Bow & Bridge Violin and bow makers, as the old books printed them

Scan 205

dictionary of violin makers, 1928

22 lines. Read by computer on 10 September 2026. Printed page 9. See the scan on archive.org.

1DODD (Edward) — London circa 1840. Son of Thomas Dodd. Pupil of B. Fendt. Noted as a harp maker.
3DODD (John-Kew) — London 1752-1839. Son of Edward Dodd. Celebrated bow maker known as the English « Tourte ». His sticks, without possessing the elegance of those by François Tourte have a fine outline and are generally excellent. The only slight fault to be found with them is that they are a trifle short. Bows by this master are sought after and realise high prices.
5DODD (Thomas) — London 1786-1823. This maker, one of the most reputed of the English School. He merely varnished instruments made by excellent workmen, such as J. Lott and B. Fendt. The composition of this varnish he alone knew. His instruments are greatly esteemed. No 227.
7DODD (Thomas) — Son of above mentioned. Good make. Pupil of B. Fendt and J. Lott.
9DORANT (William) — London circa 1810. Correctly made instruments.
11DUFF (William) — Dunkeld 1810-1882. Like many second rate English makers, he was an amateur before becoming a professional. There is no doubt that he knew his work well and his incrustations are very effective and pleasing to the eye. Has left the reputation of a bow maker of merit. His instruments are graceful and slightly arched after the German manner. Label: Made by Wm. Duff, Pulney Cottage, Dunkeld 18..
13DUKE (Richard) — 1750-1780. Maker with a great reputation who has made fine imitations of Amati and Stainer. Less successful with the latter. Nos 257-259.
15DUKE (Richard) — Son of one preceding. Good work.
17DUNCAN — Aberdeen circa 1760. No 209.
19DUNCAN (George) — Glasgow end of xixth century. Clever copyist of the old masters. No 261.
21DYKES (G.-L.) — Leeds. Born in 1884. As mentioned on his label

The computer misreads some letters and numbers. Where a name matters to you, read the scan.