Scan 13
Musical Courier 1892-05-04: Vol 24 Iss 637, 1892
116 lines. Read by computer on 22 September 2026, twice; the two readings disagreed in places. Printed page 14. See the scan on archive.org.
1dancers. A throng of dancers who are still in the apprentice period are clustered outside the portals of the foyer, into which they are not privileged to enter unless their salary exceeds a certain number of francs a month.
3Paderewski's Plans.—London, April 30.—Paderewski, the pianist, will revisit America and will commence a tour at San Francisco on November 8.
5He will give sixty concerts and play 100 compositions which Americans have not yet heard.
7He says that Boston is his favorite American town, from a musical point of view, and that its superiority in his mind is greatly due to the excellence of the Boston Symphony Orchestra. He says he was greatly impressed with Mr. Theodore Thomas as a conductor.
9Speaking of Mr. Montgomery Sears, Paderewski said he had never met a man who showed his millions of money less in his demeanor than did he.
11"Mr. Sears," he added, "is a good musician, a good hearted man and a financier. He plays the organ well and has a unique collection of ancient and modern musical instruments."
13Florence Young.—Florence Young, an American soprano, who was trained in Boston, will make her début in London shortly.* She invited a number of professionals to hear her sing in private last recently. She has astonished everybody who has heard her by the exceptional range of her voice.
15A Royal Composer.—The Duke of Edinburgh is writing the music of a grand German opera, the libretto of which is the work of "Carmen Sylva," Queen Elizabeth of Roumania. The opera will be produced at the Court Theatre at Coburg, on a date yet to be fixed, in the presence of the Grand Duke and Grand Duchess of Saxe-Coburg.
17A New Comer—A young artist, Miss Springborg Quiding, has appeared successfully at the Carlsbad Opera House as "Gilda," in Verdi's "Rigoletto." The young lady is a Dane by birth and has studied under the celebrated Mrs. Artot de Padilla.
19Franchetti's Opera.—Baron Franchetti, the composer of "Asrael," gave a private performance of some extracts from his new opera, "Christoforo Columbus," last month at Milan. The opera will be first performed at Genoa, in connection with the Columbus celebrations.
21The Jupiter "Strad."—The well-known Stradivarius violin which has been surnamed "Jupiter," and which was once owned by Viotti and afterward by Rode, has just been bought by the Frankfort concertmaster Hugo Heermann.
23A Royal Joke.—Thomas Greatorex, who during the reign of George III. held the post of conductor of "His Majesty's Concerts, Ancient and Modern," made one of a party at a dinner given by the directors. On the same occasion the Prince of Wales was also a guest, and after dinner endeavored to persuade Greatorex to remain at table longer than his duties as conductor would admit of. Greatorex, however, pleaded the necessity of being punctual, especially as the king was to be present. "Oh, never mind him," said the prince, jocularly "my father is Rex, I confess, but you are a Greater Rex."
25Bizet's "Djamileh."—The news of a "new" opera by Bizet which has recently been going the rounds of the papers must be rectified. "Djamileh" is not a new or posthumous work. It was produced on May 20, 1872, at Paris, but was not successful, and afterward was completely eclipsed by "Carmen." "Djamileh," which is in one act, containing even spoken dialogue, is of the size of "Cavalleria Rusticana," and is said to be full of Bizet's graceful inspirations. Count Hochberg has acquired the rights for its performance at the Berlin Royal Opera House and the work will surely soon become popular everywhere.
27Van Vesterhout's "Cimbelino."—The Dutch composer Van Vesterhout, who lives in Naples, on the 10th ult. produced there at the Argentina Theatre a four act opera "Cimbelino," the libretto of which is based upon Shakespeare's "Cymbeline." The success of the work, which is said to be on Wagnerian musical lines, was so great that Count Hochberg, of the Berlin; Director John, of the Vienna, and Angelo Neumann, of the Prague Opera House, are said to be bargaining with the composer for the rights of performance.
29W. S. Mullaly Said to Be Insane.—William S. Mullaly, the well-known writer and arranger of ballad and theatrical music, was taken last Sunday from his room in the Coleman House by William H. Coyne, the hotel detective, to the Jefferson Market Police Court, where he was committed to the insane pavilion at Bellevue Hospital for examination as to his sanity. It is said that he is suffering from acute nervous mania, the result of overwork and insomnia, but that he will probably be cured by a few weeks' perfect rest.
31He Didn't Know Dvorak.—Grillparzer, the German dramatist, had an intense dislike of the Czechs, and would not admit that they could excel in anything. "The whole nation fiddles and fifes, but has never yet produced a single great musician."
33Paris Musical Items.
35PARIS, April 10, 1892.
37PARIS during the spring season must be seen to be appreciated; the trees are all in blossom, and as I strolled this beautiful Sunday morning along the Avenue des Acacias in the Bois de Boulogne I saw many familiar faces among the promenaders, enjoying the beauties of the lovely spring morning. On last Monday evening a soirée musicale was given complimentary to Miss Leonora Jackson, the young violinist who, is studying at the Paris Conservatoire. She played the seventh concerto of De Beriot, the reverie and mazurka of Wieniawski and the military fantaisie of Léonard. Her playing was distinguished by a remarkable technic and careful phrasing, and when she finishes her course of study here she will return to her home in Chicago, where she has many friends anxious for her success. She was ably assisted among others by Miss Sterling, mezzo soprano, from London, who sang an aria from "La Reine de Saba" and Sullivan's "Lost Chord," with piano and organ accompaniment; Dr. Rikerth (tenor), a pupil of Tropadello, sang a group of English songs with much taste; there were piano solos by Miss Aline Brisset and 'cello solos by Miss Virginie Guillaume, who mastered the technical difficulties of that instrument to the delight of the large audience present. The concert was held at Mr. Holman Black's studio, kindly loaned by him to the young beneficiary.
39Another pleasant musical afternoon was given last week by Miss Bryant, in the Rue de Galilée, at which the following artists took part: Miss Sterling, Mr. Holman Black and Mrs. Ch. Waldo Richards, the clever American elocutionist.
41We had the pleasure of entertaining Mr. Hollman, the celebrated Belgian 'cellist, at a small dinner and musical reception on Saturday evening last, given at our apartments in the Avenue Friedland. Mr. Hollman played a number of selections. There were solos by Miss Caritte, Miss Blanche Taylor and Miss Maud Young and Perugini, who is spending a few days in Paris prior to his departure to America early next week.
43In French society a very swell musicale was given by Mr. Gustave Bateau, of the Crédit Foncier, in his magnificent "hotel" in the Rue Lafitte. The guests were received by the host's fair sister, Mrs. Marcel Masson. The program was such as only millionaires can offer to their guests, and consisted of numbers interpreted by that clever artist Mrs. Arnoldson-Fischhoff, who sang Swedish airs and Widow's "Nuit d'Etoiles." Mr. Soulacroix, from the Opéra Comique, sang a melody by Thorne, accompanied by the composer. Mr. Boussagnol, of the Opéra, played harp selections; Miss Amel, from the Théâtre Français, gave two monologues. Mr. Cooper, the favorite comedian from the Varieties, sang two comic French songs. Miss du Meriel, of the Français, gave "La Fiancée du Timbaler," also by Thorne. The ladies' orchestra of scarlet clad gipsies closed the first part of the program. After supper the program consisted of an extraordinary trio, "Les Isola," giving a sçance of prestidigitation and mind reading.
45Miss Ramos, a pretty Spanish girl in Castilian attire, sang songs of sunny Spain, which closed the program of one of the most elaborate entertainments I have attended in Paris.
47The same evening Mrs. Kirewsky gave a fashionable musicale of the compositions of that clever composer, Miss Gabrielle Ferrari, assisted by Miss Salla, Mr. White, the violinist, and other artists. Miss Ferrari obtained a great success, not only for her compositions, but for her clever performance on the piano of her "Rhapsodie Espagnole." Mr. Henri Falcke's concert at the Salle Erard on Saturday evening last was largely attended, and was one of the most enjoyed among the many concerts which have been given here this winter. Mr. Falcke is a pupil of Messrs. Mathias and Falkenberg, and his playing is characterized by great delicacy, combined with an unusual vigor and brilliancy, his sostenuto playing being especially enjoyable. His program consisted of the Grieg and Rubinstein D minor concertos, assisted by the Lamoureux orchestra. Mr. Falcke played also the toccata by Saint-Saëns, a barcarolle by Rubinstein and the tarantelle by Moszkowski, and with the orchestra the Hungarian fantaisie by Liszt. Among the audience were Mr. Guilmant, Gabriel Marie, Mr. Faure, Falkenberg, Mathias, Ch. René and others. Mr. Falcke was warmly complimented by Mr. Lamoureux, and will be heard at his concerts next season. He leaves soon for a tour through Germany.
49The leading theatres are closed from Thursday until Easter Monday night, when most of the theatres produce novelties.
51At the Bouffes Parisienne "Miss Helyett," which has run nearly 600 nights, will be superseded by a new operetta, "Eros." Miss Bianca Duhamel, who created the part in Paris, is at present at Monte Carlo with a company, giving the operetta to crowded houses. At the Renaissance "La Jolie Parfumeuse" will be succeeded by a new operetta, "La Femme de Narcisse," by La Meunier and Gabin, Miss Simon Girard and Simon Max in leading parts. Miss Jeanne Granier, just escaped from a serious accident, being overturned in her carriage while driving in the Bois, is drawing large houses at the Porte St. Martin Theatre in "Le Voyage dans la Lune."
53WILL TAYLOR.
55Mr. Torrington Protests.
57Editors Musical Courier:
59The "reply" from Toronto in THE MUSICAL COURIER of April 20 does not in any sense alter the facts contained in my statement, but confirms them. The writer of the "reply" should endeavor to get into the true spirit of musical work here, and submit a better or beat the record I have furnished, in doing either of which I wish him all success. I cannot undertake to answer people who hide themselves behind a false name, but have no objection to exchange ideas with those who may differ with me if they come out honestly and over their own names.
61F. H. TORRINGTON.
63TORONTO, April 23, 1892.
65Ottawa Oracle.
67OTTAWA, Canada, April 25.
69THE musical events which I have to chronicle have not been many, but they may certainly be classed as important. April 5 witnessed the presentation by the Ottawa Philharmonic Society, F. C. Smythe, Mus. Bac. T. C. D., principal Canadian College of Music, conductor, of Mendelssohn's "Athalie." The soloists were Mrs. F. C. Smythe, Mr. J. J. Harrison and Mrs. C. H. Beddoe, sopranos; Miss Maude Burdette, of Belleville, contralto; Miss Butterworth and Miss Lamb, accompanists. On the occasion of the performance of "The Messiah" by the Philharmonic Society I had the pleasure of speaking in the very highest terms of the rendition of the choruses; this time, if it were possible, I should like to add to my praise of the choral efforts of the society.
71Grand and effective as are the choruses of "The Messiah," those of "Athalie" call for a very different treatment and make a demand on the dramatic element and intelligence alike of the conductor and his forces. Nothing like the precision of attack, the rhythm, light, shading and dramatic reading of choral work has ever been heard in this city. Especial attention I must draw to the trio, with choral accompaniment. It was a gem. Mr. Smythe had his forces well in hand, and the delicacy of treatment, combined with exquisite refinement of delivery, was in the highest degree meritorious.
73The solo work in the hands of amateurs was very good; indeed, it speaks volumes for the city's amateur talent that so creditable a rendering was procurable. Miss Burdette was the only professional vocalist engaged, and she did well, but would have done infinitely better if she would only eliminate a pernicious vibrato, which had the effect of marring her utterance in a great degree. The lady is possessed of a good voice, which she should allow fair play. Her tuition has been good apparently.
75Max Heinrich made up the second portion of the program, and of him it is quite needless for me to do more than note the fact, as his excellence of artistic rendition is universally acknowledged.
77April 18 Mr. Frederick F. Sicovitz gave a piano recital before a very large and highly delighted audience in the Grand Opera House. His performance on the spitnet created great enthusiasm. one of two readings
78April 18 Mr. Frederick Moszkowski gave a piano recital before a very large and highly delighted audience in the Grand Opera House. His performance on the spit created great enthusiasm. one of two readings
80I neglected in my remarks on "Athalie" to mention that the part of reader was taken by Mr. C. H. Beddoe. As a reader Mr. Beddoe stands out in the highest degree. His voice is clear and distinct, and he evinced excellent dramatic fire, combined with careful and clear enunciation. The Opera House was crowded from pit to dome. His Excellency the Governor General, patron of the society, was present, with the Lady Stanley of Preston, and suite.
82LEONATUS.
84Montreal Music.
86LOYD, the inimitable concert tenor, has once again delighted our people. A crowded house greeted him and gave him the welcome he was sure to receive from an English audience.
88To criticise Mr. Lloyd would be an impertinence, for on the concert stage he is consummate; but last evening Mr. Lloyd was suffering from a very noticeable hoarseness, which, in some of his lower notes, prevented him from doing himself justice and impeded him in his rendering of some of those delicate nuances which render his singing so perfect. Method, conception, delicacy of interpretation, all were, as of yore, perfect. Mr. Lloyd in the particular position he holds as an artist before the public has no rival.
90Of his support we may include as adequate Miss Dora Becker, a young violinist of decided merit, attractive personality and gracious and winning stage manner; Miss Carlotta F. Pinner, the soprano, and Mrs. Carl Martin, who acted as accompanist. Of Mr. May the least said the better; if he has the requisite talent for acting he would be more successful in comic opera. Mr. Cornish received a warm reception and played much to the satisfaction of the audience; he is a valuable addition to our circle of resident musicians. Nothing more of special interest in a musical way has taken place during this week, so "good-bye."
92A. Testimonial to Seidl.—A testimonial concert to Mr. Seidl was given at the Brooklyn Academy of Music last night. The program was as follows:
94Overture, "The Flying Dutchman" ………………………………………….. Wagner
95"Les Préludes" ………………………………………….. Liszt
96Ballet music from "Boabdil" ………………………………………….. Moszkowski
97For string orchestra—
98"Bluette" ………………………………………….. Gillet
99"Anitra's Dance" ………………………………………….. Grieg
100Polonaise ………………………………………….. Herbert
101Selections from "Fidelio" ………………………………………….. Beethoven
102Overture, "Leonora."
103Aria, "Leonora."
104Aria of "Rocco."
105Aria of "Florestan."
106"Terzetto."
107Mrs. Mielke, Mr. Dippel, Mr. Fischer.
108"Tannhäuser's Pilgrimage" ………………………………………….. Wagner
109Max Bendix to Conduct.—Max Bendix has arranged for a series of summer concerts at Chicago, and will conduct the Thomas orchestra this summer in the First Regiment armory.
111John Mahnken Sails.—Manager John Mahnken sailed for Europe last Saturday on the Ems on a tour for business and pleasure combined.
113The Lloyd Concerts.—The two last Lloyd ballad concerts occurred Saturday afternoon last and last evening at the concert hall of the Madison Square Garden.
115A CONDUCTOR (also solo pianist, &c.) who has held prominent positions in Germany and England would be inclined to settle in one of the larger towns of America where the conductorship of a choral and orchestral society could be offered to him. Apply to "No. 22 N," care of MUSICAL COURIER.
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