Scan 100
Joseph Guarnerius, his work and his master [Andreas Gisalberti], 1906
4 lines. Read by computer on 3 September 2026. Printed page 58. See the scan on archive.org.
1The continuous rib was not cut through in the least; the flat surface of the root of the neck was simply placed against it in a freshly-glued state, and the nail driven in.
3Although not a regular habit, there was occasionally one thing in common with both artists concerning the thicknesses left in the upper table: this was in leaving the part round about and below the sound-holes a little thicker than any other part.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.