Bow & Bridge Violin and bow makers, as the old books printed them

Scan 826

Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart, 1904

26 lines. Read by computer on 3 September 2026. Printed page 802. See the scan on archive.org.

1Fétis. Notice of the celebrated Violin-Maker known by the Name of Stradivarius, preceded by historical and critical researches on the origin and transformations of bow instruments, and followed by a theoretical analysis of the bow, by F. J. Fétis, translated by J. Bishop facsimile. Price 5 sh.
2Fleischer, Prof. O. Führer durch die Sammlung alter Musikinstr. d. k. Hochsch. f. Musik in Berlin. Berlin 1892. 145 S. gr. 8°.
3— Führer durch die Bach-Ausstellung im Festsaale des Berl. Rathhauses 21.—31. März 1901. 46 S.
4Fleming, J. M. The fiddle fanciers guide. A manual information regarding violins, violas, cellos, and bows of classical and modern times together with biographical notices and portraits of the most performers on these instruments. 8°. sh. 3.00.
5— Old Violins and their makers: including some references to those of modern times. Ill. London (1884). L. Upcott Gill. 331 S. 8°.
6Fleury, E. Les instrum. de mus. sur les monum. du moyen-âge du Dép. de l’Aisne. Laon 1882.
7Folegatti, Prof. Ercole (aus Ferrara). Storia del violino e del archetto. Bologna, Fava e Garagnani 1873. 12°. 84 S.
8Freeman, J. C. Old and new violins. Musical Courier (New-York 1901) No. 1085.
9Foucher, G. Treatise on the history and construction of the violin. With a short acc. of the lives of its gr. players and makers etc. etc. New and rev. ed. London 1899. Haynes & Co. 82 S. kl. 8°. sh. 1.00.
10— Repairing, Restoring and adjustment of the violin. Simply and clearly explained for the use of violinists and amateurs. London 1899. Haynes & Co. 71 S. 8°.
11Fürstenau, M. Ein Instrumenten-Inventarium vom Jahre 1593. S.-A. aus den Mittheilungen des K. S. Alterth.-Vereins 1872. 11 S. 8°.
12— Geschichte der Musik und des Theaters am Hofe der Kurfürsten von Sachsen. Dresden 1862. 2 Bde. 8°.
14Galbusera-Geigenmodell, Ueber das. Vgl. Allgem. Musik-Ztg. 1832. No. 80.
15Galeazzi. Elementi di musica. Rom 1791. Pilucchi e Cracas.
16Gallay, Jules. Rapport sur les instruments de musique (à archet) de l’expos. univ. de Vienne 1873. Paris 1875.
17— Les Luthiers italiens aux XVII. et XVIII. siècle. Nouv. éd. du •Parfait Luthier (Chélonomie)• de l’abbé Sibire. Paris, Acad. des bibliophiles 1869.
18— Les Instruments des écoles italiennes. Catalogue précédé d’une introduction et suivi de notes sur les principaux maîtres. Paris, Gand 1872. 8°. (Reprod. de la Chélonomie de l’abbé Sibire.)
19— Les instruments à archet à l’Exposition universelle de 1867. (Paris, Jonaust 1867.)
20— Un inventaire sous la terreur par A. Bruni. Paris 1890.
21Galpin, F. W., and others. Catalogue of Crystal Palace Exhibition of Musical Instruments etc. Office of Musical News 1900. 94 S. 8°.
22Garzoni, T. La piazza vniversale di tutte le professioni del mondo. L’aggiunta di alcune bellissime annot. Venezia, Ol. Alberti 1616. 4°. XLI Disc. de musici così cantori come suonatori etc.
23Gaspari, Prof. Gaet., und Federico Parisini. Catalogo della Biblioteca del Liceo musicale di Bologna. Bologna 1890. 3 Bde.
24Geigenbau. Die Entwicklung des Geigenbaus in Italien. Classifizierung nach Schulen von ca. 160 Meistern. 3 Mark. 1 Stammbaum-Blatt Verlag von A. H. Payne.
25Gemünder. George Gemünders Progress in Violin Making with interesting facts concerning the Art and its critics in general by George Gemünder. Price 10 sh. (Auch deutsch.)

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