Bow & Bridge Violin and bow makers, as the old books printed them

Books › Catalog of rare old violins, violas and violoncellos; also bows of rare makes, 1917 › scan 16

Scan 16

Catalog of rare old violins, violas and violoncellos; also bows of rare makes, 1917

22 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.

1SANCTUS SERAPHIN, VENICE, 1744
3Number 4785. A superb example of this great Venetian's work. The name of Sanctus Seraphin has always stood high in the violin world. In the selection of his wood, the artistry of his work, and in his beautiful tone he has few equals, among even the Italian makers, and none among the Germans or French. He was most fortunate always in his wood selection, an item of the greatest importance to every violin maker. His varnish is among the best used by Italian makers.
5This instrument is in the finest possible state of preservation. It is a superb violin, both in tone and appearance. The quality of its tone is of extraordinary brilliancy and carrying power. The back is formed by two pieces of very handsome curly maple, which is matched by the sides. The top is of spruce of the choicest selection known to the maker. The varnish is of a beautiful rich golden brown color. (Plate III.)
7Price: $4,500
9JOSEPH GUARNERIUS, FILIUS ANDREAS, CREMONA, 1710
11Number 4624. A very choice example of this great master's work and thoroughly representative in every respect.
13Next to Joseph. Guarnerius del Gesu, Joseph, son of Andreas, is usually regarded as the greatest of the name. His style shows that he was a real artist in every way. He excels in the beauty of his varnish and wood selection.
15This instrument is of full large size. It is flat in model, is in an excellent state of preservation, and possesses a tone of great beauty and power. Its tone may be said to be exceptionally mellow, even for a Cremonese instrument. (Plate IV.)
17Price: $4,000
19JOSEPH GUARNERIUS DEL GESU, CREMONA, 1740
21Number 4524. This instrument has been known to us for many years, and it has recently come into our possession from a well known violin connoisseur. It is by no means a representative example of the great Joseph's work as may be surmised from the low price which is asked for it.

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