Books › INTRUMENTSO F THE MODERN ORCHESTRA & EARLY RECORD OF THE PRECURSORS OF THE VIOLIN FAMILY (1910)
INTRUMENTSO F THE MODERN ORCHESTRA & EARLY RECORD OF THE PRECURSORS OF THE VIOLIN FAMILY
1910.
On archive.org as bwb_S0-CJD-353_1.
51 pages read (scans 9 to 305)0 makers on this site cite it
Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 9 | THE INSTRUMENTS OF THE MODERN ORCHESTRA… | Read | |
| 13 | PREFACE. | Read | |
| 14 | Instruments à Archet"; Laurent Grillet i… | Read | |
| 15 | ments such as rebecks, guitar-fiddles, v… | Read | |
| 16 | Instruments à Archet"; Laurent Grillet i… | Read | |
| 17 | ments such as rebecks, guitar-fiddles, v… | Read | |
| 18 | synonymous names for the same instrument… | Read | |
| 22 | Chapter XV.—The Tubas. The Euphonium …… | Read | |
| 23 | CONTENTS. | Read | |
| 27 | LIST OF ACKNOWLEDGMENTS. | Read | |
| 28 | Peal of Hemispherical Bells, page 176. O… | Read | |
| 41 | little entr'acte scenes of instrumental… | Read | |
| 42 | basis to his operas was readily supplied… | Read | |
| 43 | Growth of Instrumental Music.—With the m… | Read | |
| 44 | "Don Giovanni." Beethoven attained to th… | Read | |
| 62 | 10 | Compass.—This extends with all chromatic… | Read |
| 153 | 99 | SECTION II. | Read |
| 154 | 100 | little moulding forming a border round t… | Read |
| 155 | 101 | which assumed its present delicate propo… | Read |
| 156 | 102 | and preventing the rubbing or chafing th… | Read |
| 157 | 103 | (a) The stick, made of Pernambuco wood,… | Read |
| 158 | 104 | notes desired, thus shortening the strin… | Read |
| 159 | 105 | of a fourth (most generally used and eas… | Read |
| 160 | 106 | those which contain most open notes, i.e… | Read |
| 161 | 107 | (with reservations) shakes, grace notes,… | Read |
| 162 | 108 | The chief feature of the violin is, acco… | Read |
| 163 | 109 | was identical with the guitar-fiddle unt… | Read |
| 164 | 110 | CHAPTER XXII. | Read |
| 166 | 112 | CHAPTER XXIII. | Read |
| 167 | 113 | The harmonics are more beautiful on the… | Read |
| 169 | 115 | the same extreme agility as on the violi… | Read |
| 170 | 116 | CHAPTER XXIV. | Read |
| 172 | 118 | flat back. The bow is shorter and stoute… | Read |
| 173 | 119 | eventually adding a fourth string, the l… | Read |
| 174 | 120 | short tremolos. Long tremolos would be t… | Read |
| 175 | 121 | CHAPTER XXV. | Read |
| 176 | 122 | latterer will be treated in Production o… | Read |
| 177 | 123 | may be observed to have strong iron or s… | Read |
| 178 | 124 | resonant power, and to both sides of whi… | Read |
| 179 | 125 | strata of air. But when the strings rest… | Read |
| 180 | 126 | Proper vibrations being exceedingly unde… | Read |
| 248 | 194 | Compass. The compass of the keyless Geor… | Read |
| 249 | 195 | The celebrated old Italian instruments,… | Read |
| 250 | 196 | Dr. Stelzner has abandoned them in favou… | Read |
| 251 | 197 | Construction. The main points of differe… | Read |
| 253 | 199 | (4). The shape of the sound-holes has, i… | Read |
| 254 | 200 | three stringed double bass, was produced… | Read |
| 275 | 11 | NOTICE OF ANTHONY STRADIVARI. The celebr… | Read |
| 303 | 39 | VIOLIN. | Read |
| 304 | 40 | TECHNICS OF VIOLIN PLAYING. By KARL COUR… | Read |
| 305 | 41 | THE HISTORY OF THE VIOLIN and other Inst… | Read |