Scan 65
Cremona: an account of the Italian violin-makers and their instruments, 1894
12 lines. Read by computer on 3 September 2026. Printed page 43. See the scan on archive.org.
1alike: the outlines are absolutely dissimilar. The F hole of Guarnerius is long, and shows itself to be a modified form of Gaspard di Salo. The scroll can hardly differ more.
3As all dates are wanting, we must endeavour to inquire by means of comparison whose pupil he really was, and by this method we come with some exactness upon Joseph, the son of Andrea, his cousin. The principles of Gaspard di Salo are clearly impressed on the works of both of them. Where Gaspard di Salo ceases to work, Joseph del Gesù begins, and produces a series of experiments, of which each one bears the stamp of genius. Fétis divides his artistic career into three periods. In the first we find instruments which differ greatly from one another in the design of the outlines and in the shape of the F holes; in one instance being a wonderful combination of grace and boldness, in another disfigured and careless, with the purflings roughly inlaid, as if he had no time to finish them artistically.
5In the second period he gives us the most perfect specimens of violin-making, in model and in choice of the best materials, as well as in perfect workmanship. His varnish is deep golden yellow, of the greatest beauty and finest quality. The size of the instruments of this period vary to a slight extent.
7In the last period, after 1740, he made those large, massive instruments, with heavy edges, the purflings deeper inlaid, the corners grotesque, the scroll powerful and majestic, and the F holes somewhat more rounded.
9Among such masterpieces occasionally appear some roughly made specimens, the so-called Prison violins. Guarnerius, it is said, led a very irregular life, was addicted to drink and to play, and finally found himself in prison on account of some political intrigue; and there made, with imperfect tools, instruments in rough and ready fashion, for which purpose the daughter of the gaoler was wont to secretly procure him the materials. From this arose the great difference in wood, workmanship, and varnish. (g)
11(g) It has been discovered that a certain Giacomo Guarnieri died in prison at Cremona on the 8th of October, 1715: it is possible the legend is founded on this event. (See Hart.)
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