Scan 76
Baker S Biographical Dictionary Of Musicians Third Edition, 1919
26 lines. Read by computer on 18 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1Baum'felder, Friedrich, b. Dresden, May 28, 1836; pianist, and comp. of brilliant salon-music; pupil of Julius Otto, later of the Leipzig Cons. (Moscheles, Wenzel, Hauptmann). Cond. of the Schumann Singakademie at Dresden (R. Musikdirektor). Has also publ. études (Tirocinium musicae, op. 300); a pf.-suite (op. 101); a pf.-sonata (op. 60); a symphony; a choral work w. orch., Der Geiger zu Gmund.
3Baum'gart, Expedit (Friedrich), b. Grossglogau, Jan. 13, 1817; d. Warmbrunn, Sept. 15, 1871. University Music-Director at Breslau, and teacher in the R. Inst. for Church-music. Edited K. Ph. E. Bach's Clavier-Sonaten.—Monograph by H. Palm (1872).
5Baum'garten, Gotthilf von, b. Berlin, Jan. 12, 1741; d. Gross-Strehlitz, Silesia, Oct. 1, 1813.—Operas: Zemire und Azor (Breslau, 1775); Andromeda [a melodrama] (ib., 1776); Das Grab des Mufit (ib., 1778).
7Baum'garten, Karl Friedrich, b. Lübeck, 1740 (?); d. London, 1824; from 1780–94 he was leader of the Covent Garden opera-orch.—Works: Operas and pantomimes, the best-known being Robin Hood (London, 1786) and Blue Beard (1792). one of two readings
8Baum'garten, Karl Friedrich, b. Lübeck, 1740 (?); d. London, 1824; from 1780-94 he was leader of the Covent Garden opera-orch.—Works: Operas and pantomimes, the best-known being Robin Hood (London, 1786) and Blue Beard (1792). one of two readings
10Baum'gartner, August, b. Munich, Nov. 9, 1814; d. there Sept. 29, 1862. Choirmaster at Ch. of St. Anna, Munich. He publ. papers on 'mus. shorthand' in the 'Stenographische Zeitschrift' (1852); a Kurz gefasste Anleitung zur musikalischen Stenographie oder Tonzeichenkunst (1853); and a Kurz gefasste Geschichte der musikal. Notation (1856). Comp. an instr. Mass; a Requiem; Psalms; also pf.-pieces, choruses, etc.
12Baum'gartner, Wilhelm [Guillaume], b. Rorschach, May 15, 1820; d. Zurich, Mar. 17, 1867. Vocal composer; Music-director at the Univ. of Zurich. Wrote quartets for male voices, pf.-pieces, and songs.
14Bäumker, Wilhelm, b. Elberfeld, Oct. 25, 1842; d. Rurich, Mar. 3, 1905, as pastor (since 1892). 1869, chaplain and, 1880, school-inspector at Niederkrüchten; a contributor to the 'Allgem. deutsche Biographie,' the 'Monatshefte für Musikgeschichte,' etc.; author of Palastrina, ein Beitrag, etc. (1877); Orlandus di Lassus, ein historisches Bildnis (1878); Zur Geschichte d. Tonkunst in Deutschland (1881); Der Todtentanz (1881); Niederlandische geistliche Lieder nebst ihren Singweisen aus Handschriften des 15. Jahrh. (1888), and Ein deutsches geistliches Liederbuch (melodies from the 15th century; Leipzig, 1896). His great work is Das katholische deutsche Kirchenlied in seinen Singweisen von den frühesten Zeiten bis gegen Ende des 17. Jahrhunderts (4 vols., Freiburg, 1883–1911). Vol. ii (1883) and vol. iii (1891) appeared originally as continuation of the work begun by K. S. Meister, who publ. vol. i in 1862; B. revised this vol. in 1886; vol. iv (1911) was edited by J. Gotzen from B.'s notes, and also contains supplements to the preceding vols.
16Baur, Charles (Alexis ?), celebrated harpist; b. Tours, France, 1789; d. (?). Studied pf. with his father, and harp with his mother, who were teachers of those instruments; went to Paris in 1805, and st. with Nadermann; settled in London, 1820, as teacher; was still living there, 1834.
18Bausch, Ludwig Christian August, b. Naumberg, Jan. 15, 1805; d. Leipzig, May 26, 1871. Celebrated maker and repairer of violins and bows; est. first (1826) in Dresden, then Dessau (1828), Leipzig (1839), Wiesbaden (1862), Leipzig (1863). His son Ludwig (b. 1829, d. Leipzig, Apr. 7, 1871) lived long in New York, afterwards setting up for himself at Leipzig. Otto, a younger son (1841–74), inherited the business, which then passed to A. Paulus at Markneukirchen.
20Bausznern, Waldemar von, b. Berlin, Nov. 29, 1866; pupil of Kiel and Bargiel at the R. Hochschule, Berlin, 1882–8; 1891, cond. of the 'Musikverein' and 'Lehrergesangverein' at Mannheim; 1895, of the Dresden 'Liedertafel'; 1896, also of the Dresden 'Bachverein'; 1903–8, teacher in the Cologne Cons., and cond. of the 'Tonkünstlerverein'; since 1908, dir. of the Grand-Ducal Cons. at Weimar.—Works: The operas Dichter und Welt (Weimar, 1897); Dürer in Venedig (Weimar, 1901); Herbert und Hilde (Mannheim, 1902); Der Bundschuh (3-act music-drama, Frankfurt, 1904); 3 symphonics (the 3rd, Leben, with choral finale); Ballade for full orch.; overture, Champagner; string-quartet; quintet for pf. and strings; quintet for pf., vln., clar., horn and 'cello; other chamber-music; ballad-cycle, Das klagende Lied; songs f. solo voice with orch.; mixed choruses; etc. one of two readings
21Bausznern, Waldemar von, b. Berlin, Nov. 29, 1866; pupil of Kiel and Bargiel at the R. Hochschule, Berlin, 1882–8; 1891, cond. of the 'Musikverein' and 'Lehrergesangverein' at Mannheim; 1895, of the Dresden 'Liedertafel'; 1896, also of the Dresden 'Bachverein'; 1903-8, teacher in the Cologne Cons., and cond. of the 'Tonkünstlerverein'; since 1908, dir. of the Grand-Ducal Cons. at Weimar.—Works: The operas Dichter und Welt (Weimar, 1897); Dürer in Venedig (Weimar, 1901); Herbert und Hilde (Mannheim, 1902); Der Bundschuh (3-act music-drama, Frankfurt, 1904); 3 symphonics (the 3rd, Leben, with choral finale); Ballade for full orch.; overture, Champagner; string-quartet; quintet for pf. and strings; quintet for pf., vln., clar., horn and 'cello; other chamber-music; ballad-cycle, Das klagende Lied; songs f. solo voice with orch.; mixed choruses; etc. one of two readings
23Bax, Arnold E. Trevor, b. London, Nov. 8, 1883. Pupil at R. A. M. (1900–5) of T. Matthay (pf.) and F. Corder (comp.).—Works: A Celtic Song Cycle (1905); the symph. poems Into the Twilight (1908), In the Fairy Hills (1909), Christmas Eve on the Mountains (1911); Three Pieces for orchestra (1912); choruses with orch. Fatherland (1907) and Enchanted Summer (1909); King Kojata, 2-act ballet (1911); Festival Overture (1909); 2 string-quartets; a string-quintet; a pf.-trio; a sonata for pf. and vl.; pf.-pieces and songs.
25Bay'er, Josef, composer and conductor; b. Vienna, March 6, 1852; d. there Mar. 12, 1913. Intended for a mercantile career, he also studied at the Vienna Cons., 1859–70,
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