Scan 28
Critical & Documentary Dictionary of Violin Makers Old and Modern, 1928
10 lines. Read by computer on 5 October 2026. No printed page number was found. See the scan on archive.org.
1One must however acknowledge that there exist new violins that will rival some old ones. Without affirming, as Reade did in a letter published by the « Pall Mall » Gazette of the 31 st. August, 1872, that from the point of view of acoustics, modern violins are much more rationally made, it must be granted that the modern makers do not servilely copy the old masters, but bring to their work their own personal touch. It may be that the old makers have known acoustic laws congenial to the making of bow instruments, laws of which we are ignorant « (Le Vernis de Cremona, by Lucien Greilsamer, 1908). After such perfection as that attained in their works by the Cremonese masters, the task is all the more difficult for our modern artists, but fortunately there appear to be some who will worthily succeed them.
3Is it not all the more a reason to encourage their efforts? Thus is everyone's taste suited, the natural conclusion of a subject so fertile in controversies. The choice of an instrument is possible when it is likely to answer our purpose. It therefore rests with us to chose judiciously. Old violins will remain in favour with those who find them more responsive and more attractive. They will still be cherished by amateurs and collectors, but this should not be at all a reason for underestimating the value of modern instruments. The maker who perseveres in his research with intelligence and personality deserves well of the art he helps to perpetuate.
5The future will be endowed by him with instruments not only remarkable for their workmanship, but with excellent tone qualities, built so as to guarantee a long career and worthy to replace their elder brothers.
7Without hesitation, and deeply attached to an art to which our whole life has been devoted, we trust in the judgement of the public, and shall consider ourselves amply repaid for difficulties and labours if, by facilitating research, we contribute in some small measure to the building of the edifice constantly being erected to the glory of the Noble Servants of the Art.
9Henri Poidras.
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