Scan 61
Grove's Dictionary of Music and Musicians: Being the Sixth Volume of the …, 1920
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1*Klein, Bruno Oscar (Hanover, 1858–1911, New York), trained by his father and at Munich, came to America in 1878 as concert-pianist, and from 1884 was teacher, organist and composer in New York. See art.
3*Koelling, Adolph (Hamburg, 1840–?), brother and pupil of Karl W. P. Koelling and otherwise trained at Hamburg, came to America in 1872, and, after teaching at Poughkeepsie, became head of the theory-department of the Chicago Musical College.
5*Kofler, Leo (Tyrol, 1837–1908, New Orleans), from 1877 was organist of St. Paul's Chapel in New York and vocal teacher. He published The Art of Breathing, 1889 (also in German, 1897) — a thoughtful handbook.
7*Korby, Francis Alexander (Hungary, 1846–1913, England), operatic tenor and concert-pianist, came to America in 1871, touring as player and then teaching in New York until 1894, when he removed to London. See Vol. ii. 595, and art.
9Krehbiel, Henry Edward (b. Ann Arbor, Mich., 1854), after studying law at Cincinnati, was musical critic there from 1874, removing in 1880 to New York, where he is distinguished as critic, lecturer, author and editor. See Vol. ii. 599, and art.
11Lanier, Sidney (Macon, Ga., 1842–1881, Lynn, N. C.), the gifted Southern poet, from 1873 was flutist in the Peabody Orchestra, Baltimore, and lecturer at Johns Hopkins University. See art.
13Levett, David Maurice (New York, 1844–1914, New York), trained at Leipzig, from 1876 taught in New Brunswick, N. J., Jacksonville, Ill., and Chicago, settling in New York in 1885, after 1900 teaching in the College of Music. In 1898–1900 he was in the faculty of the Stern Conservatory in Berlin. He composed the symphonic poems 'Harlequinade' and 'Memories,' a Romance and Serenade for violin and piano, etc.
15Lichtenberg, Leopold (b. San Francisco, 1861), a precocious violinist, touring with Wieniawski in 1873, then studied at Brussels with him, toured in America and abroad, was in the Boston Symphony Orchestra and from 1899 head of the violin-department of the National Conservatory in New York. Since 1904 he has played in the Margulies Trio. See art.
17*Lisser, Louis (b. Pomerania, 1850), after study at Berlin and tours in Prussia as pianist, came to San Francisco in 1879, and since 1880 has been Dean of Music in Mills College, Oakland (now emeritus). He has been active in many musical organizations.
19Lorenz, Edmund Simon (b. Stark Co., O., 1854), graduated from Otterbein University and Yale Divinity School and continued theological study at Leipzig, from 1885 was pastor in Dayton, O., and in 1887–88 president of Lebanon Valley College in Pennsylvania, but in 1890 turned to publishing and established his now extensive business at Dayton. Since 1875 he has edited many books for choirs, congregations and Sunday-schools, and a manual on Practical Church Music, 1909. See Hall, Gospel Song and Hymn Writers, pp. 318–22.
21Lutkin, Peter Christian (b. Thompsonville, Wis., 1858), trained in Chicago, Berlin, Paris and Vienna, organist and teacher in Chicago from 1872, and since 1891 at Northwestern University, Evanston (dean from 1897), choral conductor, composer and author. See art.
23Macdougall, Hamilton Crawford (b. Warwick, R. I., 1858), studied in Boston and London, from 1874 was organist in Providence and later in Boston, and since 1900 has been professor at Wellesley College. See art.
25*Manoly, Ludwig Emanuel (b. Hungary, 1855), came to America in 1876 as double-bassist in the Thomas Orchestra and has since been a noted player and teacher in New York.
27*Mapleson, James Henry (England, 1829–1901, England), a versatile impresario, conducted opera seasons in New York at the Academy of Music in 1878–86 and again in 1896–97, introducing many important singers, but maintaining no consistent artistic standard. See Vol. iii. 44.
29*Maurel, Victor (b. France, 1848), the distinguished operatic baritone, visited America in 1874, and again in 1894–95, and in 1909–10 was a teacher in New York. See Vol. iii. 94, and Baker, Dict. of Musicians, p. 592.
31McCoy, William J. (b. Crestline, O., 1848), studied in New York and Leipzig, began producing orchestral works in 1872 in Germany, and settled in San Francisco as composer and author. See art.
33Mees, Arthur (b. Columbus, O., 1850), trained at Berlin, began teaching in the Cincinnati College of Music, and since 1880 has been a versatile and accomplished conductor as well as a forceful critic and writer. See art.
35Morgan, Maud (b. New York, 1864), daughter and pupil of George W. Morgan (see sec. 4), appeared as harpist in 1875, and, after study in London, became a favorite concert-performer in New York.
37Morse, Charles Henry (b. Bradford, Mass., 1853), trained in Boston, from 1873 taught there and at Wellesley College, in 1885 established the Northwestern Conservatory at Minneapolis, from 1891 was organist in Brooklyn, and since 1901 has been professor at Dartmouth College. See art. His brother, Frank Eugene Morse (b. 1856), has long been a prominent teacher of singing in Wellesley and Boston.
39Myer, Edmund John (b. York Springs, Pa., 1846), eminent as vocal teacher and expert since 1877, chiefly at New York. See art.
41*Nicholl, Horace Wadham (b. England, 1848), came to Pittsburgh in 1871 as organist, removing in 1878 to New York, where he has been notable as player, teacher, composer and writer. See Vol. iii. 372, and art.
43*Nilsson, Christine (b. Sweden, 1843), the great operatic soprano, first appeared in
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