Scan 35
Groves Dictionary Of Music And Musicians,vol.5 L-m, 1900
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1tributions of Schütz to the German music in the preceding epoch.
3Other church music by Lalande comprised three 'Leçons de ténèbres', a 'Miserere' for solo voice and a number of 'Symphonies des Noëls'—short interludes for violins, flutes and oboes played between the end of matins and midnight on Christmas Eve at Versailles. For secular court occasions he composed the following works: the cantata 'Le Concert d'Esculape' (1683), 'Ballet de la jeunesse' (Versailles, 1686), 'Le Palais de Flore, ou Le Trianon' (1689), 'L'Amour fléchi par la Constance' (Fontainebleau, 1697), 'Adonis', 'Les Fées' and 'Myrtil et Mélicerte' (1698), 'L'Hymen champêtre' (1700), 'Ballet de la paix' (1713), 'Les Folies de Cardenio' (Tuileries, 1720), 'Ballet de l'inconnu' (Paris, 1720), 'L'Amour berger', 'Églogue', 'Les Fontaines', the delightful 'Symphonies pour les soupers du roi', copied by Philidor in 1703 at the king's request, and other miscellaneous instrumental music, some of which appeared in the 'Recueil d'airs de violons' (1727).
5A. C. L.
7BIBLIOGRAPHY
8BRENET, MICHEL, in Grande Encyl.
9COMBARIEU, J., 'Histoire de la musique', Vol. II, 'Motets de Lalande', 1729, Introduction.
10LA LAURENCIE, L. DE, 'France, XVIIe–XVIIIe siècles' in Encyl. de la Mus. et Dict. du Conservatoire; O.H.M., IV, 290-98.
11REPRINTS: 'Musique d'Église des XVIIe et XVIIIe siècles' (Paris); 'Panis angelicus'; 'Quando veniam'; 'Symphonies pour les soupers du roi' (Paris); 'De Profundis' (Paris).
12See also Rébel (1, brother-in-law; collab. in 'Leçons de ténèbres'; 2, wife).
14LA LAURENCIE, Lionel de (b. Nantes, 24 July 1861; d. Paris, 21 Nov. 1933).
15French musicologist. After following the study of law and of science he learnt the violin from Léon Reynier and harmony from Alphonse Weingartner and Bourgault-Ducoudray at the Paris Conservatoire in 1891–92. At the end of 1898 he devoted himself entirely to the study of music, gave some very popular courses at the École des Hautes Études Sociales, on such subjects as 'Quelques Maîtres de l'ancienne école de violon' (1906), 'Les Origines de l'opéra-comique' (1907), 'Le Ballet de cour avant Lully' (1910), 'Les Pastorales en musique au XVIIe siècle' (1911), 'Les Formes instrumentales' (1913). He also gave numerous lectures both in France and abroad.
17La Laurencie contributed a number of articles to the 'Mercure musical' (1905–6), the review S.I.M., the 'Revue musicale', to the quarterly publications of the I.M.G., to the 'Rivista musicale italiana', and wrote a number of books, of which the best-known are 'Le Goût musical en France' (1905), 'Académie de musique et le concert de Nantes' (1906), 'Quelques Documents sur Jean Philippe Rameau et sa famille' (1907), 'Rameau' (1908) and 'L'École française de violon de Lully à Viotti' (3 vols., Paris, 1922–24). A later work, on the lutenists, was published in 1929 as 'Les Luthistes'. It is an excellent and authoritative work, giving evidence of sound research and vast erudition. Other later works by La Laurencie are 'Inventaire critique du fonds Blancheton à la Bibliothèque du Conservatoire' (2 vols., 1930–31); 'A. B. Bruni' (in collaboration) (1931); 'Orphée de Gluck' (1934); 'Catalogue des livres de musique de la Bibliothèque de l'Arsenal' (in collaboration with A. Gastoué) (1936). He was also responsible for the introduction to 'Airs au luth … du XVIe siècle' (Pub. Soc. Franç. Musicol., Series i, Vol. IV).
19La Laurencie was president at different times of the Société Française de Musicologie, of which he was one of the founders, and he succeeded Lavignac as editor of the 'Encyclopédie de la Musique et Dictionnaire du Conservatoire'.
21M. P.
23LALEWICZ, George (orig. Jerzy) (b. Suwalki, Poland, 21 Aug. 1875; d. Buenos Aires, 1 Dec. 1951).
24Argentine (naturalized) pianist. He was a pupil of Annette Essipov for pianoforte and of Liadov and Rimsky-Korsakov for composition in St. Petersburg. In 1900 he won the Anton Rubinstein competition in Vienna, and he was professor of pianoforte at the Odessa Conservatory (1902–5), Cracow Conservatory (1905–12) and the Vienna Imperial Academy (1912–19). He toured extensively all over Europe from 1905 to 1914. In 1921 he became professor at the Conservatorio Nacional in Buenos Aires. Among his pupils were Arthur Rodzinsky, Miesysław Munz, Sygmunt Dygat, Leo Podolsky, Herbert Renison, Lia Cimaglia and Pia Sebastiani.
26N. F.
28LALLA-ROUKH. For works based on the poems see MOORE, THOMAS.
29Lalli, Domenico (Sebastiano Biancardi). See Hasse ('Virjate', lib.). Porpora ('Damiro', lib.). Scarlatti (1, 2 libs.). Vivaldi (4 libs.).
31LALLOUETTE, Jean François. See LALLOUETTE.
33LALO, (Victor Antoine) Édouard (b. Lille, 27 Jan. 1823; d. Paris, 22 Apr. 1892).
34French composer of Spanish descent. He studied at the Lille Conservatory under Müller for violin, and for cello under a German named Baumann, who had played in Vienna under Beethoven. Sent to Paris in 1839, he entered the Conservatoire, in Habeneck's violin class, and studied composition privately with the pianist Schulhoff and the composer Crèvecoeur. He then played the viola in the Armingaud-Jacquard Quartet from its foundation (1855).
36His first compositions date from about 1845, and he published in 1848 and 1849 songs bearing the mark of this period. He competed
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