Scan 81
Grove's Dictionary of Music and Musicians: Being the Sixth Volume of the …, 1920
42 lines. Read by computer on 11 September 2026. No printed page number was found. See the scan on archive.org.
1Carter, Ernest Trow (b. Orange, N. J., 1866), trained in New York and Berlin, from 1892 taught in Nordhoff, Cal., in 1897–98 was organist of the American Church in Berlin, in 1899–1901 was organist and lecturer at Princeton University, and has since been conductor and composer in New York. He has written the opéra comique 'The Blonde Donna,' a symphonic suite, a string-quartet, and many songs and anthems.
3*Caruso, Enrico (b. Italy, 1873), the great operatic tenor, appeared in South America in 1899–1903, and in New York since 1903. See Vol. v. 622, and art.
5Clark, Charles William (b. Van Wert, O., 1865), trained as concert-baritone in Chicago and London, since 1897 has been widely heard in America and Europe, besides teaching in the Bush Conservatory, Chicago.
7*Clemens, Charles Edwin (b. England, 1858), came to Cleveland in 1896 as organist, and since 1899 has been lecturer or professor at Western Reserve University. See art.
9Coerne, Louis Adolphe (b. Newark, 1870), studied at Harvard and in Boston and Munich, from 1894 was conductor in Buffalo, from 1897 in Columbus, in 1899–02 and again in 1905–07 lived in Europe, in 1903–04 was professor at Smith College, in 1907–09 music-director in Troy, N. Y., from 1900 professor at Olivet College in Michigan, from 1910 at the University of Wisconsin, and since 1915 at Connecticut College. See art.
11Cole, Rossetter Gleason (b. Clyde, Mich., 1866), graduated from the University of Michigan in 1888, studied there and in Berlin, from 1892 was professor at Ripon College, from 1894 at Grinnell College, from 1907 at the University of Wisconsin, and since 1909 is teacher and composer in Chicago. See art.
13Converse, Frederick Shepherd (b. Newton, Mass., 1871), graduated from Harvard in 1893, was trained in Boston and Munich, from 1899 taught at the New England Conservatory and at Harvard until 1907, since then being engaged upon composition. See art.
15Cooke, James Francis (b. Bay City, Mich., 1875), studied in New York and Würzburg, began teaching before 1890 in New York and was organist and choral conductor in Brooklyn, engaged in much literary work, and since 1907 has been editor of 'The Etude' in Philadelphia, from 1917 also president of the Presser Foundation. See art.
17Coombs, Charles Whitney (b. Bucksport, Me., 1859), after study in Stuttgart, Dresden and England, being in 1887–91 organist of the American Church at Dresden, since 1892 has been organist in New York. See art.
19Copp, Evelyn Ashton, née Fletcher (b. Woodstock, Ont., 1872), after study in Canada, England, Berlin and Paris, began teaching in 1894 in Canada, evolved special methods of kindergarten and primary instruction, and since 1897 has taught in Boston, at first in the New England Conservatory.
21Dana, Lynn Boardman (b. Middleport, N. Y., 1875), son of William H. Dana (see sec. 6), since 1916 has been head of Dana's Musical Institute in Warren, O. Since 1904 he has also taught at Chautauqua and directed the annual festivals at Lockport, N. Y. See art.
23DeLamarter, Eric (b. Lansing, Mich., 1880), studied in Chicago and Paris, from about 1898 was organist in Chicago, in 1904–05 taught at Olivet College, in 1909–10 at the Chicago Musical College, since 1906 has been organist in Chicago, since 1908 music-critic, and since 1911 choral and orchestral conductor. See art.
25Demarest, Clifford (b. Tenafly, N. J., 1874), trained in or near New York, from about 1895 was organist at Tenafly, and since 1900 in New York. See art.
27*Dethier, Gaston Marie (b. Belgium, 1875), in 1894 came to New York as organist at St. Francis Xavier's, and since 1907 has taught at the Institute of Musical Art, besides concert-playing. See art.
29*Dippel, Johann Andreas (b. Hesse, 1866), the operatic tenor and impresario, first appeared in New York in 1890–91, toured in 1892, from 1898 was at the Metropolitan Opera House, becoming in 1908 its executive head, from 1910 managed the Chicago-Philadelphia Opera Company, and since 1913 has directed his own company in light opera. See art.
31Doenhoff, Albert von (b. Louisville, 1880), son of Helene von Doenhoff (see sec. 6), studied at Cincinnati and New York, in 1899–1907 taught at the National Conservatory in New York, and since 1905 has been frequently heard as concert-pianist there and elsewhere.
33Drake, Earl R. (Aurora, Ill., 1865–1916, Chicago), trained as violinist at Chicago, Cincinnati and Berlin, in 1893–97 taught in the Gottschalk Lyric School, Chicago, directed his own Quartet, making many concert-tours, and from 1900 conducted his own school. He wrote the operas 'The Blind Girl of Castel-Cuillé' (1914) and 'The Mite and the Mighty' (1915), several orchestral and many violin-pieces, etc.
35*Dunkley, Ferdinand Luis (b. England, 1869), came to Albany, N. Y., in 1893 as teacher, from 1899 was in Asheville, N. C., as teacher and conductor, from 1901 was organist in New Orleans, from 1909 in Vancouver, and since 1912 in Seattle. See art.
37*Dvořák, Antonín (Bohemia, 1841–1904, Bohemia), the distinguished composer, spent the years 1892–95 as artistic director of the National Conservatory in New York. See Vol. i. 755–9, and art.
39Dykema, Peter William (b. Grand Rapids, Mich., 1873), graduated (in law) from the University of Michigan in 1895, combined musical study with public-school teaching in Aurora, Ill., Indianapolis and New York (from 1901), and since 1913 has been professor at the University of Wisconsin. See art.
41Eames, Henry Purmort (b. Chicago, 1872), graduated from Cornell College (Iowa),
The computer misreads some letters and numbers. Where a name matters to you, read the scan.