Books › Cyclopedia of music and musicians, 1888 › scan 93
Scan 93
Cyclopedia of music and musicians, 1888
10 lines. Read by computer on 11 September 2026. Printed page 63. See the scan on archive.org.
1PAGANINI
3and Dresden (in German, as Nicht gelungen und doch gelungen), 1802; Il matrimonio improvviso, Vienna, 1794; L'amante servitore, Venice, 1795; La Rossana, Milan, Jan. 31, 1795; L'orfana riconosciuta, Florence, 1795; Ero e Leandro, Naples, 1795; Tamerlano, Milan, 1796; I due sordi, Venice, 1796; Sofonisba, Bologna, 1796, and Dresden, 1808; Griselda, ossia la virtù al cimento, Parma, 1796; L'intrigo amoroso, Venice, 1796; La testa riscaldata, ib., 1796; Cinna, Padua, 1797; Il principe di Taranto, Parma and Milan, 1797; Il nuovo Figaro, Parma, 1797; La sonnambula, Venice, 1797; Il fanatico in berlina, Vienna, 1797; Pirro, ib., 1798; Poco ma bene, ib., 1798; Il morte vivo, ib., 1799; Le donne cambiate, ossia il calzolajo, ib., 1800; I fuorusciti di Firenze, ib., 1800; Camilla, ossia il sotterraneo, ib., 1801; Ginevra degli Almieri, ossia la peste di Firenze, Dresden, 1802; Sargino, ossia l'alieve dell'amore, ib., 1803; Tutto il male vien dal buco, Venice, 1804; Il maniscalco, Padua, 1804; Leonora, ossia l'amore conjugale, Dresden, 1805; Achille, ib., 1806; Numa Pompilio, Paris, Théâtre de la Cour, 1808; Cleopatra, ib., ib., 1809; Didone abbandonata, ib., ib., 1810; I baccanti, ib., ib., about 1811; L'oriflamme (with Berton, Kreutzer, and Méhul), ib., Académie Impériale de Musique, Jan. 31, 1814; L'eroismo in amore, Milan, 1816; La primavera felice, Paris, July 6, 1816; Agnese, ib., July 24, 1819; La gazza ladra (not performed, written about 1820); Le maître de chapelle, Paris, Théâtre Feydeau, March 29, 1821; Blanche de Provence (with Berton, Cherubini, and Kreutzer); Olindo e Sofronia (unfinished, written about 1824); La marquise de Brinvilliers (with Auber, Batton, Berton, Blangini, Boieldieu, Carafa, Cherubini, and Hérold), Paris, Opéra Comique, Oct. 31, 1831; Un caprice de femme, Paris, 1834.
5II. Oratorios: Il San Sepolcro, Vienna, 1803; Il trionfo della Chiesa, Parma, 1804; La Passione de Giesù-Cristo, 1810. III. Cantatas: Il Prometeo, with orchestra; Bacco ed Ariana, do.; La conversazione armonica, do.; Europa in Creta, voice and orchestra; Eloisa ed Abelardo, two voices with pianoforte; Diana ed Endimione, do.; L'amor timido, voice with pianoforte; L'addio di Ettore, two voices with pianoforte; Ulisse e Penelope, two voices and orchestra (in score, Launer, Paris); Saffo, voice with orchestra (ib.); 2 serenades for three and four voices with accompaniment of harp or pianoforte, horn, violoncello, and contrabass; 6 duets for voices (Artaria, Vienna); 6 little Italian duets for voices, in two suites (Paris); 42 Italian ariettas for one voice with pianoforte; 6 cavatinas of Metastasio for do. (Mollo, Vienna); 12 French romances with pianoforte; 2 collections of exercises for soprano and tenor (Paris, 1821, 1825); 4 motets (O salutaris Hostia), three voices and orchestra (Petit, Paris); Offertory for chorus (Janet, Paris); Ave Regina cæli, two voices and organ (Porro, Paris). IV. Instrumental music: Symphonie bacchante for grand orchestra (Nadermann, Paris); Vive Henri IV., variations for grand orchestra (ib.); Grandes marches militaires, Nos. I., II., III., IV. (Janet, Paris); 6 waltzes for six- and ten-part wind band (ib.); La douce victoire, fantaisie for pianoforte, two flutes, two horns, and bassoon (Schoenenberger, Paris); 3 grand sonatas for the pianoforte, violin obligato, and violoncello ad libitum (Janet, Paris); and many themes with variations for pianoforte.—Thomas Massé and Antony Deschamps, Paër et Rossini (Paris, 1820); Fétis; Clément, Mus. célèbres, 289; Carafa de Colobrano, Funérailles de M. Paër: Discours (Paris, 1839).
7PAESIELLO. See Paisiello.
9PAGANINI, ERCOLE, born at Ferrara about 1770, died (?). Dramatic composer, settled in Milan during the first years of the 19th century. Works—Operas: La conquista del Messico, Milan, 1808; Le rivali generose, ib., 1809; I filosofi al cimento, ib., 1810; Cesare in Egitto; Demetrio a Rodi.—Fétis.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.