Scan 105
Critical & Documentary Dictionary of Violin Makers Old and Modern, 1928
24 lines. Read by computer on 5 October 2026. No printed page number was found. See the scan on archive.org.
1ANGARD (Maxime) — Paris circa 1895. Excellent maker who was established at 23. Passage Delaruelle. Esteemed work.
3AMELOT — Lorient circa 1820. Ordinary work. Yellow or red varnish.
5AUBERT — Troyes circa 1780. Has made lutes, guitars, lyres and violins.
7AUBRY — Paris circa 1840. Practically the same kind of work as Aldric, whose nephew and successor he was. Many instruments are inferior, having been inconsistent in his making. Rather limited production.
9AUDINOT (Léopold) — Mirecourt circa 1840.
11AUDINOT (Nestor-Dominique) — Paris 1842-1920. Born at Mirecourt. Son and pupil of the one above-named. Succeeded Sebastien Vuillaume in 1875. Excellent modern and promising make. Red varnish. He had a particular liking for the Guarnerius model.
13AUGIÈRE — Paris circa 1830. Pupil of Clément. Make rather scarce and sought after. Stradivarius model. Was in partnership with Calot. Red-brown or orange varnish.
15AUTIÉRO (Gaëtan) — Avignon. Born at Téano in 1853. Successor of Abeille at Avignon in 1876.
17AUTIÉRO (Joseph) — Avignon. Born at Téano in 1858. Probably brother of above-mentioned. Maker and repairer of every kind of instrument.
19B
21BACHELIER (Jean-Gaspard) — Paris circa 1780. Work of no great interest. Yellow-brown varnish. Lived in the Rue de la Tissanderie and Place Baudoyer.
23BAILLY (Paul) — Mirecourt, Paris, London, 1844-1907. Native of the neighbourhood of Mirecourt, this excellent maker effected his first studies with Jules Gaillard. Of a roaming disposition, he worked in many towns, at Lille, Douai which he left in 1871 to
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