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Books › Essentials of music / 2 The American history and encyclopedia of music / W.L. Hubbard, ed (1910)

Essentials of music / 2 The American history and encyclopedia of music / W.L. Hubbard, ed

1910.

On archive.org as essentialsofmusi0002unse.

68 pages read (scans 25 to 492)0 makers on this site cite it

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

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25 A STUDY ON VIOLIN PLAYING Read
26 4 slight leaning forwards of head, shoulde… Read
27 5 The violin must be held straight ahead,… Read
28 6 The pupil must learn the difference betw… Read
29 7 The pupil, before starting with the high… Read
31 9 A STUDY ON VIOLIN PLAYING Read
32 10 simplicity in execution and the student… Read
33 11 A STUDY ON VIOLIN PLAYING Read
34 12 Rode's, but as it contains elements of a… Read
35 13 A STUDY ON VIOLIN PLAYING Read
36 14 A STUDY ON VIOLIN PLAYING Read
37 15 velocity in all technical matters, a man… Read
38 16 Beethoven. Concerto. Read
39 17 It is advisable to have the pupil, when… Read
40 18 This is the version of the composer to t… Read
41 19 gance, or vice versa. That gives the stu… Read
42 20 One of the good results arising from the… Read
43 21 Studies," and under the guidance of his… Read
51 ADVANCED VIOLIN INSTRUCTION Read
52 26 the entire twelve lessons. Being a summa… Read
53 27 (no line here) Read
54 28 part of the left hand is worse than usel… Read
55 29 or other unnecessary movements of the bo… Read
56 30 may retain a slight arch. A straight or… Read
57 31 RIGHT ARM AND SLANT OF INSTRUMENT.—The r… Read
58 32 stant retention of the bow on the string… Read
59 33 ADVANCED VIOLIN INSTRUCTION Read
60 34 (thumb, first and little fingers), at en… Read
61 35 in this way the beginner's attention can… Read
62 36 and positions at a distance from each ot… Read
63 37 the glissando. In this form of scale the… Read
64 38 of augmented and diminished intervals in… Read
66 40 exceptions to every rule and so there ar… Read
67 41 LESSON V. Read
68 42 crossings is because two things are bein… Read
69 43 mized in order that the room for the bre… Read
70 44 ADVANCED VIOLIN INSTRUCTION Read
73 47 bowing belong to the uninterrupted or co… Read
74 48 Spiccato Arpeggios.—The arpeggio on thre… Read
75 49 ing absolutely on relaxation, quietness… Read
76 50 and the natural varying of finger length… Read
77 51 in the higher positions, retains the sam… Read
78 52 to think of the content. This system of… Read
79 53 sure on the strings. This position must,… Read
80 54 Further, the relationship (only as far a… Read
81 55 rules, with the exception that the chord… Read
82 56 by fastening or fitting a small clasp or… Read
83 57 The left hand pizzicato is done by vehem… Read
84 58 necessity, limited to the overtones of e… Read
93 SOME REMARKS ON QUARTET PLAYING Read
94 64 ity (this is especially true of the firs… Read
95 65 the viola, thus the lower strings of the… Read
96 66 acter of the movement at once shows that… Read
97 67 As to the selection of material for earl… Read
107 73 Piano-makers knew nothing about harpsich… Read
108 74 the rest being an absurd hybrid compound… Read
119 85 This system of notation is a direct pict… Read
120 86 The form of the viol is simpler and smoo… Read
128 94 perfection, and his six sonatas for the… Read
129 95 The volume of tone of the clavichord com… Read
152 116 may be written on three different degree… Read
450 Enrico Clifford, O., ii, 357. Read
451 INDEX Read
452 INDEX Read
453 INDEX Read
454 Folk-song. Read
455 INDEX Read
492 INDEX Read