Bow & Bridge Violin and bow makers, as the old books printed them

Scan 102

Dictionary Of Music, 1896

102 lines. Read by computer on 12 September 2026. No printed page number was found. See the scan on archive.org.

1Drum major. The principal drummer in a military band; the officer directing the band.
3D.S. The initials of Dal Segno.
5Ductus (dook'toos), Lat. Melodic movement, or order of successive notes, which may be: (1) rectus, direct, i.e., ascending; (2) reversus, or revertens, reversed, i.e., descending; or (3) circumcurrent, circumcurrent, i.e., ascending and descending.
7Dudeler (doo'dlër), Ger. One who plays or sings badly.
9Dudelkasten (doo'd'l-käs-t'n), Ger. Barrel organ; a hurdygurdy.
11Dudelsack (doo'd'l-säk), Dudelkastensack (doo'd'l-käs-t'n-säk), Ger. A bagpipe, a cornamuse, a hornpipe.
13Due (doo'ë), It. Two; in two parts.
15Due clarini (doo'ë klä-rë'uë), It. Two trumpets.
17Due corde (doo'ë kôr-dë), It. Two strings. See A due corde.
19Due cori (doo'ë kô-ri), It. Two choirs or choruses.
21Due pedali (doo'ë pë-dä'tli), It. The two pedals a.e to be used.
23Duet. A composition for two voices or instruments, or for two performers upon the same instrument.
25Due trombe (doo'ë trôm'bë), It. Two trumpets.
27Duet (doo-ët'), Ger. A duet.
29Duette (doo-ët'të), Ger. pl. Duets.
30Duetti (doo-ët'ti), It. pl. Duets.
32Duettino (doo-ët-të'nö), It. A short and easy duet.
34Duetto (doo-ët'tö), It. A duet.
36Due volte (doo'ë vòl'të), It. Twice.
38Dulcet. Soft, sweet, musical; an organ-stop.
40Dulcian (dil-së-äñ'h'), Fr. A small bassoon. See Dulciano. A dulciana stop.
42Dulciana stop. An 8-feet organ-stop; of a soft and sweet quality of tone.
44Dulciana principal. A 4-feet organ-stop of delicate tone.
46Dulcimer. A very ancient instrument whose principal parts are a wooden frame, a soundboard with one or several sound-holes, two bridges, and appliances for the fastening and tuning of the wire strings with which it is strung. A dulcimer is played upon with two hammers.
48Dumb spinnet. Another name for the clavichord.
50Dumpf (doompf), Ger. Of a dull, hollow, muffled sound.
51Dumpfig (doomp'fig), Ger. Hollowness, dullness of sound.
53Duo (doo'ö), It. Two; in two parts; a composition for two voices or instruments; a duet.
55Duo concertante (doo'ö kön-tshër-tän'të), It. A duo in which each part is alternately principal and subordinate.
57Duodecima (doo-ö-dä'tshë-mä), It. The Duodecimo (doo-ö-dä'tshë-mö), It. twelfth, the twelfth note from the tonic; the name is also applied to an organ-stop tuned a twelfth above the diapasons.
59Duodecima acuta (doo-ö-dä'tsë-mä ä-koo'ta), Lat. A twelfth above.
61Duodecima gravi (doo-ö-dä'tsë-mä grä'vë) Lat. A twelfth below.
63Duodecimole (doo-ö-dä'tshë-mö'lë), It. A musical phrase, formed by a group of twelve notes.
65Duodramma (doo-ö dräm'mä), It. Duodrama. A dramatic piece for two performers; more especially a spoken drama with musical accompaniments, a kind of melodrama (q.v.).
67Duoï (doo-ö'ë), It. Two.
69Duole. A group of two notes to fill the time of three of the same denomination, as in 6-8 measure two eighth-notes with a figure 2 to occupy the time of three eighth-notes.
71equal to
73Duolo (doo-ö'lö), It. Sorrow, sadness, grief.
75Duomo (doo-ö'mö), It. A cathedral.
77Dupla (doo-plä), Lat. Double.
79Duple time. Double time.
81Duplex longa (doo'plëx lön'ga), Lat. Maxima, one of the notes in the old system of music.
83Duplication. Doubling; where one or more of the intervals of a chord are repeated in different parts.
85Duplo (doo-plö), It. Double.
87Dur (door), Ger. Major, in speaking of keys and modes; as, C-dur, C major.
89Dur (dûr), Fr. Hard, harsh of tone. Major, as distinguished from minor.
91Duramente (doo-rä-më'n'të), It. Harshly, roughly; also meaning that the passage is to be played in a firm, bold style, and strongly accented.
93Durate (doo-rä'të), It. Hard, rough; also implying false relations in harmony.
95Durchcomponiren (doorkh'kôm-pô-në'r'n), Ger. Lit., "to compose through." A durchcomponirtes Lied, "a through-composed song," is a song of which each verse has a setting of its own, whilst in other songs one setting serves for all verses.
97Durchdringend (doorkh-drïng'ënd), Ger. Penetrating, piercing.
99Durchdringende Stimme (doorkh-drïng'ën-dë stim'më), Ger. A shrill voice or tone.
101Durchführung (doorkh'fïi-roong), Ger. Development. Generally applied to the free fantasia serving for middle part of the main movement in sonatas and other serious movements.

The computer misreads some letters and numbers. Where a name matters to you, read the scan.