Bow & Bridge Violin and bow makers, as the old books printed them

Scan 3

Musical Courier 1891-09-30: Vol 23 Iss 606, 1891

250 lines. Read by computer on 19 September 2026. Printed page 352. See the scan on archive.org.

A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.

1Professional Cards.
3METROPOLITAN COLLEGE OF MUSIC
4Has no equal for the thoroughness of instruction and the absolute safety of its methods. Fall Term opens September 14. Residence department for lady pupils from a distance. Dudley Buck, President; Albert Ross Parsons, Vice-President; Harry Rowe Shelley, Second Vice-President; Emilio Agramonte, Operatic Director; Charles B. Hawley, Musical Director.
5For particulars send for College Annual.
719 & 21 EAST 14th STREET,
8New York City.
10H. W. GREENE, Secretary and Treasurer.
12MR. JESSE WILLIAMS
13Gives Lessons in Vocal Culture, Deep Breathing, Vowel Formation, Tone Production and the Art of Singing in English.
14Address 113 East 26th Street, New York.
16MME. FRIDA DE GEBELE ASHFORTH,
17Vocal Instruction,
18135 East 18th Street, New York
20A. FARINI'S
21MUSICAL STUDIO—Vocal, No. 23 East 17th Street.
22Specialty: Opera, Concert Stage, Oratorio and Church.
23Reception hours from 1 to 6 p. m.
25JAS. G. HUNEKER,
26Professor of Piano at the National Conservatory, will accept private pupils in Piano playing. Modern methods taught. Address, care of this office.
28MR. PIERRE DOUILLET,
29Concert Pianist and Teacher.
30Address 123 East 73d Street, New York.
32MR. AD. M. FOERSTER,
33Voice Culture, Piano and Theory of Music,
34Pittsburgh, Pa.
36MAX TREUMANN,
37Baritone, Concert, Oratorio and Opera. Vocal Culture.
38105 East 82d Street, New York.
40EMILIO AGRAMONTE,
41Musical Director of the American Composers' Choral Association of New York and the Gounod Vocal Society of New Haven, Conn. Vocal Instruction.
42118 East 17th Street, New York.
44ALBERT MORRIS BAGBY,
45Piano Instruction,
46Steinway Hall, New York.
48MME. L. CAPPIANI,
49Vocal Culture, 123 West 39th Street, New York.
51ACHILLE ERRANI,
52Vocal Teacher,
53118 East 26th Street, New York.
55MME. MURIO-CELLI,
56Vocal Instruction,
57No. 18 Irving Place, New York.
59MR. and MRS. CARL ALVES,
60Vocal Instructors,
611146 Park Avenue, near 91st Street, New York
63MISS GEORGINE SCHUMANN,
64Piano and Harmony,
65Following the Principles of Dr. Hans von Bülow,
6619 East 16th Street, New York.
68CHARLES PALM,
69Director of St. Cecilia Sextet Club, Professor of Violin, Convent of the Sacred Heart.
70Address 53 East 8th Street, New York.
72WM. H. RIEGER,
73TENOR,
74Oratorio and Concert, 819 Broadway, New York City
76HENRY RUSACK,
77Teacher of Singing,
78100 East 81st Street, New York.
80MR. VICTOR HERBERT,
81Violoncello Virtuoso,
82Will accept engagements for Concerts and Solo work; also a limited number of Pupils.
83Address 212 East 14th Street, New York.
85MR. WILLIAM H. LAWTON,
86THOROUGH STUDY OF BREATHING AND VOICE PRODUCTION,
87230 West 43d Street, City.
89MR. WILLIAM COURTNEY,
90Concert, Oratorio and Vocal Instruction.
91Address 27 Union Square, New York.
93MR. and MRS. TH. BJÖRKSTEN,
94Vocal Culture,
9546 West 45th Street, New York.
97E. A. PARSONS,
98Pianist and Teacher.
99Address, Steinway Hall, New York.
101MRS. OGDEN CRANE,
102Vocal Teacher of Italian School,
103Will resume instruction the 8th of September, 1891. Can be seen at her New York Studio, Hardman Hall, 138 Fifth Avenue, corner 16th Street, every Monday and Thursday; at her Brooklyn Studio, Chandler Music Hall, 300 Fulton Street, every Thursday and Friday. Permanent address, 138 Fifth Ave., New York City.
105FRANK DE RIALP,
106Vocal Teacher,
10733 Union Square, New York.
109GUSTAV L. BECKER
110Will resume Lessons after September 15. Piano and Composition.
111Residence, 1377 Lexington Avenue.
112Address, STEINWAY HALL.
114F. SLADE OLVER,
115Concert Organist.
116For Recitals, Festivals, &c. Lessons in Harmony, Composition and Counterpoint by mail.
117360 Dayton Street, Chicago, Ill.
119MR. J. F. VON DER HEIDE.
120Vocal Instruction.
121Particular attention to the English language in song.
122Address, STEINWAY HALL.
123Residence, 305 West 14th Street, New York.
125AMERICAN CONSERVATORY OF MUSIC.
126Chickering Hall, Chicago, Ill. Catalogue mailed free on application.
127JOHN J. HATTSTAEDT, Director.
129FREDERIC E. BRISTOL,
130Vocal Instruction,
131214 W. 43d Street, New York.
133HELEN VON DOENHOFF,
134Contralto,
135Returned from England. Will accept engagements for concerts and opera. Permanent address,
136Care of STEINWAY HALL, New York
138CHAS. HERBERT CLARKE,
139Solo Tenor West Church (Dr. Paxton's) and Director of Music, Madison Avenue, M. E. Church, Oratorio, Concert and Vocal Instruction.
140Studio, 3 East 14th Street, cor. 6th Ave., New York.
142FELIX JAEGER,
143Musical Director.
144All branches of VOCAL INSTRUCTION. New improved method, combining the old Italian tone production with the modern German style. Piano, Harmony and Counterpoint also taught. Would accept directorship of some musical society.
14521 Irving Place.
147MR. JAMES SAUVAGE,
148Late Primo Baritone Carlo Rosa Grand Opera Co. Medalist—Bronze, Silver and Gold—and Associate of the Royal Academy of Music, London. Teacher of Voice Production and Singing. Coaching according to the best traditional renderings in standard Oratorios, Grand Operas and Concert Music. Accompanist for Concerts.
149Tono Sauvage, Studio 9 East 17th Street, New York
151C. WHITNEY COOMBS
152Has returned to New York after thirteen years of musical study in Europe, and will receive pupils for Voice Culture and Piano.
153Address Chickering Hall, 5th Avenue.
155WM. DENNISON,
156Tenor, Oratorio and Concert.
157457 East 57th Street, New York.
159PHILIPP ROTH,
160Violoncello Virtuoso,
161Author of the "Violoncello School," published by Breitkopf & Härtel, receives pupils.
16266 Potsdamerstrasse, Berlin, Germany.
164MADAME SARA DE LANDE,
165Vocal Culture.
166Specialties—Development of Ease, Purity, Flexibility, Resonance, Power through the Medium of Deep Breathing and Correct Breath Emission.
167Studio, 9 East 17th Street, New York
169BLUMENBERG,
170VIOLONCELLO VIRTUOSO,
171Permanent Address, care of this Paper.
173ARTISTS IN AMERICA.
174THE SIXTH AMERICAN TOUR
175OF
176OVIDE MUSIN,
177THE VIOLINIST,
178Who is supported this season by the Grandest Company of Artists ever offered to the American Public.
179Address R. E. JOHNSTON, Manager, Belvedere House, 18th St. and 4th Ave., New York.
181THE NATIONAL CONSERVATORY OF MUSIC OF AMERICA,
182126 and 128 East 17th St., New York (SEVENTH SEASON).
183Offers to students of merit, at the lowest figures, the greatest educational advantages attainable in any kindred institution here or abroad. Tuition in Solfeggio and Operatic and Oratorio singing, Operatic Chorus class, instruction on the Piano, Violin, Organ, Harp, 'Cello and Orchestral instruments generally; also classes in Harmony, Musical History, Department, Fencing, &c., &c. The orchestra of the National Conservatory affords splendid opportunities for intending orchestral players. The new Théâtre d'Application, through its weekly representations, will prepare advanced singers for a professional career, and disclose the performers' merits to managers. Leading instructors—all specialists of the highest order: Signor R. Sapio, Herr Emil Fischer, Mr. Otto Oesterle, Mr. Christian Fritsch, Mrs. Beebe Lawton, Mr. Rafael Joseffy, Miss Adele Margulies, Mrs. Jessie Pinney, Mr. Leopold Winkler, Mr. J. G. Huneker, Mr. John Cheshire, Mr. S. P. Warren, Mme. Camilla Urso, Mr. Leopold Lichtenberg, Mr. Jan Koert, Mr. Victor Herbert, Mr. Emil Knell, Mr. Ludwig Manoly, Mr. F. Van der Stucken, Mr. Henry T. Finck, Mr. Oscar Klein and others.
185ENTRANCE EXAMINATIONS.
186Voice—September 24 and 25, from 9 to 12 A. M.; 2 to 5 and 8 to 10 P. M. Violin, Violoncello and all orchestral instruments—September 28, 9 to 12 A. M. and 2 to 5 P. M. Piano and Organ—September 29, same hours.
187CHAS. INSLEE PARDEE,
188Secretary.
190MAUD POWELL,
191Violiniste,
19261 E. ELEVENTH ST., NEW YORK CITY.
193NO PUPILS ACCEPTED.
195TO THE TRADE.
196MESSRS. BREITKOPF & HÄRTEL,
197MUSIC PUBLISHERS, LEIPZIG, GERMANY,
198beg to announce that they have opened a branch house at No. 15 EAST SEVENTEENTH ST., NEW YORK.
200FRANCIS, DAY & HUNTER,
201Music Publishers,
202193 and 195 OXFORD STREET, LONDON, ENGLAND,
2031 and 3 UNION SQUARE, NEW YORK.
204Publishers of Smallwood's Celebrated Piano Method. Write for latest list.
206ARTISTS IN EUROPE.
207Leading Concert Agent,
208DANIEL MAYER,
209180 New Bond Street,
210LONDON.
211REPRESENTS
212PADEREWSKI, STAVENHAGEN, YSAYE,
213YOUNG GERARDY, EAMES, MELBA, BARTON
214McGUCKIN, and other world renowned artists.
216HENRY WOLFSOHN'S MUSICAL BUREAU,
217331 E. FOURTEENTH ST., NEW YORK.
218Manager for Leading Artists in Europe and America.
219CONCERT, OPERA, MUSICAL FESTIVALS.
220SEASON 1891-2.
221Clementine de Vere, Mrs. Corinne Moore, Lawson, Louise Natali, Mrs. Ida Klein, Mrs. Seabury C. Ford, Mrs. Walter C. Wyman, Miss C. Fremsted, Mme. Marie Ritter-Goetz, Campanini, A. L. Guille, Montegriffo, Wm. Lavin, Wm. H. Rieger, Andreas Dippel, Emil Fischer, Ericson Bushnell, Clement Bologna, Galassi, Del Puente and others.
222Adele Aus der Ohe, Franz Rummel, Maud Powell, Franz Wilczek, Victor Herbert and others.
224MANUAL OF MUSIC.
225BY W. M. DERTHICK.
226THIS remarkably practical and comprehensive work has recently been thoroughly revised and greatly enlarged, and in its improved form contains the following features, each of which has received the highest commendation from the most prominent musicians of this country and Europe:
2271.—A complete history of music.
2282.—A series of six colored chronological charts, the instructive and practical usefulness of which for purposes of reference and historical study have secured for the author so much deserved praise.
2293.—Excellent photogravure portraits of nearly one hundred prominent musicians, from Palestina and Orland Lassus to the youngest of great modern composers, Moritz Moszkowski.
2304.—Extended biographies of over fifty of the most prominent characters in music, past and present.
2315.—Carefully prepared analyses of over two hundred characteristic works, showing their form, content and technical requirements.
2326.—Over fifty specimen compositions for historical and artistic illustration from the best foreign editions.
2337.—Complete Dictionary of Technical Terms and Phrases.
2348.—Complete Dictionary of Important Musical Works, Instruments and Institutions.
2359.—Complete Dictionary of Musical Artists and Composers.
236Each Dictionary gives the foreign pronunciation of every difficult word, phonetically spelled, so that absolute accuracy may be instantly acquired. The work is introduced exclusively by subscription and is securing a sale quite unprecedented in the history of musical literature. The publishers invite correspondence with any to whom music is congenial and who may desire to secure a permanent and lucrative position. Address
237MANUAL PUBLISHING COMPANY,
238415 and 417 Dearborn St., Chicago, Ill.
240STERN'S CONSERVATORY OF MUSIC
241IN BERLIN, GERMANY.
24220 WILHELMSTRASSE.
243FOUNDED IN 1850.
244Directress, JENNY MEYER.
245a. Conservatory: Education in all branches of music.
246b. Opera School: Perfect education for the stage.
247c. Choral classes.
248d. Lectures: History of music and composers.
249PRINCIPAL TEACHERS: Jenny Meyer, vocal; Robert Radecke, Frederick Gernsheim, composition, conducting, organ and chorus classes; Bussler, theory; Professors Ehrlich, Gernsheim and Dreyshock, piano; Florian Zajic, violin; Louis Lilbeck, 'Cello.

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