Scan 586
International who's who in music and musical gazetteer, 1918
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1the New England Cons., where he stud. singing (under Wemple) and piano, 1909-11; finished his studies w. Onelli and Coates in London and w. Dudley Buck in New York, 1915-6; m. Enrichetta Onelli, May 4, 1913. Debut as Zuniga in "Carmen," with the Quinlan Opera Company in Liverpool; soloist at St. Bartholomew's Church, New York, since 1914; soloist with the Columbia Chorus at Carnegie Hall, New York, 1916; gave recital at Aeolian Hall there, 1916; toured Canada with Mme. Louise Edvina, 1916, with the Russian Symphony Orchestra, 1917; created the role of Larkins in "The Girl of the Golden West," in English. Mem. Sinfonia Fraternity. Address: 73 W. 11th St., New York.
3SCHOFIELD, Robert LeRoy:
4Organist and teacher; b. Northfield, Minn., Aug. 31, 1876, s. Charles and Harriet L. (Riddell) S.; ed. Northfield pub. sch., Univ. of Pennsylvania; mus. ed. Charleton Coll., grad. Northwestern Cons., Minneapolis, Broad St. Cons., Philadelphia.; stud. w. Emil Oberhoffer, Arthur Foote, Isidore Philipp in Paris, organ w. Warren Andrews in New York, Alexandre Guilmant in Paris, etc.; m. Elsie Wood, Lima, Peru, Nov. 25, 1915. Priv. teacher in Minnesota. 1891-1901; dir. school of music, John B. Stetson Univ., Florida, 1901-3, Chestnut Hill Acad. and Broad St. Cons., Phila., 1903-6; prof. of music, Whitman Coll. and Cons., Washington, 1906-11; organist and teacher in Spokane, Wash., 1911-2; prof. of music Puget Sound and Cons., Tacoma, 1912-6; organist and choirmaster 1st Methodist Ch., Seattle, and dir. Puget Sound Cons. of Music, Tacoma, 1916. Comp.: Psalm 46 for chorus, orch. and soli (prod. Philadelphia, 1906); Mus. Doc., Coll. of Puget Sound, 1913. Has been sec. Spokane Musical Art Soc., Northwest Music Teachers' Assn.; treas. Washington State Music Teachers' Assn., dir. Ladies Musical Club, Tacoma; now mem. Univ. Club, Tacoma. Address: 628 South Anderson, Tacoma, Wash.
6SCHOLTZ, Hermann:
7Pianist, teacher and composer; b. Breslau, June 9, 1845; stud. harmony w. Brosig, also piano w. Plaidy, counterpoint w. K. Riedel and instrumentation w. Schulz-Beuthen in Leipzig; on Liszt's advice finished his studies at the Royal Acad. of Music, Munich, under Bülow (piano) and Rheinberger (counterpoint). Teacher at the Academy for 6 years, established himself in Dresden, 1875; noted as Chopin interpreter. Comp.: Piano Concerto; Trio in F minor, op. 51; Sonata, op. 44; 5 books of variations; "Stimmungsbilder," op. 60; "Ländler," op. 64; ballads, op. 66 and 78; Passacaglia, op. 74; Scherzo, op. 79; Variations on an Original Theme for 2 pianos, op. 77; series of lyric pieces, "Album-blätter," op. 20; "Mädchenlieder," op. 37; "Lyrische Blätter," op. 40; "Nachtstück," op. 72; Nocturnes, op. 76. Edited Chopin's works (Peters Edn.); Heller's etudes, op. 47, 46, 45; Brahms' Piano Concerto, op. 15 (Augener). Royal Saxon Kammervirtuose, 1880; Royal Professor, 1910. Address: Nürnberger Str. 18b, Dresden, Germany.
9SCHOLZ, Bernhard:
10Conductor and composer; b. Mayence, March 30, 1835; stud. piano w. E. Pauer, the- ory with S. W. Dehn, 1855. Teacher of theory at the Royal Music School, Munich, 1856; court Kapellm., Hanover, 1859-65; lived for a time in Berlin; cond. Breslau Orchestral Society, 1871; succeeded Raff as director of the Hoch Cons. in Frankfort, 1883; also cond. the Ruhl Choral Society from 1884; retired in 1908 and took residence in Florence. Author: "Lehre vom Kontrapunkt und der Nachahmung" (1897); "Wohin treiben wir?"; "Musikalisches und Persönliches" (1899); "Verklungene Weisen" (1911). Comp.: songs, op. 11, 22; Sonatinas for piano, op. 41; string quartets, op. 46 and 48; quintet, op. 47, Piano Concerto in B major, op. 57; Symphony in B major, op. 60; "Malinconia," for orch.; "Das Siegesfest," f. soli, chor. and orch.; "Das Lied von der Glocke" (for do.); "Sylvesterglocken" (for do.); overtures to Goethe's "Iphigenia," op. 15, and "Im Freien," op. 21; requiem; operas: "Carlo Rosa" (Munich, 1858); "Zietensche Husaren" (Breslau, 1869); "Morgiane" (Munich, 1870); "Golo" (1875); "Der Trompeter von Säkkingen" (Wiesbaden, 1877); "Die vornehmen Wirte" (Leipzig, 1883); "Ingo" (Frankfort, 1898); "Anno 1757" (Berlin, 1903); "Mirandolina" (Darmstadt, 1907). Dr. phil. hon. c. Breslau Univ.; titular professor. Address: Florence, Italy:
12SCHOLZ, Hans:
13Musicographer; b. Breslau, March 7, 1879, s. Bernhard S. (q. v.); stud. music at the Hoch Cons. in Frankfort, mus. science in Berlin and Rostock, 1903; Dr. phil., 1910, with monograph on "Sigmund Kusser" (1911). Lecturer on harmony and counterpoint at the Univ. of Munich since 1910. Translated Berlioz' Memoirs into German (1914). Address: Ungererstr. 44, Munich, Germany.
15SCHOLZE, Anton:
16Composer; b. Oberheimersdorf, Bohemia, Feb. 26, 1864; ed. Teachers' Training Institute in Komotau. Became music teacher at the Teachers' Training Inst. in Eger, 1898; K. K. Professor. Comp.: opera, "Hanna" (Saaz and Eger, 1914); songs; male choruses; operettas; piano pieces and other music; also instructive works: Chorgesangschule, Singlehre, Orgellehre, Klavierfibel, op. 21. Author: "Bilder aus der Musikgeschichte" (1913). Address: Lehrerbildungsanstalt, Eger, Bohemia.
18SCHÖNBERG, Arnold:
19Composer, conductor; b. Vienna, Sept. 13, 1874; ed. Vienna; at first taught himself music, later became a pupil of Alexander von Zemlinsky, 1894; went to Berlin, 1901, and became conductor in Ernst von Wolzogen's Buntes Theater, also taught composition in the Stern Cons. for a time; returned to Vienna, 1903, and established himself as teacher; became teacher of composition at the Imp. and Royal Acad. of Music, Vienna, 1910; again went to Berlin, 1911, where he is active as private teacher; conducted his "Five Orchestral Pieces" in Queen's Hall, London, Jan. 17, 1914. Comp.: "Gurre-Lieder" (texts from the Danish of Jens Peter Jacobsen), for soli, chor. and orch. (1900; partly performed in Vienna w. piano only; entire work not yet produced); 2 string quartets, in D minor, op. 7, and in F-sharp
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