Scan 312
Joseph Guarnerius, his work and his master [Andreas Gisalberti], 1906
30 lines. Read by computer on 3 September 2026, twice; the two readings disagreed in places. Printed page 214. See the scan on archive.org.
1among the increasing numbers of the violinists of the time, and afterwards, there cannot be any doubt one of two readings
2During the latter half of Joseph's career it will be found one of two readings
3by those having the means of examination, that Carlo one of two readings
4Bergonzi now and then turned out instruments of one of two readings
5penetrative power much beyond that usual with him, and one of two readings
6further, Francesco Stradivari went more thoroughly into one of two readings
7the matter, and, so far as I have been able to ascertain, one of two readings
8permanently adopted a higher keynote or register for one of two readings
9his violins, but not quite so high as that always one of two readings
10adopted by Joseph Guarnerius, who in this respect kept one of two readings
11on the level of the first three Amatis, although obtaining, one of two readings
12by means of his own, greatly increased volume of tone. one of two readings
13These contemporary masters, however, in these one of two readings
14instances were not so happy in their results; in supplying one of two readings
15the quality of increased brilliancy they were in one of two readings
16danger of lessening other equally essential ones. one of two readings
17Of the conclusion of the career of Joseph Guarnerius one of two readings
18there is at present a want of data in connection there- one of two readings
19with, those who had been successful to some extent in one of two readings
20obtaining useful particulars regarding the details of his one of two readings
21relationship with other members of the somewhat one of two readings
22numerous family, having been unable to arrive with one of two readings
23certainty as to the exact year of his demise. It is one of two readings
24generally placed at 1745 or 1746. one of two readings
25among the increasing numbers of the violinists of the time, and afterwards, there cannot be any doubt. During the latter half of Joseph's career it will be found by those having the means of examination, that Carlo Bergonzi now and then turned out instruments of penetrative power much beyond that usual with him, and further, Francesco Stradivari went more thoroughly into the matter, and, so far as I have been able to ascertain, permanently adopted a higher keynote or register for his violins, but not quite so high as that always adopted by Joseph Guarnerius, who in this respect kept on the level of the first three Amatis, although obtaining, by means of his own, greatly increased volume of tone. one of two readings
27These contemporary masters, however, in these instances were not so happy in their results; in supplying the quality of increased brilliancy they were in danger of lessening other equally essential ones. one of two readings
29Of the conclusion of the career of Joseph Guarnerius there is at present a want of data in connection therewith, those who had been successful to some extent in obtaining useful particulars regarding the details of his relationship with other members of the somewhat numerous family, having been unable to arrive with certainty as to the exact year of his demise. It is generally placed at 1745 or 1746. one of two readings
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