Books › Modern violin-playing (1920)
Modern violin-playing
Grimson, S. B. (Samuel B.). New York: H. W. Gray Co., agents for Novello & Co., Ltd, 1920.
Book. On archive.org as modernviolinplay0000unse.
54 pages read (scans 11 to 156)0 makers on this site cite it
Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 11 | MODERN VIOLIN-PLAYING | Read | |
| 12 | 2 | About once in a hundred thousand times i… | Read |
| 13 | 3 | has done so much harm to the simple hone… | Read |
| 14 | 4 | the instructions are, in the main, false… | Read |
| 15 | 5 | tion, sonority was his ideal in tone-pro… | Read |
| 16 | 6 | movement of the hand away from the bridg… | Read |
| 17 | 7 | CHAPTER II | Read |
| 18 | 8 | The vibrato, as we have already said, is… | Read |
| 19 | 9 | the smaller differences, commonly known… | Read |
| 22 | 12 | mediately confuses the mind as to the st… | Read |
| 23 | 13 | muscules are bound to tire, burdened as… | Read |
| 24 | 14 | neither of which, perhaps, he has hither… | Read |
| 25 | 15 | stinging smack in the palm of the hand.… | Read |
| 26 | 16 | knuckle and finger-tip must be in the "s… | Read |
| 31 | 17 | Let us then fix firmly in our minds this… | Read |
| 32 | 18 | needed to keep it in position. And this… | Read |
| 37 | object is, of course, to give the hand—t… | Read | |
| 38 | fingers descend like little hammers" is… | Read | |
| 39 | CHAPTER III | Read | |
| 40 | be seen, and therefore criticized, bette… | Read | |
| 45 | 23 | quite natural and proper. It is, in fact… | Read |
| 46 | 24 | each finger should take the strongest cu… | Read |
| 57 | mented in changing from one finger to an… | Read | |
| 58 | study changing from one finger to anothe… | Read | |
| 63 | 29 | other, and all concern the running-techn… | Read |
| 64 | 30 | As soon as some progress is made in the… | Read |
| 65 | 31 | CHAPTER IV | Read |
| 66 | 32 | The bow is an elastic wand strung with h… | Read |
| 67 | 33 | In other words, the direction in which t… | Read |
| 73 | 37 | Together with the thumb they hold the bo… | Read |
| 74 | 38 | is not used to supply pressure. For the… | Read |
| 79 | 39 | Now, it is entirely unnatural to move th… | Read |
| 80 | 40 | tion or even to the continuation of a sc… | Read |
| 81 | 41 | CHAPTER V | Read |
| 82 | 42 | MODERN VIOLIN-PLAYING | Read |
| 88 | 44 | As in the left-hand technique, it is bes… | Read |
| 111 | CHAPTER VI | Read | |
| 112 | 52 | Students have been told, with great seri… | Read |
| 113 | 53 | To descend from these altitudes to the l… | Read |
| 114 | 54 | like putting your chin on the chin-rest,… | Read |
| 115 | 55 | is necessary. And when once the fifths a… | Read |
| 116 | 56 | prevent rattling near the stopping-place… | Read |
| 117 | 57 | on tables, apparently to see if the spic… | Read |
| 118 | CHAPTER VII | Read | |
| 123 | 59 | Now, let us first state quite clearly th… | Read |
| 124 | 60 | Plate 31 shows the wrist drawn back. But… | Read |
| 129 | 61 | the correct position re-found; after whi… | Read |
| 130 | 62 | and the tenth positions. Before attempti… | Read |
| 131 | 63 | THE HIGHER POSITIONS. SHIFTING | Read |
| 132 | 64 | Shifting in the other direction from E-f… | Read |
| 133 | 65 | low finger has been carried from the fir… | Read |
| 134 | 66 | practised with frequent interruptions fo… | Read |
| 135 | 67 | on the E-string in the eighth position t… | Read |
| 156 | 86 | This is the ideal trill. And on most ins… | Read |