Bow & Bridge Violin and bow makers, as the old books printed them

Scan 36

Biographical notice of Nicolo Paganini, with an analysis of his compositions, and a sketch of the history of the violin, 1876

6 lines. Read by computer on 29 August 2026. No printed page number was found. See the scan on archive.org.

1Nicolo Paganini.
3GENIUS—talent, whatever its extent—cannot always count upon popularity. Susceptibility of the highest conceptions of the most sublime creations, frequently fail in securing the attention of the multitude. How is this most coveted point to be attained? It would be difficult to arrive at any precise conclusion, from the fact that it applies to matters totally differing from each other; it is, however, perhaps possible to define the aggregation of qualities required to move the public in masses, by calling it "sympathetic wonderment." Fortunate boldness is its characteristic mark; originality its absolute condition. The most renowned popularities of the nineteenth century have each differed in their specialty,—Napoleon Bonaparte, Rossini, and Paganini. Many other names, doubtless, recall talents of the finest order, and personalities of the highest value; yet, notwithstanding their having been duly appreciated by the intelligent and enlightened classes, they have not called forth those outbursts of enthusiasm which have been manifested towards others during an entire generation. The truly popular name appears surrounded by its prestige, even to the lowest degrees of the social scale; such was the case with the prodigious artist who is the object of this notice.
5Nicolo Paganini, the most extraordinary—the most renowned violinist of the nineteenth century—was born on February the 18th, 1784. His father, Antonio Paganini, a commercial broker, or simply a broker's clerk, according to some biographers, was passionately fond of music, and played upon the mandoline. His penetration soon discovered the aptitude of his son for this art. He resolved that study should develop it. His excessive

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