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Scan 104
Grove's dictionary of music and musicians, 1911
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1lived in Munich, with much concert-work, and since 1916 has been in New York, from 1918 teaching at the Institute of Musical Art. See art.
3*Hutcheson, Ernest (b. Australia, 1871), well known as concert-pianist since 1890, from 1900 taught at the Peabody Conservatory in Baltimore, in 1912–14 was teaching and touring in Europe, and since 1914 has lived in New York. See art.
5Ide, Chester Edward (b. Springfield, Ill., 1878), trained in London, for many years worked at Springfield, and since 1916 has taught at the Music School Settlement in New York. See art.
7*Jacchia, Agide (b. Italy, 1875), in 1902 visited the United States as conductor with Mascagni, and since 1907 has been conductor of various operatic enterprises in different parts of America. See art.
9James, Philip (b. New York, 1890), studied in New York, from about 1905 was organist there and in Jersey City, in 1908 gave recitals in London and Paris, and has since been occupied with conducting and composition. See art.
11Jordan, Eben Dyer (Boston, 1857–1916, Boston), from 1880 in the firm of Jordan, Marsh & Co., in Boston, in 1902 was a large donor to the New England Conservatory's new buildings, including the auditorium 'Jordan Hall,' and in 1909 was a leading promoter of the Boston Opera House.
13*Jörn, Karl (b. Russia, 1876), the operatic tenor, has sung at the Metropolitan Opera House in New York since 1908 and also at Buenos Aires since 1913.
15*Kahn, Otto Hermann (b. Baden, 1867), engaged in banking in New York since 1893 (from 1897 in Kuhn, Loeb & Co.), since about 1900 has been eminent as patron and promoter of important musical interests. See art.
17*Kéfer, Paul (b. France, 1875), an excellent 'cellist, in 1908–13 was leading player in the New York Symphony Society, in 1913, with Barrère and Salzedo, formed the Trio de Lutèce, and has played much in concert as well as teaching.
19*Kelbe, Theodore (b. Brunswick, 1862), a violinist of experience in Germany, from 1901 was concertmaster of the Milwaukee Symphony Orchestra, and since 1904 has conducted the Sängerbund des Nordwestens, giving large festivals at various centers, and since 1910 has taught at the Schenuit Conservatory in Milwaukee.
21*Klein, Hermann (b. England, 1856), who had been music-critic in England from 1877, publishing annual Musical Notes; 1886–89, was vocal teacher in New York in 1901–09, then returning to London, publishing Thirty Years of Musical Life in London, 1903, and Unmusical New York, 1909.
23Klein, Karl (b. New York, 1884), son of B. O. Klein (see sec. 6), studied in New York, Leipzig, Brussels and London, from 1905 was concert-violinist in Europe, from 1907 toured in America, and in 1911–12 was concert-master of the Russian Symphony Orchestra.
25*Kolar, Victor (b. Hungary, 1888, of Bohemian parents), came to America in 1904 as concert-violinist, from 1905 played in the Pittsburgh Orchestra, and since 1907 in the New York Symphony Society, becoming assistant-conductor in 1915. See art.
27Kraus, Adrienne, née Osborne [Eisbein] (b. Buffalo, 1873), trained in Germany as operatic contralto, in 1899 married the eminent Wagnerian tenor, Felix von Kraus, and, after wide tours, settled in Munich, singing Wagnerian rôles exclusively.
29*Kriens, Christiaan Pieter Wilhelm (b. Holland, 1881), favorably known as violinist since 1895, in 1906–07 conducted the French Opera Company in New Orleans, in 1907 came to New York, where in 1911 he formed a Quartet and in 1912 a Symphony Club. See art.
31LaForge, Frank (b. Rockford, Ill., 1879), studied in Chicago and Vienna, and since 1904 has been eminent as accompanist and composer of songs and piano-pieces. See art.
33Lambord, Benjamin (Portland, Me., 1879–1915, Lake Hopatcong, N. Y.), studied in Boston, New York and abroad, from 1904 was organist at Kingsbridge, N. Y., and in 1912 organized a choral society which in 1914 became the Modern Music Society. See art.
35*Langenus, Gustav (b. Belgium, 1883), for about ten years has been leading clarinettist in the New York Symphony Society and instructor at the Institute of Musical Art. In 1915, with Carolyn Beebe, he organized the Chamber Music Society and was its conductor one season, and in 1916 conducted municipal band-concerts. He has written instruction-books for the clarinet.
37Lanham, McCall (b. Weatherford, Tex., 1877), trained in New York and Paris, since 1901 has appeared widely as concert-baritone, especially as song-interpreter, and since 1902 has taught at the American Institute of Applied Music in New York.
39LaRoss, Earle Douglass (b. Easton, Pa., 1887), studied in New York, from 1906 appeared as concert-pianist, and since 1914 has conducted the Easton Symphony Orchestra.
41*Laucella, Nicola (b. Italy, 1882), came to New York in boyhood and studied there, from 1903 was flutist in the Pittsburgh Orchestra, and since 1906 in the New York Philharmonic Society. He has written a string-quartet, several orchestral poems or sketches, and the opera 'Mochanà.'
43*Lemare, Edwin Henry (b. England, 1865), the distinguished organist, in 1902–05 was organist at the Carnegie Institute in Pittsburgh, in 1915 gave many recitals at the Panama Exposition in San Francisco, and since 1917 has been city organist there. See Vol. ii. 673, and art.
45Lemont, Cedric Wilmot (b. Fredericton, N. B., 1879), studied in Boston, from 1904 was or-
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