Scan 2
Musical Courier 1893-12-27: Vol 27 Iss 720, 1893
213 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. Printed page 3. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1The Virgil Practice Clavier.
3"DEAR SIR—I have been much pleased with the PRACTICE CLAVIER, and its use has convinced me of its superior qualities as an instrument for the technical part of piano practice." one of two readings
4"Dear Sir—I have been much pleased with the Practice Clavier, and its use has convinced me of its superior qualities as an instrument for the technical part of piano practice." one of two readings
5Yours truly,
6I. J. PADEREWSKI.
8"The principles of touch involved are entirely correct and meet my full approbation. For acquiring perfect finger control, for gaining strength and endurance, and as a means for silent practice, it is excellent."
9Wishing you great success, I am cordially yours,
10RAFAEL JOSEFFY.
12"The PRACTICE CLAVIER is an unerring monitor and guide." one of two readings
13"The Practice Clavier is an unerring monitor and guide." one of two readings
14WILLIAM MASON.
16Claviers rented at a distance with privilege of purchase. Send for rental purchase plan and new Illustrated Catalogue.
18VIRGIL PRACTICE CLAVIER CO.,
1926 West 15th Street, New York.
21MARIE LOVELL BROWN
22(Mrs. Dexter),
23Teacher of Pianoforte Playing and Harmony.
24Address Chickering Hall, New York.
26PROF. RIVARDE,
27Vocal Art.
2830 East Twenty-third Street (Madison Square)
30MR. and MRS. THEO. J. TOEDT,
31Vocal Instruction.
32Home Studio: 151 East 62d Street, New York.
34RICHARD T. PERCY,
35Accompanist and Concert Organist.
36Organ Oratorio Accompaniments a specialty.
37With F. E. Bristol, Room 27, Carnegie Music Hall.
39GENEVRA JOHNSTONE BISHOP,
40Soprano.
41Oratorio, Concert, Recitals.
422505 Michigan Avenue,
43Chicago, Ill.
45WILLIAM H. LEE, BARITONE,
46Late of American, Emma Juch and Clara Louise Kellogg Opera Companies.
47Concerts and Vocal Instruction.
48Studio: 98 Fifth Ave, Room 7, New York.
49(Tuesdays and Saturdays.)
51CARL BRUCKHAUSEN,
52Concert Pianist. Pupil of Barth, Berlin High School, of Joseffy and of S. B. Mills. Will receive engagements and pupils.
53294 Fulton street, Brooklyn.
55Established in 1867.
56Cincinnati Conservatory of Music.
57MISS CLARA BAUR, Directress.
58Thorough musical education after the methods of foremost European conservatories.
59Day and boarding pupils may enter at any time.
60Young ladies in the home department are under the personal supervision of the directress. For Catalogue address
61MISS CLARA BAUR,
62Fourth and Lawrence Sts.,
63CINCINNATI, OHIO.
65AUFFERMANN'S STAINED VENEERS,
66234-238 East 43d St., New York.
687th Regiment Band,
69N. G. S. N. Y.,
70W. B. ROGERS, Bandmaster.
71Address, 25 Union Square, New York City.
73RICE MUSICAL STRING COMPANY,
74Manufacturers of All Kinds of
75Musical Strings,
76Nos. 157, 159 & 161 W. 29th Street,
77NEW YORK.
79Established 1881.
80MRS. REGINA WATSON'S SCHOOL,
81FOR THE
82HIGHER ART OF PIANO PLAYING.
83297 East Indiana Street,
84CHICAGO.
86GRAND
87Conservatory of Music
88OF THE CITY OF NEW YORK.
89This renowned Music School offers the accumulated advantages of years of successful operation. Instructions in all branches of Vocal and Instrumental Music, Harmony, Composition, Instruction, Drawing and Painting. Students have the use of a fully appointed stage, with scenery, pipe organs, harp, library and other free advantages equal to 10 lessons per week. For particulars address one of two readings
90This renowned Music School offers the accumulated advantages of years of successful operation. Instructions in all branches of Vocal and Instrumental Music, Harmony, Composition, Instruction, Rhetoric and Dramatic Art, Oratory, Languages, Drawing and Painting. Students have the use of a fully appointed stage, with scenery, pipe organs, harp, library and other free advantages equal to 10 lessons per week. For particulars address one of two readings
91E. EBERHARD, Mus. Doc., President,
92The Grand Conservatory of Music,
93142 West 23d St.
94New York.
96CONCERT DIRECTION.
97Agency Founded 1879.
98HERMANN WOLFF.
99Germany: Berlin s.m Carlsbad 19.
100Cable Address: Musikwolf, Berlin.
101(no line here) one of two readings
103Proprietor and Manager of the Philharmonic Concerts, Berlin; the new Subscription Concerts, Hamburg; the Bechstein Hall, Berlin.
104(no line here) one of two readings
106Sole representative of most of the leading artists, viz: Rubinstein, Bülow, Joachim, d'Albert, Stavenhagen, Mme. Carreno d'Albert, Mlle. Kleeberg, Mme. Marcella Sembrich, Alice Barb, Emil Goetz, the Berlin Philharmonic Orchestra, Manager of the American tours of Josef Hofmann, Hans von Bülow, Eugen d'Albert, Pablo de Sarasate, and of the German Ethnographic Exhibition, Chicago.
107(no line here) one of two readings
109Principal Agency for Music Teachers.
110Apply for Catalogues.
112Chicago Conservatory of Music.
113SAMUEL KAYZER, Director.
114Auditorium Building, Chicago, Ill.
115SEND FOR CATALOGUE.
116MUSICAL DIRECTORS:
117WILLIAM H. SHERWOOD, Piano.
118CALVIN B. CADY, Piano.
119VITTORIO CARPI, Vocal.
120CLARENCE EDDY, Organ.
121S. E. JACOBSON, Violin.
122FREDERIC GRANT GLEASON, Harmony, &c.
124DORA V. BECKER,
125CONCERT VIOLINISTE.
126FOR TERMS, &c., ADDRESS
1271348 Lexington Ave., New York.
129JAMES BELLAK'S SONS,
1301129 Chestnut Street,
131PHILADELPHIA, PA.
133Royal Conservatory of Music (also Operatic and Dramatic High School),
134DRESDEN, GERMANY.
135Thirty-eighth year. 47 different branches taught. Last year, 780 pupils, 88 teachers, among whom for Theoretical branches are Felix Dräseke, Prof. Rischbieter, Prof. Dr. Ad. Stern, &c.; for Piano, Prof. Düring, Prof. Krantz; Chamber Music Virtuosa, Mrs. Rappoldi-Kahler, Prof. Schmole, Sherwood, Tyson-Wolf, Mus. Doc., &c.; for Organ, Cantor and Organist Fährmann, Music Director Höpner, Organist Jansen; for String and Wind Instruments, the most prominent members of the Royal Court Orchestra, at the head of whom are Concertmaster Prof. Rappoldi and Concertmaster Fr. Grützmacher; for Vocal Culture, Iffert, Frütl, von Kotzebue, Mann, Chamber Singer Miss Agl. Orgeni, Ronneburger, &c.; for the Stage, Court Opera Singer Eichberger, Count Actor Senf Georgi, &c. Education from the beginning to the finish. Full courses or single branches. Principal admission times, beginning of April and beginning of September. Admission granted also at other times. Prospectus and full list of teachers at the offices of THE MUSICAL COURIER and through Prof. EUGEN KRANTZ, Director. one of two readings
136Thirty-eighth year. 47 different branches taught. Last year, 780 pupils, 88 teachers, among whom for Theoretical branches are Felix Dräseke, Prof. Rischbieter, Prof. Dr. Ad. Stern, &c.; for Piano, Prof. Düring, Prof. Krantz; Chamber Music Virtuosa, Mrs. Rappoldi-Kahler, Prof. Schmole, Sherwood, Tyson-Wolf, Mus. Doc., &c.; for Organ, Cantor and Organist Fährmann, Music Director Höpner, Organist Janssen; for String and Wind Instruments, the most prominent members of the Royal Court Orchestra, at the head of whom are Concertmaster Prof. Rappoldi and Concertmaster Fr. Grützmacher; for Vocal Culture, Iffert, Frütl, von Kotzebue, Mann, Chamber Singer Miss Agl. Orgeni, Ronneburger, &c.; for the Stage, Court Opera Singer Eichberger, Count Actor Senf Georgi, &c. Education from the beginning to the finish. Full courses or single branches. Principal admission times, beginning of April and beginning of September. Admission granted also at other times. Prospectus and full list of teachers at the offices of The Musical Courier and through Prof. EUGEN KRANTZ, Director. one of two readings
138CONSERVATORY KLINDWORTH-SCHARWENKA,
139BERLIN, W. (Germany), Potsdamerstr. 20 and 35.
140DIRECTORS: Ph. Scharwenka, Prof. H. Genos, Dr. Hugo Goldschmidt.
141ARTISTIC ADVISER: Prof. Karl Klindworth.
142PRINCIPAL TEACHERS: Prof. A. Becker (theory); Klindworth, Scharwenka, Genos, Dr. Jedlitzka, Leipholz, W. Berger (piano); Struss, Grünwitsch (violin); Dr. Hugo Goldschmidt (voice, Stockhausen method and history of music); Dr. Reimann (history of music and musical form).
143Applications for the winter semester 1893-4 must be made with Prof. Klindworth on Tuesdays and Fridays from 4 to 6 p.m., at Potsdamerstrasse 20; with Ph. Scharwenka or Dr. Goldschmidt, every afternoon from 4 to 6, at Potsdamerstrasse 35.
144Prospectus gratis on demand from the Directors.
146THE VIRGIL PIANO SCHOOL.
14726 W. 15th Street,
148Near Fifth Avenue.
149Devoted exclusively to the study of the Piano upon the rational methods of the PRACTICE CLAVIER. By this system artistic results are far more surely and quickly secured than by any other. The Training of Teachers a SPECIALTY. one of two readings
150Devoted exclusively to the study of the Piano upon the rational methods of the PRACTICE CLAVIER. one of two readings
151By this system artistic results are far more surely and quickly secured than by any other. The Training of Teachers a SPECIALTY. one of two readings
152Fall Term begins Sept. 26. Sept. 23 and 24 are examination and enrollment days.
153ADDRESS THE VIRGIL PIANO SCHOOL, 26 W. 15th St., New York.
155THE BROAD STREET CONSERVATORY OF MUSIC,
1561331 SOUTH BROAD STREET,
157716 NORTH BROAD STREET,
158PHILADELPHIA, PA.
159GILBERT R. COMBS, Director.
160Thorough and Complete in Every Department. All Branches Taught. 30 Eminent Professors, including
161GILBERT R. COMBS, Piano Department.
162HUGH A. CLARK, Mus. Doc., Theoretical Department.
163EMIL GASTEL, Vocal Department.
164EDWIN AUGUSTE BRILL, Violin Department.
165JOHN W. POMMER, J. & Org. Department. one of two readings
166JOHN W. POMMER, Jnr., Organ Department. one of two readings
167Complete Band and Orchestra Department.
168Unequaled Free Advantages.
169For terms, hours, catalogues and full particulars, address GILBERT R. COMBS, Director,
1701331 South Broad Street, Philadelphia, Pa.
172The Mechanical Piano.
173Just as well adapted for playing as any piano. The Mechanical Piano is played upon in the customary manner. It also enables those who know nothing of piano playing to perform thousands of music pieces of any length or description, and with expression, by means of exchangeable music sheets. In all respects the best. Patented in all countries. one of two readings
174Just as well adapted for playing as any piano. one of two readings
175The Mechanical Piano is played upon in the customary manner. It also enables those who know nothing of piano playing to perform thousands of music pieces of any length or description, and with expression, by means of exchangeable music sheets. In all respects the best. Patented in all countries. one of two readings
176SOLE MANUFACTURER,
177LUDWIG HUPFELD,
178(Successor to S. M. Grob & Co.)
179Leipzig, Germany.
181HAGEN, HEINRICH & DUNHAM,
182MANUFACTURERS OF THE
183CORNETT PIANOS,
184525, 527, 529, 531 W. 24th STREET, NEW YORK.
186HENRY WOLFSOHN'S
187Musical Bureau,
188831 East 14th Street,
189NEW YORK.
190LEADING ARTISTS.
191Concerts, Receptions, &c., arranged.
193ESTABLISHED 1867.
194CHICAGO MUSICAL COLLEGE
195Central Music Hall,
196CHICAGO, ILL.
197Dr. F. ZIEGFELD, President.
198Our Catalogue, giving terms of tuition and containing a musical lexicon, abridged History of Music and other valuable information, will be sent FREE on application.
200New England Conservatory of Music.
201Founded by Dr. Eben Tourtée.
202CARL FARLTON, Director.
203Music, Elocution, Literature, Languages, Fine Arts and Tuning.
204Send for Illustrated Calendar.
205FRANK W. HALE, General Manager,
206BOSTON, MASS.
208BAYNE'S BAND.
20969th Regiment, N. G. S. N. Y.
210WM. BAYNE, Bandmaster,
21153 Third Ave.,
212Music furnished for Balls, Lodges, Clubs and Private Parties.
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