Scan 37
Groves Dictionary Of Music And Musicians,vol.5 L-m, 1900
96 lines. Read by computer on 18 September 2026. No printed page number was found. See the scan on archive.org.
1LALO (Pierre)
3VIOLIN AND PIANOFORTE
4Op.
51. 'Fantaisie originale', A mi.
62. 'Allegro maestoso', C mi.
74. 'Deux Impromptus'
8 1. Espérance.
9 2. Insouciance.
10— 'Arlequin: esquisse.'
118. 'Impromptus'
12 1. Pastorale.
13 2. Scherzo alla Pulcinella.
1412. Sonata.
1518. 'Soirées parisiennes'
16 1. Ballade.
17 2. Menuet.
18 3. Idylle.
1928. 'Guitare' (1882).
21VIOLONCELLO AND PIANOFORTE
2214. 'Deux Pièces'
23 1. Chanson villageoise.
24 2. Sérénade.
2516. Allegro, E mi. (see also Orchestral Works).
26— Sonata.
28PIANOFORTE DUET
292. 'La Mère et l'enfant: deux petits morceaux' (c. 1873)
30 1. Romance.
31 2. Sérénade.
33SONGS
34— 'Adieu au désert' (A. Flobert) (1848).
35— 'L'Ombre de Dieu' (A. Lehugeur) (1848).
365. 'Le Novice' (Hippolyte Stupuy) (1849).
37— 'Six Romances populaires' (Béranger) (1849)
38 1. La Pauvre Femme.
39 2. Beaucoup d'amour.
40 3. Le Suicide.
41 4. Si j'étais petit oiseau.
42 5. Les Petits Coups.
43 6. Le Vieux Vagabond.
4417. 'Six Mélodies' (Victor Hugo) (1855)
45 1. Guitare.
46 2. Puisqu'ici-bas.
47 3. L'aube naît.
48 4. Dieu qui sourit et qui donne.
49 5. Oh, quand je dors.
50 6. Chanson à boire.
51— 'Ballade à la lune' (Alfred de Musset) (? 1860).
52— 'Humoresque' (C. Beauquier) (? 1867).
53— 'Aubade' (Victor Wilder) (? 1872).
54— 'Six Mélodies'
55 1. A une fleur (Musset) (1870).
56 2. Chanson de Barberine' (Musset) (1870).
57 3. La Zuecca (Musset) (1870).
58 4. L'Esclave (Théophile Gautier) (1872).
59 5. La Fenaïson (Stella) (1872).
60 6. Le Rouge-gorge (A. Theuriet) (c. 1884).
61— 'Cinq Lieder' (1884)
62 1. Prière de l'enfant à son réveil' (Lamartine).
63 2. A celle qui part (Armand Silvestre).
64 3. Tristesse (Silvestre).
65 4. Viens (Lamartine).
66 5. La Chanson de l'alouette (V. de Laprade).
6731. 'Chant breton' (Albert Delpit), with oboe (c. 1884).
6833. 'Marine' (Theuriet) (c. 1884).
70VOCAL DUETS
7135. 'Dansons' (arr. of 'Tambourin' from 'Namouna' (see Ballets)) (c. 1884).
72— 'Au fond des halliers' (Theuriet) (1886).
73See also Coquard (completion of 'Jacquerie').
75LALO, Pierre (b. Puteaux, Seine, 6 Sept. 1866; d. Paris, 9 June 1943).
76French critic, son of the preceding. He was a contributor to the 'Journal des Débats' and first appeared as music critic with an article on d'Indy's 'Fervaal' in the 'Revue de Paris' of 15 May 1898. He succeeded J. Weber as music critic of 'Le Temps' in Oct. of that year, his own successor in that post, when he retired in 1914, being Henri Malherbe. Lalo published a selection of his articles in 'La Musique' (Paris, 1898–99) and another book, 'De Rameau à Ravel: portraits et souvenirs', appeared posthumously (Paris, 1947).
77M. L. P., adds.
79LALOUETTE (Lallouette), Jean François (b. Paris, 1651; d. Paris, 31 Aug. 1728¹).
80French violinist, conductor and composer. He was a pupil of Lully for composition and of Guy Leclerc for violin. In the Carnival of 1677² he composed intermèdes for a private performance in Paris of a comedy by Desbrosses and Verneuil. He was violinist and afterwards conductor at the Opéra (1668–77), but was dismissed for having claimed collaboration in Lully's 'Isis'. He then became chapel master of Rouen Cathedral in Mar. 1693 and, in 1695, of Notre-Dame at Versailles.
81Lalouette wrote interludes and ballets for the Opéra as well as church music in the later stages of his career. A book of 'Motets à 1, 2 et 3 voix' was published in his lifetime (1726) and another containing "le psalme 'Miserere'… et l'hymne 'Veni Creator'" appeared posthumously (1730). There is a Mass of his in manuscript.
82A. L.
84LALOY, Louis (b. Grey, Haute-Saône, 18 Feb. 1874; d. Dôle, 3 Mar. 1944).
85French musicologist and critic. He studied at the Schola Cantorum in Paris from 1899 to 1905 and later contributed to the 'Revue Musicale', the 'Mercure Musical', 'Commedia' and numerous other journals. In 1906–7 he lectured at the Sorbonne. In 1914 he became Secrétaire Général of the Opéra, and in 1936 he was appointed professor of the history of music at the Paris Conservatoire. Among his published works are 'Aristoxène de Tarente et la musique de l'antiquité' (1904), 'Rameau' (1908), 'Cl. Debussy' (1907) and 'La Musique chinoise' (1912). He also translated Guido Adler's 'Richard Wagner' into French (1910).
86E. B. (ii).
87See also Debussy ('Ode à la France', choral work). Migot ('Hagoromo', ballet). Ravel ('Ma Mère l'Oye', scen.). Roussel ('Padmāvatī', lib.).
89LA MARA. See LIPSIUS, MARIE.
90La Marre, Abbé de. See Mondonville (Jos., 'Titon et l'Aurore', lib.).
92LA MARRE (Lamare), Jacques Michel Hurel de (b. Paris, 1 May 1772; d. Caen, 27 Mar. 1823).
93French violoncellist. He was called by Clementi "the Rode of the violoncello". He toured all over Europe with immense success and visited Russia, but retired from public life in 1815. Four concertos and an air varié
94¹ According to the 'Mercure de France' for Sept. 1728.
95² According to the 'Mercure galant', 1677, p. 69.
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