Books › Grove's Dictionary of music and musicians, 1927 › scan 94
Scan 94
Grove's Dictionary of music and musicians, 1927
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1<table>
2 <tr>
3 <th>No.</th>
4 <th>Description</th>
5 <th>Written.</th>
6 <th>First Performance.</th>
7 <th>Publisher.</th>
8 </tr>
9 <tr>
10 <td>22</td>
11 <td>Song: 'Love not me.'</td>
12 <td>1865</td>
13 <td></td>
14 <td></td>
15 </tr>
16 <tr>
17 <td>23</td>
18 <td>Exercise for Mus.B. at Oxford: oratorio, 'O Lord Thou hast cast us out.'</td>
19 <td>1865–66</td>
20 <td>Eton Coll. Mus. Soc., Dec. 8, 1867.</td>
21 <td>Lamborn Cock, 1876</td>
22 </tr>
23 <tr>
24 <td>24</td>
25 <td>Madrigal in five parts: 'Fair Daffodils' (Herrick).</td>
26 <td>1866</td>
27 <td>Roy. Glee and Madrigal Union, Feb. 12 1866. Eton Coll. Mus. Soc., Mar. 22, 1866. Eton Coll. Mus. Soc., Dec. 11, 1867.</td>
28 <td>Lamborn Cock, 1866.</td>
29 </tr>
30 <tr>
31 <td>25</td>
32 <td>Four-part song: 'Oft in the stilly night' (Moore).</td>
33 <td>1866</td>
34 <td></td>
35 <td></td>
36 </tr>
37 <tr>
38 <td>26</td>
39 <td>Song: 'Autumn' (Thomas Hood).</td>
40 <td>? 1866</td>
41 <td></td>
42 <td>Lamborn Cock, 1867.</td>
43 </tr>
44 <tr>
45 <td>27</td>
46 <td>Song: 'When the grey skies are flushed with rosy streaks.'</td>
47 <td></td>
48 <td></td>
49 <td></td>
50 </tr>
51 <tr>
52 <td>28</td>
53 <td>Song: 'Angel hosts, sweet love, befriend thee' (Lord Francis Hervey).</td>
54 <td></td>
55 <td></td>
56 <td>Lamborn Cock, 1867.</td>
57 </tr>
58 <tr>
59 <td>29</td>
60 <td>Allegretto scherzando in E flat for orchestra.</td>
61 <td>1867</td>
62 <td></td>
63 <td></td>
64 </tr>
65 <tr>
66 <td>30</td>
67 <td>1st string quartet in G minor.</td>
68 <td>1867</td>
69 <td></td>
70 <td></td>
71 </tr>
72 <tr>
73 <td>31</td>
74 <td>Song: 'Sleep, my love.'</td>
75 <td>1867</td>
76 <td></td>
77 <td></td>
78 </tr>
79 <tr>
80 <td>32</td>
81 <td>Eight-part fugue: 'Kyrie eleison.'</td>
82 <td>? 1867</td>
83 <td></td>
84 <td>(Nos. 32 and 33 are preserved among Parry's MSS., but are not in his autograph.)</td>
85 </tr>
86 <tr>
87 <td>33</td>
88 <td>Five-part chorus: 'Lobet den Herren.'</td>
89 <td>? 1867</td>
90 <td></td>
91 <td></td>
92 </tr>
93 <tr>
94 <td>34</td>
95 <td>Andante in C for PF.</td>
96 <td>1867</td>
97 <td></td>
98 <td></td>
99 </tr>
100 <tr>
101 <td>35</td>
102 <td>Two duettinos for PF. and vcl.</td>
103 <td>1868</td>
104 <td></td>
105 <td></td>
106 </tr>
107 <tr>
108 <td></td>
109 <td>1. In F.</td>
110 <td></td>
111 <td></td>
112 <td></td>
113 </tr>
114 <tr>
115 <td></td>
116 <td>2. In G.</td>
117 <td></td>
118 <td></td>
119 <td></td>
120 </tr>
121 <tr>
122 <td>36</td>
123 <td>Romance in D for violin.</td>
124 <td></td>
125 <td></td>
126 <td></td>
127 </tr>
128 <tr>
129 <td>37</td>
130 <td>Te Deum and Benedictus in D.</td>
131 <td>1866–68</td>
132 <td></td>
133 <td>Novello, 1868.</td>
134 </tr>
135 <tr>
136 <td></td>
137 <td>Remainder of Morning and Evening Service and Communion Service.</td>
138 <td>? 1868</td>
139 <td></td>
140 <td>Novello, 1869.</td>
141 </tr>
142 <tr>
143 <td>38</td>
144 <td>Sonnets and Songs without Words, set 1:</td>
145 <td></td>
146 <td></td>
147 <td></td>
148 </tr>
149 <tr>
150 <td></td>
151 <td>1. A Pastoral.</td>
152 <td></td>
153 <td></td>
154 <td>Lamborn Cock, 1869.</td>
155 </tr>
156 <tr>
157 <td></td>
158 <td>2. Owlet.</td>
159 <td></td>
160 <td></td>
161 <td></td>
162 </tr>
163 <tr>
164 <td></td>
165 <td>3. Gnome.</td>
166 <td></td>
167 <td></td>
168 <td></td>
169 </tr>
170 <tr>
171 <td></td>
172 <td>4. Lied.</td>
173 <td></td>
174 <td></td>
175 <td></td>
176 </tr>
177 <tr>
178 <td>39</td>
179 <td>Intermezzo religioso for orch.</td>
180 <td>1868</td>
181 <td>Gloucester Fest., 1868.</td>
182 <td></td>
183 </tr>
184 <tr>
185 <td>40</td>
186 <td>Short trios in F for PF., vln. and viola.</td>
187 <td>1868</td>
188 <td></td>
189 <td></td>
190 </tr>
191 <tr>
192 <td>41</td>
193 <td>2nd string quartet in C minor.</td>
194 <td>1868</td>
195 <td></td>
196 <td></td>
197 </tr>
198 <tr>
199 <td>42</td>
200 <td>Song: 'Dainty Form.'</td>
201 <td>1868</td>
202 <td></td>
203 <td></td>
204 </tr>
205 <tr>
206 <td>43</td>
207 <td>Four-part song (A.T.B.B.): 'Battle of the Baltic' (words incomplete).</td>
208 <td>? 1868</td>
209 <td></td>
210 <td></td>
211 </tr>
212 <tr>
213 <td>44</td>
214 <td>Song: 'O world, O life, O time' (Shelley). (See No. 221.)</td>
215 <td>1868</td>
216 <td></td>
217 <td>Novello, 1920.</td>
218 </tr>
219 <tr>
220 <td>45</td>
221 <td>Partsong (T.T.B.B.): 'There lived a sage.'</td>
222 <td>May 1869</td>
223 <td></td>
224 <td></td>
225 </tr>
226 <tr>
227 <td>46</td>
228 <td>Song: 'Ah, woe is me, poor silver-wing.'</td>
229 <td>1869</td>
230 <td></td>
231 <td></td>
232 </tr>
233 <tr>
234 <td>47</td>
235 <td>1. Three miniatures for PF.</td>
236 <td>Sketched 1868</td>
237 <td></td>
238 <td></td>
239 </tr>
240 <tr>
241 <td></td>
242 <td>2. Berceuse.</td>
243 <td></td>
244 <td></td>
245 <td></td>
246 </tr>
247 <tr>
248 <td></td>
249 <td>3. Romance.</td>
250 <td></td>
251 <td></td>
252 <td></td>
253 </tr>
254 <tr>
255 <td></td>
256 <td>4. Study, etc.</td>
257 <td></td>
258 <td></td>
259 <td></td>
260 </tr>
261 <tr>
262 <td>48</td>
263 <td>Sonnets and Songs without Words, set 2:</td>
264 <td>1867 and onwards</td>
265 <td></td>
266 <td>Lamborn Cock, 1875.</td>
267 </tr>
268 <tr>
269 <td></td>
270 <td>1. Resignation.</td>
271 <td></td>
272 <td></td>
273 <td></td>
274 </tr>
275 <tr>
276 <td></td>
277 <td>2. L'Allegro.</td>
278 <td></td>
279 <td></td>
280 <td></td>
281 </tr>
282 <tr>
283 <td></td>
284 <td>3. Il Penseroso.</td>
285 <td></td>
286 <td></td>
287 <td></td>
288 </tr>
289 <tr>
290 <td>49</td>
291 <td>Song: 'The River of Life' (Lord Pembroke).</td>
292 <td>–</td>
293 <td>–</td>
294 <td>Lamborn Cock, 1870.</td>
295 </tr>
296 <tr>
297 <td>50</td>
298 <td>'Fairest dreams may be forgotten.'</td>
299 <td>1870</td>
300 <td></td>
301 <td></td>
302 </tr>
303 <tr>
304 <td>51</td>
305 <td>Anthem: 'Blessed are they who dwell in Thy house.'</td>
306 <td>1870</td>
307 <td></td>
308 <td></td>
309 </tr>
310 <tr>
311 <td>52</td>
312 <td>Anthem: 'Lord, I have loved the habitation of Thy house.'</td>
313 <td>1870</td>
314 <td></td>
315 <td></td>
316 </tr>
317 <tr>
318 <td>53</td>
319 <td>Allegretto pastorale in G for vln. and PF.</td>
320 <td>1870</td>
321 <td></td>
322 <td></td>
323 </tr>
324 <tr>
325 <td>54</td>
326 <td>Six pieces (Freundschaftslieder) for PF. and violin:</td>
327 <td>1872</td>
328 <td></td>
329 <td></td>
330 </tr>
331 <tr>
332 <td></td>
333 <td>1. 'The Confidence of Love.' Andante E major.</td>
334 <td></td>
335 <td></td>
336 <td></td>
337 </tr>
338 <tr>
339 <td></td>
340 <td>2. Allegro in C major.</td>
341 <td></td>
342 <td></td>
343 <td></td>
344 </tr>
345 <tr>
346 <td></td>
347 <td>3. Nocturne in G minor.</td>
348 <td></td>
349 <td></td>
350 <td></td>
351 </tr>
352 <tr>
353 <td></td>
354 <td>4. Ballade in D minor.</td>
355 <td></td>
356 <td></td>
357 <td></td>
358 </tr>
359 <tr>
360 <td></td>
361 <td>5. Andante in F.</td>
362 <td></td>
363 <td></td>
364 <td></td>
365 </tr>
366 <tr>
367 <td></td>
368 <td>6. Allegro in C minor.</td>
369 <td></td>
370 <td></td>
371 <td></td>
372 </tr>
373 <tr>
374 <td>55</td>
375 <td>Seven 'Charakterbilder' for PF.:</td>
376 <td>1872</td>
377 <td></td>
378 <td>Augener, ? 1872.</td>
379 </tr>
380 <tr>
381 <td></td>
382 <td>1. Dreaming.</td>
383 <td></td>
384 <td></td>
385 <td></td>
386 </tr>
387 <tr>
388 <td></td>
389 <td>2. Con energia.</td>
390 <td></td>
391 <td></td>
392 <td></td>
393 </tr>
394 <tr>
395 <td></td>
396 <td>3. Passion.</td>
397 <td></td>
398 <td></td>
399 <td></td>
400 </tr>
401 <tr>
402 <td></td>
403 <td>4. Allegro.</td>
404 <td></td>
405 <td></td>
406 <td></td>
407 </tr>
408 <tr>
409 <td></td>
410 <td>5. Espressivo.</td>
411 <td></td>
412 <td></td>
413 <td></td>
414 </tr>
415 <tr>
416 <td></td>
417 <td>6. Allegro energetico.</td>
418 <td></td>
419 <td></td>
420 <td></td>
421 </tr>
422 <tr>
423 <td></td>
424 <td>7. Adagio con sentimento.</td>
425 <td></td>
426 <td></td>
427 <td></td>
428 </tr>
429 <tr>
430 <td>56</td>
431 <td>Song: 'Not unavailing.'</td>
432 <td>? 1872</td>
433 <td></td>
434 <td></td>
435 </tr>
436 <tr>
437 <td>57</td>
438 <td>Three songs:</td>
439 <td>? 1873</td>
440 <td></td>
441 <td>Lamborn Cock, 1873.</td>
442 </tr>
443 <tr>
444 <td></td>
445 <td>1. 'The Poet's Song' (Tennyson).</td>
446 <td></td>
447 <td></td>
448 <td></td>
449 </tr>
450 <tr>
451 <td></td>
452 <td>2. 'More fond than Cushat Dove' (Barham).</td>
453 <td></td>
454 <td></td>
455 <td></td>
456 </tr>
457 <tr>
458 <td></td>
459 <td>3. 'Music' (Shelley).</td>
460 <td></td>
461 <td></td>
462 <td></td>
463 </tr>
464 <tr>
465 <td>58</td>
466 <td>Songs:</td>
467 <td>1873</td>
468 <td></td>
469 <td></td>
470 </tr>
471 <tr>
472 <td></td>
473 <td>1. 'An Evening Cloud.' 2. 'A Shadow.'</td>
474 <td></td>
475 <td></td>
476 <td></td>
477 </tr>
478 <tr>
479 <td>59</td>
480 <td>Two short pieces for PF.:</td>
481 <td>1. In C. 2. In F.</td>
482 <td>1873</td>
483 <td></td>
484 <td></td>
485 </tr>
486 <tr>
487 <td>60</td>
488 <td>Te Deum in E flat.</td>
489 <td>1873</td>
490 <td></td>
491 <td></td>
492 </tr>
493 <tr>
494 <td>61</td>
495 <td>Overture: 'Vivien.'</td>
496 <td>1873</td>
497 <td>Seems to have been played (? rehearsed) Crystal Palace, Nov. 21, 1873 (Manns). No trace left of the work.</td>
498 <td></td>
499 </tr>
500 <tr>
501 <td>62</td>
502 <td>Song: 'Twilight' (Lord Pembroke).</td>
503 <td>1874</td>
504 <td></td>
505 <td>Lamborn Cock, 1875.</td>
506 </tr>
507 <tr>
508 <td>63</td>
509 <td>A Garland of Old-fashioned Songs:</td>
510 <td>1873 to 1881</td>
511 <td></td>
512 <td></td>
513 </tr>
514 <tr>
515 <td></td>
516 <td>1. 'On a day, alack the day' (Shakespeare).</td>
517 <td></td>
518 <td></td>
519 <td>Lamborn Cock, 1874.</td>
520 </tr>
521 <tr>
522 <td></td>
523 <td>2. 'A Spring Song' (Shakespeare).</td>
524 <td></td>
525 <td></td>
526 <td>Boosey, 1880–81.</td>
527 </tr>
528 <tr>
529 <td></td>
530 <td>3. 'A Contrast' (Anon.).</td>
531 <td></td>
532 <td></td>
533 <td></td>
534 </tr>
535 <tr>
536 <td></td>
537 <td>4. 'Concerning Love' (S. Daniel).</td>
538 <td></td>
539 <td></td>
540 <td></td>
541 </tr>
542 <tr>
543 <td></td>
544 <td>5. 'A Sea Dirge' (Shakespeare).</td>
545 <td></td>
546 <td></td>
547 <td></td>
548 </tr>
549 <tr>
550 <td></td>
551 <td>6. 'Merry Margaret' (Skelton).</td>
552 <td>1873</td>
553 <td></td>
554 <td></td>
555 </tr>
556 <tr>
557 <td>64</td>
558 <td>Christmas carol: 'He is coming' (Mrs. H. Gladstone).</td>
559 <td>1873</td>
560 <td></td>
561 <td>Novello 1874.</td>
562 </tr>
563 <tr>
564 <td>65</td>
565 <td>Four sonnets with English and German words (all Shakespeare):</td>
566 <td>1873 to 1882</td>
567 <td></td>
568 <td>Stanley Lucas 1887.</td>
569 </tr>
570 <tr>
571 <td></td>
572 <td>1. 'When in disgrace.'</td>
573 <td>(1874–75)</td>
574 <td></td>
575 <td>Augener, 1904.</td>
576 </tr>
577 <tr>
578 <td></td>
579 <td>2. 'Farewell, thou art too dear.'</td>
580 <td>(1882)</td>
581 <td></td>
582 <td></td>
583 </tr>
584 <tr>
585 <td></td>
586 <td>3. 'Shall I compare thee to a summer's day?'</td>
587 <td></td>
588 <td></td>
589 <td></td>
590 </tr>
591 <tr>
592 <td></td>
593 <td>4. 'When to the sessions of sweet silent thought.'</td>
594 <td></td>
595 <td></td>
596 <td></td>
597 </tr>
598 <tr>
599 <td>66</td>
600 <td>Song: 'If thou survive my well-contented day' (Shakespeare).</td>
601 <td>1874</td>
602 <td></td>
603 <td></td>
604 </tr>
605 <tr>
606 <td>67</td>
607 <td>Three trios for 'emale voices:</td>
608 <td>1. 'To Night' (Hamilton Aide)</td>
609 <td>–</td>
610 <td>–</td>
611 <td>Lamborn Cock, 1875.</td>
612 </tr>
613</table>
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