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Scan 106
Cyclopedia of music and musicians, 1888
14 lines. Read by computer on 11 September 2026. Printed page 76. See the scan on archive.org.
1St. Nicholas at Passau, where he became secretary after completing his studies in Vienna in 1513–16. Works: Ecclesiasticarum cantionum 4, 5, 6 et plurium vocum, etc. (Nuremberg, 1573); Others in several collections of the times. His three sons, Balthasar, Sophonias, and Sigismund, were also composers.—Fétis; Mendel; Eitner, Bibl., 771.
3PAMPANI, ANTONIO GAETANO, born in the Romagna in the beginning of the 18th century, died in Venice, February, 1769. Dramatic composer, maestro di cappella of the cathedral at Fermo until 1748, then director of the Venice Conservatorio. Member of the Accademia Filarmonica, Bologna, 1746. Works—Operas: Anagilda, 1735; Artaserse Longimano, 1737; La caduta d’Amulio, 1746; La clemenza di Tito, 1748; Artaserse, 1750; Il Vinceslao, 1752; Astianasse, 1755; Demofoonte, 1764; Demetrio, 1768. Church music.—Fétis.
5PANICO, MICHELE, born at Naples, July 16, 1830, still living, 1890. Dramatic and church composer, pupil of the Conservatorii at Naples and Milan. Works: La figlia di Domenico, opera, Naples, 1857; Stella, do., ib., 1859; Sì e no, operetta, ib., 1875; Mass with full orchestra, 1855; Other church music, and vocal melodies.—Fétis, Supplément, ii. 299.
7PANIZZA, GIACOMO, born at Castellazzo, Italy, May 1, 1804, died there, April, 1860. Dramatic composer, and vocal instructor of considerable reputation, who formed many excellent singers. Works—Operas: Sono eglino maritati?, Milan, 1827; La collerica, ib., 1831; Gianni di Calais, Trieste, 1834; I ciarlatani, Milan, 1839. Ballets: La rosiera; Merope (with Viviani), Milan, 1832; Faust (with Costa and Bajetti), ib., 1848; Palmina (with Santos and Pinto), ib., 1853; Nana Saïb (with Strebinger), Vienna, 1867. Inno a Maria Malibran, serenade for 4 voices and orchestra, Milan, 1834; Sextet for wind instruments; Arias and romances.—Fétis; do., Supplément, ii. 299.
9PANNAIN, ANTONIO, born at Naples, Jan. 31, 1841, still living, 1890. Instrumental and vocal composer, pupil of Nicola Fornarini, his uncle. Works; 4 masses, of which 3 with orchestra; Other church music; 2 overtures for orchestra; Pianoforte music, and songs.—Fétis, Supplément, ii. 299.
11PANNY, JOSEPH, born at Kohlmitzberg, Nether Austria, Oct. 23, 1794, died at Mainz, Sept. 7, 1838. Violinist, pupil of his father, and in theory of his grandfather, an organist; studied afterwards in Vienna, where Paganini took a fancy to him (1824), and invited him to join him on his future concert tours. In Prague they separated and Panny went to Germany, gave concerts in Munich (1828) and other cities, and settled at Mainz, whence he made concert tours to Hamburg and Berlin in 1830, to Norway, Sweden, and England in 1831–32. Works: 3 masses; Requiem, for 3 voices, 2 violins, 2 horns, and organ; Several gradualls; Cantatas; Quartets; Sonata for clarinet and pianoforte; Violin music; Choruses for male voices, and songs.—Allgem. wiener mus. Zeitg. (1842), 448; Fétis; N. Necrol. der D. (1839), i. 38; Wurzbach.
13PANOFKA, HEINRICH, born in Breslau, Oct. 2, 1807, died in Florence, Italy, Nov. 18, 1887. Violinist, and professor of singing; destined to the law by his father, he took lessons on the violin from his sister, a clever violinist; learned the principles of music from the cantor Strauch and his successor Foerster, played at a concert at the age of ten, when his father, recognizing his talent, sent him to study in Vienna under Mayseder and Hoffmann, 1824–27. He gave his first concert in 1827; left Vienna for Munich in 1829, and thence went to Berlin, and at last settled in Paris as violin-
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