Scan 3
Musical Courier 1896-12-23: Vol 33 Iss 877, 1896
211 lines. Read by computer on 26 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1OUR Productions of the present year are the finest we have ever offered, and represent both in exterior finish and quality of tone the highest excellence in Piano Manufacture. We solicit for them the critical examination of the musical profession and the public.
3CHICKERING PIANOS
5CHICKERING & SONS,
6791 Tremont Street,
7BOSTON.
9Chicago.
10J. H. KOWALSKI,
11Celebrated Vocal Studio,
12Suite 54 and 55, Kimball Hall,
13CHICAGO, ILL.
15MAX BENDIX,
16VIOLINIST,
17801 Steinway Hall,
18CHICAGO, ILL.
20HESS-BURR
21SCHOOL OF MUSIC.
22JOHANNA HESS-BURR.
23LOUISA HESS-FUCHS.
242036 Indiana Avenue,
25CHICAGO, ILL.
27Mme. RAGNA LINNÉ,
28MARCHESI METHOD.
29ORATORIO—CONCERT—SONG RECITAL.
30Limited number of pupils accepted.
31Kimball Hall, Wabash Avenue,
32CHICAGO, ILL.
34HERMAN L. WALKER,
35Pupil of SHAKESPEARE and SBRIGLIA.
36TENOR.
37Concert, Oratorio, Song Recitals.
38Chicago Conservatory, Auditorium Building,
39CHICAGO, ILL.
41HANS VON SCHILLER,
42CONCERT PIANIST.
43Member Board of Musical Directors CHICAGO MUSICAL COLLEGE.
44For terms and dates, address care of CHICAGO MUSICAL COLLEGE, Central Music Hall, Chicago
46FRANK T. BAIRD,
47THE ART OF SINGING.
4834 Monroe Street, CHICAGO, ILL.
50ESTABLISHED 1867.
51Chicago Musical College,
52Central Music Hall, Chicago, Ill.
53Dr. F. ZIEGFELD, President.
54DR. F. ZIEGFELD,
55LOUIS FALK,
56HANS VON SCHILLER,
57WILLIAM CASTLE,
58BERNHARD LISTEMANN,
59Musical Directors.
60Catalogue giving full information mailed free upon application.
62Chicago.
63THEODORE SPIERING,
64VIOLINIST,
651105 Steinway Hall,
66CHICAGO, ILL.
68SIXTEENTH YEAR,
691896-1897.
70MRS. REGINA WATSON'S SCHOOL FOR THE HIGHER ART OF PIANO PLAYING,
71207 Indiana Street.
72CHICAGO, ILL.
74MADAME DOVE BOETTI
75will continue her lessons for Opera and Concert in Milan, commencing January 1, 1897. Address her at the Associazione Internazionale Teatrale, 4 Via Silvio Pellico, Milan. Italy.
77A. J. GOODRICH,
78Theorist,
79Lock Box 976, Chicago.
80Author of "Goodrich's Analytical Harmony."
81"Complete Musical Analysis."
82"Music as a Language," &c., &c.
83Personal or correspondence lessons in Harmony, Composition, Orchestration, Analysis and Theory of Interpretation.
85MRS. L. M. DUNN,
86First and oldest exponent of Madame CAPPIANI's method in the West.
87For tone production, voice building and coloratura it is unequalled.
88Call or address INGLESIDE 5,
891 Park Avenue, CHICAGO, ILL.
91Genevra Johnstone Bishop,
92… SOPRANO,
93Oratorio, Concerts and Recitals,
942319 Michigan Avenue, CHICAGO, ILL.
96ANNA WEISS,
97Late of Vienna Conservatory,
98Concert Pianist and Teacher.
99Suite 908 Steinway Hall, Chicago, Ill.
101Chicago Conservatory of Music.
102SAMUEL KAYZER, Director.
103Auditorium Building, Chicago, Ill.
104SEND FOR CATALOGUE.
105MUSICAL DIRECTORS:
106WILLIAM B. SHERWOOD, Piano.
107LEOPOLD GODOWSKY, Piano.
108ARTURO MARESCALCHI, Vocal.
109CLARENCE EDDY, Organ.
110S. E. JACOBSSON, Violin.
111FREDERIC GRANT GLEASON, Harmony, &c.
113J. RAYNER,
114IMPORTER OF MAHOGANY.
115MANUFACTURER AND DEALER IN ALL KINDS OF CUT AND SAWED VENEERS.
116Foot Houston St., East River, Fulton and Morgan Streets, NEW YORK, CHICAGO.
118London, England.
119THE GUILDHALL SCHOOL OF MUSIC.
120Established by the Corporation of London, 1880.
121Principal—SIR JOSEPH BARNBY.
122All branches of Music, Elocution and Languages taught.
123Improvisation, Accompanying, Sight Singing, Sight Reading (Instrumental), Choral, Orchestral, Operatic and Chamber Music Classes. Second studies at greatly reduced rates. Scholarships prizes, &c., given.
124Fees from £1 11s. 6d. to £4 14s. 6d. per term of twelve weeks.
125Staff of 130 Professors. Over 3,500 Students Resident Lady Superintendent. Prospectus and full particulars of the Academy.
126By order of the Committee.
127HILTON CARTER, Secretary.
128Victoria Embankment, London, E.C.
130MR. ALBERT VISETTI,
131Professor of Voice Production
132and the Aesthetics of Singing
133at the Royal College of Music and the Guildhall School of Music,
13414 Trebovir Road, Earl's Court, S. W., London.
136MR. WADDINGTON COOKE,
137Pupils received for Operatic Répertoire
138Traditions of Oratorios and English Ballads.
1391k Montagu Mansions, Spring Street,
140Portman Square, London, W.
142MRS. EMIL BEHNKE,
143Scientific Voice Training for Singers, Speakers, and Stammerers,
14418 EARL'S COURT SQUARE, LONDON, S. W.
146PROF. MICHAEL HAMBOURG'S
147Academy for the Higher Development of Pianoforte Playing.
148Patron and Honorary Examiner, M. PADEREWSKI
149For prospectus apply to the Secretary.
15024 Elgin Avenue, London, W.
152M. PANZANI,
153Late instructor at the Institut Musicales in Florence and College Militaire, Chef d'Orchestre and Assistant Instructor under Mme. Marchesi.
154NOW ESTABLISHED IN LONDON.
155Pupils received in singing and singers prepared for opera or concert. Address
1565 Templeton Place, Earl's Court, S. W., or care of THE MUSICAL COURIER,
15721 Princes Street, London. one of two readings
15831 Princes Street, London. one of two readings
160The Monthly Journal
161Of the Incorporated Society of Musicians of Great Britain and Ireland.
162SUBSCRIPTION $2.00 ANNUALLY.
163The best means of advertising everything connected with music in England, Ireland and Scotland. Specimen copies and terms will be forwarded upon application to the Society's offices: 19 Berners St., LONDON, W., ENGLAND.
165CONCERT DIRECTION MAYER
166(W. ADLINGTON),
167THE LEADING EUROPEAN AGENCY.
168Representing the World's Greatest Artists.
169Vocal and Instrumental.
170SOLE AGENT FOR MR. PADEREWSKI.
171224 REGENT ST., LONDON, W.
172A B C Code. Cables: "Liszt, London."
174CONSERVATORY KLINDWORTH-SCHARWENKA,
175BERLIN, W. (Germany), Potsdamerstr. 27 B.
176DIRECTORS: Ph. Scharwenka, Dr. Hugo Goldschmidt.
177ARTISTIC ADVISER: Prof. Karl Klindworth.
178PRINCIPAL TEACHERS: Frau Amalie Joachim Dr. H. Goldschmidt (Vocal Art); Klindworth, Scharwenka, Dr. Jedlicka, Leipholz, Berger, Mayer-Mahr, Miss Jeppe (piano) FRAU M. SCHARWENKA-STRESOW, PROF. FLORIAN ZAJIC, Grünberg (violin); Scharwenka theory; A. Heintz, Clemens (organ); Choir: Burmeister.
179Applications can be made daily from 11 to 1 and 4 to 6. Prospectus gratis on demand from the directors.
180Lessons given to beginners and up to the finish for concert appearance.
181Tuition fees from 100 marks ($30.00) up to 600 marks ($150.00) annually.
183Cincinnati Conservatory of Music,
184(ESTABLISHED 1867.)
185Miss CLARA BAUR, Directress.
186A THOROUGH MUSICAL EDUCATION AFTER THE METHODS OF FOREMOST EUROPEAN CONSERVATORIES.
187BRANCHES TAUGHT.
188Pianoforte, Voice Culture, Pipe Organ, Cabinet Organ, Violin, Violoncello, Flute, Cornet and other Orchestral Instruments, Theory of Music, Ensemble Playing, Elocution and Physical Culture; also Modern Languages and English Literature.
189Students are prepared for positions in Schools and Colleges, in Church Choirs, and for the Stage, Concert or Oratorio.
190Students from the city and vicinity, as well as those from abroad, can enter at any time during the School Year and Summer Term.
191Young ladies from a distance find a home in the Conservatory Building, where they can pursue their studies under the supervision of the Directress. For Catalogues address
192Miss CLARA BAUR,
193Fourth and Lawrence Streets,
194Cincinnati, Ohio.
196Royal Conservatory of Music (also Operatic and Dramatic High School).
197DRESDEN, GERMANY.
198Thirty-eighth year. 47 different branches taught. Last year, 780 pupils, 88 teachers, among whom for Theoretical branches are Felix Dräseke, Prof. Rischbieter, Prof. Dr. Ad. Stern, &c.; for Piano, Prof. Döring, Prof. Krantz; Chamber Music Virtuosa, Mrs. Rappoldi-Kahler, Prof. Schmole Sherwood, Tyson-Wolf, Mus. Doc., &c.; for Organ, Cantor and Organist Fährman, Music Director Höpner, Organist Janssen; for String and Wind Instruments, the most prominent members of the Royal Court Orchestra, at the head of whom are Concertmaster Prof. Rappoldi and Concertmaster Fr. Grutzmacher; for Vocal Culture, Iffert, Fräul. von Kotzebue, Mann, Chamber Singer Miss Agi, Orgeni Ronnuburger, &c.; for the Stage, Court Opera Singer Eichberger, Court Actor Senf-Georgi, &c. Education from the beginning to the finish. Full courses or single branches. Principal admission times, beginning of April and beginning of September. Admission granted also at other times. Prospectus and full list of teachers at the offices of THE MUSICAL COURIER and through one of two readings
199Thirty-eighth year. 47 different branches taught. Last year, 780 pupils, 88 teachers, among whom for Theoretical branches are Felix Dräseke, Prof. Rischbieter, Prof. Dr. Ad. Stern, &c.; for Piano, Prof. Döring, Prof. Krantz; Chamber Music Virtuosa, Mrs. Rappoldi-Kahler, Prof. Schmole Sherwood, Tyson-Wolf, Mus. Doc., &c.; for Organ, Cantor and Organist Fährman, Music Director Höpner, Organist Janssen; for String and Wind Instruments, the most prominent members of the Royal Court Orchestra, at the head of whom are Concertmaster Prof. Rappoldi and Concertmaster Fr. Grutzmacher; for Vocal Culture, Iffert, Fräul. von Kotzebue, Mann, Chamber Singer Miss Agi, Orgeni Ronnuberg, &c.; for the Stage, Court Opera Singer Eichberger, Court Actor Senf-Georgi, &c. Education from the beginning to the finish. Full courses or single branches. Principal admission times, beginning of April and beginning of September. Admission granted also at other times. Prospectus and full list of teachers at the offices of THE MUSICAL COURIER and through one of two readings
200Prof. EUGEN KRANTZ, Director.
202THE STERN CONSERVATORY OF MUSIC
203Founded 1850.
20420 WILHELMSTRASSE, BERLIN, S. W.
205CONSERVATORY: Development in all branches of Music. OPERATIC SCHOOL: Complete Training for the Stage. ORCHESTRA SCHOOL: complete all solo and all orchestral instruments. SEMINARY: Special Training for Teachers. CHORUS SCHOOL. ELEMENTARY PIANO and VIOLIN SCHOOL.
206PRESIDENT—Frau Prof. SELMA NICKLASS-KEMPSEN, ADOLF SCHULZE (Vocal), Prof. FRIEDRICH GERMSENH. Representing Director; LUDWIG BUSSLER (Composition, Theory, Musical History), FELIX DREYSCHOCK, ALBERT EIBENSCHTZ, PROF. HEINRICH EHRLEICH, PROF. FRIEDR. GERMSENH., A. PAPENDICK, C. SCHULZ-SCHWERIN, ALFRED SORMANN, E. L. TAUBERT, L. C. WOLF (Piano); FR. POENITZ (Harmonium), OTTO KLEINELL (Music Director (Organ); Prof. GUSTAV HOLLAENDER, WILLI NICKLASS (Vocal), ANTON HEKKING (Cello), etc.
207Charges: From 125 Marks ($30) up to 500 Marks ($125) Annually.
208Prospectuses may be obtained through the Conservatory.
209Pupils received at any time. Consultation hours from 11 A.M. to 1 P.M.
210On Sept. 1, 1896, the 'cello virtuoso ANTON HEKKING entered the staff of teachers of the Conservatory.
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