Bow & Bridge Violin and bow makers, as the old books printed them

Scan 49

He Biographical Dictionary Of Musicians, 1939

23 lines. Read by computer on 24 September 2026. No printed page number was found. See the scan on archive.org.

1Bat'ka, Richard, Prague, Dec. 14, 1868—Vienna, April 24, 1922; critic, historian, and librettist.
2Batta (bät'-tä), (1) Pierre, Maastricht, Holland, 1795—Brussels, 1876; 'cellist and teacher. His sons were (2) Alex., Maastricht, July 9, 1816—Versailles, Oct. 8, 1902; 'cellist and composer. (3) J. Laurent, Maastricht, 1817—Nancy, 1880; pianist and teacher.
3Battaille (bät-ti'-yū), Chas. Aimable, Nantes, 1822—Paris, 1872; dram. bass.
4Battanchon (bät-tän-shôn), F., Paris, 1814—1893; 'cellist; inv. (1846) a small 'cello, the "barytone."
5Bat'ten, Adrian, ca. 1585—ca. 1637; English organist.
6Bat'tishill, Jonathan, London, 1738—Islington, 1801; conductor and dram. composer.
7Battista (bät-tēs'-tā), V., Naples, 1823—1873; dram. composer.
8Battistini (bät-tēs-tē'-nē), Mattia, Rome, Feb. 27, 1857—Rieti, Nov. 7, 1928; dram. barytone; début, Rome, 1878; sang at Buenos Aires and principal theatres in Europe; one of most accomplished "bel canto" singers of his period; was often reported to be contemplating tour of U. S., for which he received tempting offers, but his terror of seasickness is said to have caused him to refuse them; he knew about eighty rôles, principally Italian; a notable "Don Giovanni," etc.
9Batton (bät-tōn), Désiré Alex., Paris, 1797—Versailles, 1855; teacher and dram. composer.
10Battu (bät-tū), Pantaléon, Paris, 1799—1870; violinist and composer.
11Baudiot (bōd-yō), Chas. N., Nancy, 1773—Paris, 1849; 'cellist.
12Baudoin (or Baudouyn) (bō-dwān). Vide BAULDEWIJN.
13Bauer (bow'-ēr), (1) Harold, b. London, April 28, 1873, of English mother and German father; eminent pianist; played violin in public at 9; studied with Gorski, Paris; then the piano, in 1892, under Paderewski; début as pianist, Paris, 1893; has toured Europe and, since 1900, America, with great success; res. in New York for many years; he has long been ranked as one of leading solo and ensemble players; pres., Beethoven Ass'n. of New York; also active as master teacher and as ed. of musical works.
14(2) Marion, b. Walla Walla, Wash., Aug. 15, 1887; composer; incid. music for "Prometheus Bound," string quartet, songs, etc.; asst. prof. of music, N. Y. Univ., 1926; mem. bd. of dirs., League of Comps.
15Bauldewij (bōd-wān) (or Baulduin, Baldewin, Balduin, Baudoin, Baudouyn), Noël (Natalis), Antwerp, 1513 (or 1518?)—1529; conductor at Notre Dame; and composer.
16Baumfelder (bowm'-fělt-ēr), Fr., Dresden, May 28, 1836—Aug. 8, 1916; pianist; pupil of J. Otto, and Leipzig Cons.
17Baumgarten (bowm'-gärt-ēn), K. Fr., Germany, 1740 (?)—London, 1824; violinist and dram. composer.
18Baumgärtner (bowm'-gěrt-něr), (1) Aug., Munich, 1814—1862; writer on "musical shorthand," etc. (2) Wm. (Guillaume), 1820—Zurich, 1867; composer and mus. dir. at St. Gallen.
19Bäumker (bīm'-kēr), Wm., Elberfeld, Oct. 25, 1844—Rurich, 1905; chaplain and school-inspector, Niederkrüchten; wrote biogs. of Palestrina, Lassus, etc.
20Bausch (bowsh), (1) L. Chr. Aug., Naumburg, 1805—Leipzig, 1871; maker of violins and bows. His 2 sons were also vln.-makers: (2) Ludwig (1829—Leipzig, 1871), lived New York, then in Leipzig; and (3) Otto, 1841—1874.
21Bausznern (bows'-něrn), Waldemar von, Berlin, Nov. 29, 1866—Potsdam, Aug. 20, 1931; studied at Kronstadt, Budapest, Vienna, and with Bargiel and Fr. Kiel at the Berlin Hochschule; 1894 in Dresden, as dir. Singakademie and Liedertafel; 1903, docent at Cologne Cons. and dir of Soc. of Musicians there; 1908, dir. of Weimar School of Music; 1916, dir. of Hoch Cons., Frankfort; c. 4 symphonies; operas, "Dürer in Venedig," "Herbert und Hilda," "Der Bundschuh," "Satyros"; choral works, chamber music, song cycles, etc.
22Bax (bāks), Sir Arnold, b. London, Nov. 8, 1883; composer; pupil R. A. of Music, studying piano with Matthay and comp. with Frederick Corder; one of leading contemporary British creative figures, with Celtic, neo-Romantic spirit and clarity of form among his salient characteristics, individual type of chromaticism and reticence of expression; c. (orch.) five

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