Bow & Bridge Violin and bow makers, as the old books printed them

Scan 43

Groves Dictionary Of Music And Musicians,vol.3, 1907

19 lines. Read by computer on 18 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.

1May 21, 1749), was educated as a chorister in Chichester Cathedral, and became organist there in 1726. Seven services and nine anthems by him are contained in a MS. volume in the library of Chichester Cathedral. His Evening Service in B minor is printed in Rimbault's Cathedral Music, and two others in A minor and G minor are published by Novello. His epitaph may be read in West's Cath. Org. W. H. H.
3KELZ, MATTHIAS, of Schongau, Upper Bavaria, was at Augsburg from 1658-69. He is the composer of 'Primitiae musicales' and 'Epidigma harmoniae novae,' 2 books of sonatas and dance movements for one or two violins and viola da gamba.
5KEMANTCHE (Arab. Kemangeh), a Persian bowed instrument with three strings, dating from unknown antiquity. The body is globular with flattened open ends, and made preferably of 'tut' (mulberry) wood. One end is covered with skin upon which rests the bridge; the tailpin is of metal, and lengthened for resting on the ground during performance. There are three strings, two of silk and one of metal, and the long bow is strung with black horse-hair (PLATE LIII. No. 3). Amongst the Arabs the instrument takes a simpler and less ornamental form, the body being made out of a cocoa-nut or a hollow gourd, and there are generally but two strings of twisted horse-hair. The word means 'a little bow,' and the Arabic epithet à gouz ('ancient') is usually added. It is undoubtedly one of the earliest of all bowed instruments, claiming identity with or descent from the somewhat mythical Ravannastrom of India, from which the Urheen (Erhhsien) of the Chinese is also supposed to have sprung. (See VIOLIN FAMILY.) F. W. G.
7KEMBLE, ADELAIDE (b. circa 1814; d. Aug. 4, 1879), younger daughter of Charles Kemble, the eminent actor, was educated for a concert singer. She appeared first in London at a concert of Ancient Music on May 13, 1835, and afterwards at the York Festival, but with little success. She then went to Paris for improvement, and from thence in 1837 to Germany, and early in 1839 to Italy, when she had lessons from Pasta on the Lake of Como. In that year she made her appearance at La Fenice, Venice, as Norma with decided success. In 1840 she sang at Trieste, Milan, Padua, Bologna and Mantua with increasing reputation. In 1841 she returned to England, and on Nov. 2 appeared in an English version of 'Norma' with marked success. In 1842 she sang in English versions of 'Le Nozze di Figaro,' 'La Sonnambula,' 'Semiramise,' and 'Il Matrimonio Segreto.' In 1843 she was married to Edward John Sartoris, and retired from the profession. In 1867 she published her delightful A Week in a French Country House. one of two readings
8KEMBLE, ADELAIDE (b. circa 1814; d. Aug. 4, 1879), younger daughter of Charles Kemble, the eminent actor, was educated for a concert singer. She appeared first in London at a concert of Ancient Music on May 13, 1835, and afterwards at the York Festival, but with little success. She then went to Paris for improvement, and from thence in 1837 to Germany, and early in 1839 to Italy, when she had lessons from Pasta on the Lake of Como. In that year she made her appearance at La Fenice, Venice, as Norma with decided success. In 1840 she sang at Trieste, Milan, Padua, Bologna and Mantua with increasing reputation. In 1841 she returned to England, and on Nov. 2 appeared in an English version of 'Norma' with marked success. In 1842 she sang in English versions of 'Le Nozze di Figaro,' 'La Sonnambula,' 'Semiramide,' and 'Il Matrimonio Segreto.' In 1843 she was married to Edward John Sartoris, and retired from the profession. In 1867 she published her delightful A Week in a French Country House. one of two readings
10BIBL.—See her sister Fanny Kemble's Records of a Girlhood, and other reminiscences. Mrs. Sartoris's own recollections were embodied in Past Hours, 1880.
12W. H. H.; addns. from D.N.B.
14KENNEDY, see VIOLIN FAMILY, subsection ENGLISH MAKERS.
16KENNEDY, (1) DAVID (b. Perth, Apr. 15, 1825; d. Stratford, Ontario, Oct. 12, 1886), Scottish singer.
18He received his first lessons in music from his father, an enthusiastic musician, and at the age of 18 assisted him as precentor of the North United Secession Church, Perth. At the age of 20 he succeeded his uncle as precentor of South Street Church in the same city. At an early age he was apprenticed to a house painter in

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