (1907; facsimile ed. of the Parisian MS., w. index and editorial explanations); Cent Motets du XIIIe siècle (1908, 3 vols; photogr. facsimile, w. translation, of Bamberg Codex E. d. IV. 6, w. additional études et commentaires; a most important work); Refrains et Rondeaux du XIIIe siècle (1909, in the Riemann 'Festschrift'); Trouvères et Troubadours (1909; Engl. ed. N. Y., 1914); and a number of essays on kindred topics, publ. in the 'Mercure musical' (1903-8), also separately.
3Audran [oh-drähn'], Edmond, son of Marius; b. Lyons, April 11, 1842; d. Tierceville, n. Gesors, France, Aug. 17, 1901. Pupil of the École Niedermeyer, Paris; 1861, maître de ch. at church of St.-Joseph at Marseilles. His début as a composer was at Marseilles, 1862, with the opera l'Ours et le Pacha; he successfully produced about 40 other operas, operettas, etc., chiefly of a light character, in minor Parisian theatres; also wrote a mass, a funeral march f. Meyerbeer's death, etc. From 1877 he lived in Paris.—He produced the operetta La Fiancée des Verts-Poteaux (Paris, 1887; v. succ.); operetta Olivette (given Berlin, 1895, as Capitain Caricciolo; succ.); opera Sainte-Freya (Paris, 1892; succ.); operetta La Mascotte (1880; given 1700 times up to Aug. 29, '97); operetta Miss Helyett (Paris, 1890; succ.); operetta Madame Suzette (Paris, 1893; succ.); operetta Mon Prince! (Paris, 1893; succ.); 3-act lyric comedy Photis (Geneva, 1896; succ.); 3-act com. opera La Duchesse de Ferrare (Paris, 1895; mod. succ.); 4-act comic opera La Poupée (Paris, '96; mod. succ.); comic operetta Monsieur Lohengrin (Paris, 1896; v. succ.); Les petites femmes (1897); and others.
5Audran, Marius-Pierre, operatic tenor and song-composer; b. Aix, Provence, Sept. 26, 1816; d. Marseilles, Jan. 9, 1887. Pupil of E. Arnaud. After successful appearances at Marseilles, Brussels, Bordeaux, and Lyons, he became first tenor at the Opéra-Comique, Paris, soloist at the Cons. Concerts, and member of the Cons. Jury. After travelling (1852-61), he settled in Marseilles, becoming (1863) Director of the Cons. there, and prof. of singing.
7Au'er, Carl. See FROTZLER.
9Au'er, Leopold, distinguished violinist; b. Veszprém, Hungary, June 7, 1845. Pupil of the Conservatories at Pest (Ridley Kohnc-tòl) and Vienna (Dont, 1857-8); finally, of Joachim. From 1863-5, leader in Düsseldorf, and 1866 in Hamburg; since 1868, soloist to the Tsar and of the Imp. orch. at Petrograd, and violin-prof. at the Cons. 1887-92, cond. of the concerts of the Imp. Russ. Mus. Soc.; 1895, elevated to the rank of the hereditary Russian nobility; 1903, State Councillor. He is equally famous as a virtuoso and a teacher. Among his pupils are Elman, Zimbalist, Parlow, Heifetz, etc.
11Au'gener & Co., London firm of music-sellers and publishers, founded 1853 by George A. They began the publication of the famous 'Augener's Edition' in 1867; publishers, since 1871, of 'The Monthly Musical Record.'
13Au'gustine (Augusti'nus), Aure'lius, better known as St. Augustine; b. Tagaste, Numidia, 354; d. as bishop at Hippo, Algeria, 430. Renowned father of the Latin Church, educated at Madaura and Carthage. His writings contain valuable information concerning Ambrosian song; that entitled 'De Musica' treats only of metre.—Cf. De musicis scriptoribus Romanis by K. Schmidt (1899).
15Aulin, Tor, violinist and composer; b. Stockholm, Sept. 10, 1866; d. there March 1, 1914. St. in Berlin with E. Sauret (vln.) and Ph. Scharwenka (comp.). In 1887 he established the A. Quartet, which soon became famous also in Russia and Germany; from 1889-1902 concert-master at the royal Opera in Stockholm, with frequent leave for extended concert tours, which established his reputation as the greatest Scandinavian violin virtuoso since Ole Bull; after 1902, cond. of the Stockholm Philh. Soc.—Works: An orch. suite, Meister Oluf, op. 22; 3 concertos for vln.; several vln. solos.
17Aurelia'nus Reomen'sis, monk at Réome in the 9th century; wrote a treatise, Musica disciplina, published by Gerbert in 'Scriptores,' vol. i. It contains the earliest information regarding the character of the church-modes. Cf. H. Riemann, Handbuch der Musikgeschichte, I, 2, p. 56.
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