Books › Grove's dictionary of music and musicians, 1922 › scan 29
Scan 29
Grove's dictionary of music and musicians, 1922
80 lines. Read by computer on 5 September 2026. No printed page number was found. See the scan on archive.org.
1Op.
2166. Idylle: Valse champêtre. PF. solo. Seitz.
3167. 4th Symphony (G minor). Orchestra. Schubert.
4168. Fantaisie-Sonate (D minor). PF. solo. Siegel.
5169. Romanze; Valse brillante. PF. solo. Siegel.
6170. La Polka glissante, Caprice. PF. solo. Siegel.
7171. 'Im Kahn' and 'Der Tanz.' 2 songs for Mixed Choir and Orchestra. Siegel.
8172. 'Maria Stuart, ein Cyclus von Gesängen,' for Voice and PF. (11 Nos.) Siegel.
9173. 8 Gesänge for Voice and PF. Seitz.
10174. 'Aus dem Tanzsalon, Phantasie Stücke' (12 Nos.). PF. 4 hands. Seitz.
11175. 'Orientalis,' 8 Morceaux. PF. solo. Forberg.
12176. Octet for strings (C). Seitz.
13177. 5th Symphony, 'Lenore.' Orch. Seitz.
14178. Sestet. 2 VV., 2 violas, 2 violoncellos. Seitz.
15179. Variations on an original theme. PF. solo. Seitz.
16180. Suite for Solo V. and Orch. Siegel.
17181. 2nd Humoreske in Waltz form, 'Todtentanz (Danse macabre).' PF. duet. Siegel.
18182. 2 Romances for Horn (or violoncello) and PF. Siegel.
19183. Sonata for PF. and violoncello. Siegel.
20184. 6 Songs for 3 women's voices and PF. Siegel.
21185. Concerto. PF. and Orch. (C minor). Siegel.
22186a. Morgenlied for Mixed Choir and Orch. Siegel.
23186b. Einer entschlafen. Soprano solo, Chor. and Orch. Siegel.
24187. Erinnerung an Venedig (6 Nos.). PF. solo. Siegel.
25188. Sinfonietta for wind instruments. Siegel.
26189. 6th Symphony (D minor), 'Gelebt, gestrebt, gelitten, gestritten, gestorben, umworben.' Orch. B. B.
27190. Feux follets, Caprice-étude. PF. solo. Siegel.
28191. Blumensprache. Six Songs. Ries and Erler.
29192. 3 String Quartets. No. 6. (C minor) Suite älterer Form.—No. 7. (D) Die schöne Müllerin.—No. 8. (C) Suite in Canon-form. Kahnt.
30193. Concerto (D minor). Violoncello and Orch. Siegel.
31194. 2nd Suite in Ungarischer Weise (F). Orch. Bahn.
32195. 10 Gesänge for men's voices. Kahnt.
33196. Etude 'am Schiff'; Berceuse; Novelette; Impromptu. PF. solo. Seitz.
34197. Capriccio (Dg). PF. solo. Seitz.
36Op.
37198. 10 Gesänge for Mixed Choir. Seitz.
38199. 2 Scenes for Solo Voice and Orch. 'Jäger-braut' and 'Die Hirtin.' Siegel.
39200. Suite in Eb for PF. and Orch. Siegel.
40201. 7th Symphony, 'In the Alps' (Bb). Orch. Seitz.
41202. 2 Quartets for PF. V. Va. and violoncello (G). Siegel.
42203. 'Volker,' cyclische Tondichtung (9 Nos.). V. and PF. Siegel.
43204. Suite (Bb). Orch. Challier.
44205. 8th Symphony 'Frühlingsklänge' (A). Orch. Siegel.
45206. 2nd Concerto for V. and Orch. (A minor). Siegel.
46207a. Phantasie (G minor). 2 PFs. Siegel.
47207b. The same arranged for PF. and strings. Siegel.
48208. 9th Symphony (E minor), 'Im Sommer.' Orch. Siegel.
49209. 'Die Tageszeiten,' for Choir, PF., and Orch. B. & H.
50210. Suite for Vln. and PF. Siegel.
51211. 'Blondel de Nesle,' Cyclus von Gesängen. Barit. and PF. B. & H.
52212. Weltende—Gericht—Neue Welt, oratorio. B. & H.
53213. 10th Symphony, 'Zur Herbstzeit.' Siegel.
54214. 11th Symphony, 'Der Winter.' Siegel.
55215. 'Von der schwäbischen Alb,' 10 PF. pieces. Siegel.
56216. 'Aus der Adventzeit.' 8 PF. pieces. Bahn.
58WORKS WITHOUT OPUS-NUMBER.
59Valse-rondino on motifs from Salomon's 'Diamantkreuz.' Schubert.
60Reminiscences of the 'Meistersinger' (4 Pts.). Schott.
61Valse-imromptu à la Tyrolienne. Schott.
62Abendlied by Schumann. Concert-paraphrase. Schubert.
63Berceuse on an Idea of Gounod's. Siegel.
64Improvisation on Damrosch's Lied 'Der Lindenzweig.' Lichtenberg.
65Valse de Juliette (Gounod). Siegel.
664 Capriccios on Wallachian (2) and Servian (2) themes. Siegel.
67Introduction and Fugue for Organ (E minor). R. B.
68Raff-Album—containing op. 156; 157, Nos. 1, 2; 166, No. 2; 196, Nos. 1—4; 197. Seitz.
69Oper im Salon—containing op. 35—37, 43—45, 61, 65. Schubert.
70Frühlings-Lied. Mez. Sop. and PF. Schott.
71Ständchen for Voice and PF. Cotta.
73RAG TIME. A modern term, of American origin, signifying, in the first instance, broken rhythm in melody, especially a sort of continuous syncopation. 'Rag time tunes' is a name given in the States to those airs which are usually associated with the so-called 'coon' songs or lyrics, which are supposed to depict negro life in modern America. F. K.
75RAIF, OSKAR (born July 31, 1847, at Zwolle, in Holland, died July 29, 1899, in Berlin), was a pupil of Tausig, and occupied a post as pianoforte teacher in the Royal Hochschule at Berlin, with the title of Königlicher Professor, from 1875 till the time he died. H. v. H.
77RAIMONDI, IGNAZIO, Neapolitan violinist and composer. The date of his birth is unknown, but, judging by the fact that he went to Amsterdam in 1760, and there produced his first compositions, we may infer that he was born about 1735 or 1740. He died in London at his own house, 74 Great Portland Street, January 14, 1813. During his residence in Amsterdam he established periodical concerts, and produced his symphony entitled 'The Adventures of Telemachus.' From Amsterdam he went to Paris, where his opera, 'La Muette,' was performed, and about 1790-91 he came to London, where he received sufficient encouragement to induce him to make it his permanent home. His compositions became very popular in England, particularly a symphony entitled 'The Battle.' On June 1, 1791, he gave a benefit concert at the Hanover Square Rooms, at which he figured both as violinist and composer; he was assisted by Signor Pacchierotti, Madame Mara, Lord Mornington, and Monsieur Dahmer (vide Morning Chronicle, June 1, 1791). The following year he gave a series of subscription concerts at Willis's Rooms, and at these he both played solos and led the orchestra. Emanuele Barbella is said to have taught Raimondi the violin, but whether this be fact or no, we may infer from Dr. Burney's remark (History of Music, vol. iii.), 'The sweet tone and polished style of a Raimondi,' that this artist's technique was of the then greatly admired Tartini school. Raimondi's published compositions include two symphonies—besides the 'Telemachus' above mentioned, a number of quartets for two violins, viola, and violoncello, two sets of six trios for two violins and violoncello, and some sonatas for two violins, violin and violoncello, and violin and viola.—Dr. Burney, History of Music; Park (W. T.), Musical Memoirs; Fétis, Biog. des Mus.; Eitner, Quellen-Lexikon; The Gentleman's Magazine, Jan. 1813; The Times, May 14, 1800. E. H.-A.
79RAIMONDI, PIETRO, was born at Rome of poor parents Dec. 20, 1786. At an early age he passed six years in the Conservatorio of the Pietà de' Turchini at Naples, and after many wanderings, mostly on foot—from Naples to Rome, from Rome to Florence, from Florence to Genoa—and many years, he at length found an opportunity of coming before the public with an opera entitled 'Le Bizzarrie d'Amore,' which was performed at Genoa in 1807. After three years there, each producing its opera, he passed a twelvemonth at Florence, and brought out two more. The next twenty-five years were spent between Rome, Milan, Naples, and Sicily, and each year had its full complement of operas and ballets. In 1824 he became director of the royal theatres at Naples, a position which he retained till 1832. In that year the brilliant success of his opera buffa, 'Il Ventaglio' (Naples, 1831), procured him the post of Professor of Composition in the Conservatorio at Palermo. Here he was much esteemed, and trained several promising pupils. In December 1852, he was called upon to succeed Basili as Maestro di
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