Books › Modern violin culture in America, 1916 › scan 29
Scan 29
Modern violin culture in America, 1916
35 lines. Read by computer on 24 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1ALBERT SPALDING
3Suite for Violin and Piano……………………………………………..net, $2.00
4I. Prelude—II. Aria—III. Vivace—IV. Fantasia.
5The production of this Suite illustrates the artistic aims of our younger school of writers in striking fashion. Each of its four parts is replete with admirable, distinctive traits, and as a whole, the Suite supplies a concert number of modern, characteristic brilliancy and harmonic beauty, yet mindful of the best of classic traditions as to form.
7FRANZ KNEISEL
9Concerto in D……………………………………………..Antonio Vivaldi one of two readings
10Concerto in D………………………………………………………..Antonio Vivaldi one of two readings
11For four Solo Violins, with accompaniment of String Instruments (1st and 2nd Violas, 'Cello, Bass and Piano) (Cembalo)
12Edited by Franz Kneisel and Dr. Frank Damrosch.
13Complete Score and Parts……………………………………………..net, $5.75 one of two readings
14Complete Score and Parts………………………………………net, $5.75 one of two readings
15Score Separately……………………………………………..net, 2.50 one of two readings
16Score Separately…………………………………………………….net, 2.50 one of two readings
17Four Solo Violins……………………………………………..net, 2.00 one of two readings
18Four Solo Violins……………………………………………………net, 2.00 one of two readings
19String Accompaniment Parts Complete (1st and 2nd Violas, Cello and Bass)……………………………………………..net, 1.25
20String Accompaniment Parts Separately……………………………………………..Each net, .35 one of two readings
21String Accompaniment Parts Separately………………………..Each net, .35 one of two readings
23LEO ORNSTEIN
25Sonata, Opus 31……………………………………………..net, $2.00 one of two readings
26Sonata, Opus 31…………………………………………………….net, $2.00 one of two readings
27I. Moderato—II. Andante Espressivo—III. Vivace ma non troppo—IV. Grave, Allegro e furioso.
28The daring and sensational innovations of so-called "futurist-music" seem to have reached their farthest limits in this Sonata. In its four movements, Mr. Ornstein, acknowledged as one of the most fearless apostles of the ultra-modern in musical composition, has perpetuated his aims and beliefs in such astonishing fashion as to stagger and overwhelm the faculties of the foremost disciples of his creed.
30SAM FRANKO
32Concerto No. 6 (in B flat)……………………………………………..J. P. Rode 75c one of two readings
33Concerto No. 6 (in B flat)………………………………………J. P. Rode 75c one of two readings
34Song Without Words……………………………………………..F. Mendelssohn-Bartholdi 75c
The computer misreads some letters and numbers. Where a name matters to you, read the scan.