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Scan 92
He Biographical Dictionary Of Musicians, 1939
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1assistant to Colonne, 1898; 1900, was the first to cond. Debussy's "Martyre de San Sebastien"; 1911-12 cond. at Boston Op.; also at Covent Garden, London; c. piano quintet; "Legend" for harp and orch. after Poe's "Masque of the Red Death"; "Suite Persane" for wood-winds; Septet for three women's voices and strings; Mass for three-part women's chorus; Sonata for voice, 'cello and piano; "Le Miroir de Jésus," 15 pieces for soloists, chorus and orch., which has been perf. frequently in France; a number of songs and choruses.
2Capocci (kä-pôt'-ché), (1) Gaetano, Rome, Oct. 16, 1811—Jan. 11, 1898; notable teacher; pub. much sacred music. (2) Filippo, Rome, May 11, 1840—July 25, 1911; son of above; Italian organist; 1875 organist of San Giovanni at the Lateran; c. works for organ.
3Capoul (ka-pool) (Jos. Amédée), Victor, Toulouse, Feb. 27, 1839—Pujandran-du-Gers, Feb. 18, 1924; tenor; pupil of Révial and Mocker, Paris Cons.; 1861-72 at the Op. Com.; 1892 prof. of operatic singing in Nat. Cons., New York; 1897, stage manager, Paris Opéra.
4Capuzzi (kä-pood'-zē), Giuseppe Antonio, Brescia, 1753-1818; c. 5 operas, etc.
5Caraccioli (kä-rät-chō'-lē), Luigi, Andria (Bari), 1849—London, 1887; dram. composer.
6Carado'ri-Allan, Maria C. R. (née de Munck), Milan, 1800—London, 1865; soprano.
7Carafa de Colobrano (kä-rä'-fā dā kō-lo-brä'-nō), Michele Enrico, Naples, Nov. 17, 1787—Paris, July 26, 1872; son of Prince Colobrano; while very young c. an opera, 2 cantatas, etc., with much success; 1837, member of the Academy; 1840, prof. of comp. at Cons.; c. also ballets, cantatas, and good church-music.
8Cardon (kär-dōn), (1) Louis, Paris, 1747—Russia, 1805; harpist. (2) P., b. Paris, 1751; 'cellist and singer.
9Cardo'so, Manuel, Fronteira, 1569; Spanish priest and composer.
10Caresana (kär-ā-sä'-nä), Cristoforo, b. Tarentum, 1655; lived in Naples as composer.
11Carestini (kä-rās-tē'-nē), Giov. (stage name Cusanino), Mente Filatrano (Ancona), ca. 1705—1760; male soprano (musico).
12Ca'rey, (1) Henry, 1685 (?)—London, Oct. 4, 1743; a reputed natural son of Marquis of Halifax, and disputed composer of "God Save the King"; c. the song "Sally in Our Alley"; ballad operas, etc. (2) Bruce, b. Hamilton, Ontario, 1877; conductor; studied at R. Coll. of Music, London, also in Florence and Munich; founded and cond. Hamilton Elgar Choir for 17 years; later Phila. Mendelssohn Club and music dir. at Girard Coll. there; succeeded the late Dr. J. Fred Wolle as cond. of Bethlehem Bach Choir, 1933-8
13Carissimi (kä-rīs'-sē-mē), Giacomo, Marino, near Rome, ca. 1604—Rome, Jan. 12, 1674; ca. 1624, church-conductor at Rome; important ch.-composer and writer; many of his MSS. are lost; 5 oratorios and other pieces remain.
14Carl, Wm. Crane, Bloomfield, N. J., March 2, 1865—New York, Dec. 8, 1936; pupil of S. P. Warren, Mad Schiller (pf.) and Guilmant, Paris; after 1892, organist First Presby. Ch., N. Y.; made tours as concert-organist; 1899, founded Guilmant Organ School, New York; had pub. collections of organ music; active as lecturer.
15Car'michael, Mary Grant, Birkenhead, Engl., 1851—London, March 17, 1935; pupil of O. Beringer, W. Bache, and F. Hartvigson (pf.) and E. Prout (comp.); accompanist; c. operetta, "The Snow Queen"; a pf.-suite; and many pop. songs.
16Carnicer (kär'-nē-thār), Ramon, Tarregga, Catalonia, Oct. 24, 1789—Madrid, March 17, 1855; cond. Royal Opera, Madrid, 1830-54, prof. of comp. Madrid Cons.; one of the creators of the Zarzuela (v. D. D.).
17Caro (kä'rō), Paul, b. Breslau, Dec. 25, 1859; pupil of Schäffer and Scholz, and Vienna Cons.; c. 2 operas, 5 symph., 30 string-quartets, etc.
18Caron (kä-rōn), (1) Philippe, 15th cent., cptist. (of Netherlands ?). (2) Rose Lucile (née Meuniez), Monerville, France, Nov. 17, 1857—Paris, April 9, 1930; soprano; after her marriage entered Paris Cons., 1880, as pupil of Tharset, later of Marie Sasse; début Brussels, 1883; 1885-88, Opéra Paris; 1888-90, Brussels; from 1890, Opéra Paris; also at the Op. Com., from 1902 prof. at the Cons. She created many of the chief rôles in modern
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