Scan 39
Camilla: a tale of a violin, being the artist life of Camilla Urso, 1874
8 lines. Read by computer on 3 September 2026. Printed page 29. See the scan on archive.org.
1CHAPTER III.
3THE DAY BEGINS.
5The next morning Camilla trotted off to Felix Simon's just as if nothing had happened. The Ursos were too sensible to be upset by vanity. The triumph of their child only caused them to soberly consider what was to be done next. Camilla must lose no time. The lessons must go on precisely as before and until matters were properly arranged her life would be unchanged. She must prepare for more difficult tasks. Having proved her skill she must now improve it. Greater tests and severer trials were in store for her. She must go to Paris. She must enter the Conservatory of Music. But how, and when?
7Long and earnestly they talked over the matter and laid their plans as best they could. M. Urso was a fine flute player. Of course, he could readily obtain a place in some theatre in Paris. Camilla's mother was a charming singer and a good teacher. She could give lessons, and perhaps sing in some church. Oh! and then there was the organ! Certainly so fine an organist as M. Urso would soon get a good place with a
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