Scan 252
Critical & Documentary Dictionary of Violin Makers Old and Modern, 1928
26 lines. Read by computer on 5 October 2026. No printed page number was found. See the scan on archive.org.
1REBER (Pancratus) — Düsseldorf circa 1730. Ordinary work not devoid of qualities.
3REICHEL (Johannes-Gottfried) — Absam circa 1750. Model after Stainer, whose pupil he claims to be according to his labels. Dark red-brown varnish. The best maker of the family of this name, numbering no less than forty members.
5RIECHERS (Auguste) — Berlin 1836-1893. Maker for the Royal Superior School of Music. He followed the Stradivarius models. Fine woods, spirit varnish. Large production. No 255.
7RIESS (Andreas) — Bamberg circa 1750. Stainer style. Pronounced arching.
9ROISMANN (J.) — Breslau end of xviiith century. Work of great finish.
11RUPPERT (Franz) — Erfurt circa 1750. Ordinary make. Brown varnish.
13S
15SAVICKI (C. Nikolaus) — Vienna circa 1830. This skilled maker has made very fine copies of Guarnerius del Gesu.
17SCHANDL (Michael) — Mittenwald circa 1735. Stainer model. Dull varnish. No 254.
19SCHANDL (Anton) — Mittenwald circa 1750. Son of one above. Same work.
21SCHARTZ (Bernard) — Strasbourg 1780. Father of the following.
23SCHARTZ (George-Frederic and Théophile-Guillaume, Brothers) — Strasbourg 1785-1850.
25SCHEINLEIN (Matthias-Friedrich) — Langenfeld 1710-1771. Good make. Yellow varnish. The work of his son Johann Michel is similar. The instruments made towards the end of his career are after a model of his own, and are most interesting. Label: « Matthaeus Friderich Scheinlein fecit in Langenfeld 1750 ».
The computer misreads some letters and numbers. Where a name matters to you, read the scan.