Bow & Bridge Violin and bow makers, as the old books printed them

Scan 51

Camilla: a tale of a violin, being the artist life of Camilla Urso, 1874

8 lines. Read by computer on 3 September 2026. Printed page 41. See the scan on archive.org.

1do it right once and for all. Before she knew it there was a slap on her own limbs. It didn't hurt much because her skirts warded off the blow. As for the boys they had to take it sharp and heavy.
3Then that little finger on her right hand. It would spring up as she moved the bow. Massart said very pleasantly that she must keep it down. She put it down but presently it flew up again and then came a stinging blow from the slender stick that was not so pleasant.
5That poor little finger had a sorry time of it before it would lay down properly. Many a time it ached with the blows of the switch, and once she thought it was certainly broken. She was obliged to nurse it in a cot for two days. At last it came just right and has never gone wrong since.
7Some days Massart was in a terrible passion and stormed up and down the room, and the stick danced about the boys legs till the little Camilla felt sore all over, out of pure sympathy. It made her very cautious and careful and as a natural result she escaped much of the shower of blows that the master offered so freely. One day a stupid boy persisted in holding his violin wrong and suddenly it flew up to the ceiling in a hundred fragments. Poor Camilla fairly cried with fright when the master kicked it out of the pupil's hands and really had to take refuge in sudden tears. She clung to her instrument with might and main after that. He would not be able to kick it away in that style from her hands.

The computer misreads some letters and numbers. Where a name matters to you, read the scan.