Bow & Bridge Violin and bow makers, as the old books printed them

Scan 280

Catalogue of the stearns collection of musical instruments 2nd edition, 1921

49 lines. Read by computer on 29 September 2026. Printed page 240. See the scan on archive.org.

1GALPIN, THE REV. CANON FRANCES W.
2Aztec influence on American Indian instruments.
3Sammelbände der internationalen musikgesellschaft. Jahrgang IV. Heft 4.
4——— Notes on a Roman hydraulos.
5Reliquary. London, 1904.
6——— *Old English instruments of music. London, 1910.
7——— The origin of the Clarsech or Irish harp.
8Report of the fourth congress of the international musical society.
9——— *The whistles and reed instruments of the Indians of the N. W. coast of North America.
10Musical association. Proceedings. London, 1903.
11——— Notes on old English Positive Organ.
12Musical antiquary. Vol. IV, 1912.
13——— *The Sackbut; Its Evolution and History.
14Musical association. Proceedings. London, 1907.
15——— See Brown.
16——— See Stainer.
18GEVAERT, FRANCOIS AUGUSTE.
19Nouveau traité d' instrumentation. Paris-Bruxelles, 1885.
21GROSSMANN, MAX.
22Verbessert das alter und vieles spielen wirklich den ton und die ansprache der geige? Berlin, 1907.
24GROVE, GEORGE.
25Dictionary of music and musicians. 4 vols. London, 1880-1890.
26Second edition, J. A. Fuller-Maitland, Ed. 5 vols. London, 1904-1910.
27American supplement, Vol. VI. Waldo Selden Pratt, and Charles N. Boyd, Editors, New York, 1920.
29GUNN, JOHN.
30An historical enquiry respecting the Highland harp. Edinburgh, 1807.
32HAKLUYT SOCIETY.
33Publications. London, 1847-1915.
35HAMMERICK, ANGUL.
36Das musikhistoriche museum zu Kopenhagen. Beschreibender katalog. Kopenhagen, 1911.
38HART, GEORRGE.
39*The violin, its famous makers and their imitators. London, 1887.
40——— The violin and its music. London, 1881.
42HAWKINS, JOHN.
43History of music. 5 vols. London, 1776.
44Edition of 1875, 2 vols.
45Its chief value lies in the numerous excerpts (translations) from early works.
47HELMHOLTZ, HERMANN.
48The sensations of tone as a physiological basis for the theory of music (translation by Alexander J. Ellis). London, 1875.

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