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Scan 27
He Biographical Dictionary Of Musicians, 1939
31 lines. Read by computer on 18 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1the natural daughter of a nobleman), Ferrara, 1743—Parma, May 18, 1783; a phenomenal singer; Mozart remarked her "lovely voice, flexible throat, and incredibly high range," which reached from middle C three octaves up; she could shake on f''' (vide CHART OF PITCH); she m. Colla, 1780, and retired from the stage.
2Ahle (ä'-lë), (1) Jn. Rud., Mülhausen, 1625—1673; theorist and church-composer. (2) Jn. G., Mülhausen, 1651—1706; son of above; organist, poet and theorist. one of two readings
3Ahle (ä'-lē), (1) Jn. Rud., Mülhausen, 1625—1673; theorist and church-composer. (2) Jn. G., Mülhausen, 1651—1706; son of above; organist, poet and theorist. one of two readings
4Ahlström (äl'-shträm), (1) Olof, Stockholm, Aug. 14, 1756—Aug. 11, 1835; organist. (2) Jakob Niklas, Wisby, Sweden, June 5, 1805—Stockholm, May 14, 1859; son of above; dram. composer.
5Ahna. Vide DE AHNA.
6Aibl (i'-bl), Jos., founded publishing firm, Munich, 1824; later heads were Eduard Spitzweg (1836) and his sons, Eugen and Otto.
7Aiblinger (i'-blëng-ër), Jn. Kasper, Wasserburg, Bavaria, 1779—Munich, 1867; court-conductor, collector and composer. one of two readings
8Aiblinger (i'-blīng-ër), Jn. Kasper, Wasserburg, Bavaria, 1779—Munich, 1867; court-conductor, collector and composer. one of two readings
9Aichinger (i'-khĭng-ër), Gregor, Regensburg ca. 1564—Augsburg, 1628; canon and composer.
10Aigner (ikh'-nër), Engelbert, Vienna, 1798—1851; dram composer. one of two readings
11Aigner (ikh'-nēr), Engelbert, Vienna, 1798—1851; dram composer. one of two readings
12Aimo (ä'-ē-mō). Vide HAYM, N. F.
13Aimon (ëm-ôn), Pamphile Ld. Fran., b. L'Isle, near Avignon, 1779; 'cellist, conductor, theorist. one of two readings
14Aimon (ēm-ōn), Pamphile Ld. Fran., b. L'Isle, near Avignon, 1779; 'cellist, conductor, theorist. one of two readings
15Ajolla. Vide LAYOLLE.
16A Kem'pis, Nicholas, organist and c., at Brussels, ca. 1628.
17Akimen'ko, Theodore, composer; b. Kharkov, Russia, Feb. 8, 1876; studied St. Petersburg Cons., 1895—1900, harmony with Rimsky-Korsakoff and Liadoff, piano with Balakireff. C. two symphonies, orchestral poems, chamber music works, opera "Rudy." Resident in France.
18Ala (ä'-lä), Giov. Bat., Monza, 1580—1612 (?); organist and composer.
19Alabieff (ä-lä-bĭ-ëf), Alex., Moscow, Aug. 16, 1787—March 6, 1851; composer. one of two readings
20Alabieff (ä-lä-bĭ-ēf), Alex., Moscow, Aug. 16, 1787—March 6, 1851; composer. one of two readings
21Alaleona (äl-äl-ä'-ō-nă) Domenico, composer, musicologist; Montegiorgio, Italy, Nov. 16, 1881—Dec. 29, 1928; grad. St. Cecilia Acad., Rome, 1906; studied piano with Bustini, composition with De Sanctis and Renzi; cond., Augusteo concerts, Rome, and prof., Rome Conservatory, after 1910. C. opera, "Mirra," choral works, chamber music, songs; author articles on Cavalieri and other early Italian composers. one of two readings
22Alaleona (äl-äl-ä'-ō-nā) Domenico, composer, musicologist; Montegiorgio, Italy, Nov. 16, 1881—Dec. 29, 1928; grad. St. Cecilia Acad., Rome, 1906; studied piano with Bustini, composition with De Sanctis and Renzi; cond., Augusteo concerts, Rome, and prof., Rome Conservatory, after 1910. C. opera, "Mirra," choral works, chamber music, songs; author articles on Cavalieri and other early Italian composers. one of two readings
23Alard (äl-är), J. Delphin, Bayonne, March 8, 1815—Paris, Feb. 22, 1888; violinist, teacher and composer.
24Al'ayrac. Vide DALAYRAC.
25Albanesi (äl-bä'-nă'-zē), Luigi, Rome, March 3, 1821—Naples, Dec. 4, 1897; pianist and composer. one of two readings
26Albanesi (äl-bä'-nā'-zē), Luigi, Rome, March 3, 1821—Naples, Dec. 4, 1897; pianist and composer. one of two readings
27Albani (äl-ba'-nī) (stage name of Marie Louise Cecilia Emma La Jeunesse), Chambly, near Montreal, Nov. 1, 1852—London, April 3, 1930; operatic soprano; sang in Cathedral, Albany, N. Y., whence her name was mistakenly supposed to have been taken; pupil of Duprez, and of Lamperti; début at Messina in 1870; sang much in England, at Covent Garden and a favourite in concert; 1878, m. Ernest Gye, impresario; retired from stage, 1906; author "Forty Years of Song" (1911).
28Albani, Mathias, Bozen, 1621—1673; famous father of more famous son of same name and trade, violin-making; the younger A.'s violins (1702-9) rival Amati's.
29Albeniz (äl-bä'-nēth), (1) Pedro, Logroño, 1795—Madrid, 1855; court-organist. (2) Pedro, b. Biscay, San Sebastian, 1755; monk, church-cond. and composer. (3) Isaac, Camprodon (Gerona), Spain, May 29, 1860—Cambo-les-Bains, June 16, 1909; eminent composer; a leading representative of the "New Spanish" school of nationalistic composers. He was markedly precocious as a child and appeared as a pianist at the age of 4 in Madrid. At 6 he was taken to Paris, where he studied with Marmontel, and from 11 to 15 appeared as a concert player in North and South America. He attended the Leipzig Cons. for a short time, and later the Brussels Cons. with the aid of funds provided by Alfonso XII. He studied at various times with Brassin and Jadassohn, and also with Liszt at Weimar and Rome. His life was one of continuous uncertainties. As a composer he was prolific, his compositions falling into two separate groups, the first extending from 1883 to about 1890, during which time he one of two readings
30Albeniz (äl-bā'-nēth), (1) Pedro, Logroño, 1795—Madrid, 1855; court-organist. (2) Pedro, b. Biscay, San Sebastian, 1755; monk, church-cond. and composer. (3) Isaac, Camprodon (Gerona), Spain, May 29, 1860—Cambo-les-Bains, June 16, 1909; eminent composer; a leading representative of the "New Spanish" school of nationalistic composers. He was markedly precocious as a child and appeared as a pianist at the age of 4 in Madrid. At 6 he was taken to Paris, where he studied with Marmontel, and from 11 to 15 appeared as a concert player in North and South America. He attended the Leipzig Cons. for a short time, and later the Brussels Cons. with the aid of funds provided by Alfonso XII. He studied at various times with Brassin and Jadassohn, and also with Liszt at Weimar and Rome. His life was one of continuous uncertainties. As a composer he was prolific, his compositions falling into two separate groups, the first extending from 1883 to about 1890, during which time he one of two readings
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