Bow & Bridge Violin and bow makers, as the old books printed them

Scan 3

Musical Courier 1897-01-13: Vol 34 Iss 880, 1897

221 lines. Read by computer on 23 September 2026, twice; the two readings disagreed in places. Printed page 4. See the scan on archive.org.

A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.

1OUR Productions of the present year are the finest we have ever offered, and represent both in exterior finish and quality of tone the highest excellence in Piano Manufacture. We solicit for them the critical examination of the musical profession and the public.
3CHICKERING PIANOS
5CHICKERING & SONS,
6791 Tremont Street,
7BOSTON.
9Chicago.
10J. H. KOWALSKI,
11Celebrated Vocal Studio,
12Suite 54 and 55, Kimball Hall,
13CHICAGO, ILL.
15MAX BENDIX,
16VIOLINIST,
17801 Steinway Hall,
18CHICAGO, ILL.
20HESS-BURR,
21SCHOOL OF MUSIC.
22JOHANNA HESS-BURR.
23LOUISA HESS-FUCH.
242036 Indiana Avenue,
25Chicago, ILL.
27Mme. RAGNA LINNÉ,
28MARCHESI METHOD.
29Oratorio—Concert—Song Recital.
30Limited number of pupils accepted.
31Kimball Hall, Wabash Avenue,
32CHICAGO, ILL.
34HERMAN L. WALKER,
35Pupil of SHAKESPEARE and SBRIGLIA.
36TENOR.
37Concert, Oratorio, Song Recitals.
38Chicago Conservatory, Auditorium Building,
39CHICAGO, ILL.
41HANS VON SCHILLER,
42CONCERT PIANIST.
43Member Board of Musical Directors CHICAGO MUSICAL COLLEGE.
44For terms and dates, address care of CHICAGO MUSICAL COLLEGE, Central Music Hall, Chicago.
46FRANK T. BAIRD,
47THE ART OF SINGING.
4834 Monroe Street, CHICAGO, ILL.
50ESTABLISHED 1867.
51Chicago Musical College,
52Central Music Hall, Chicago, Ill.
53Dr. F. ZIEGFELD, President.
54Dr. F. ZIEGFELD,
55LOUIS FALK,
56HANS VON SCHILLER,
57WILLIAM CASTLE,
58BERNHARD LISTEMANN.
59Musical Directors.
60Catalogue giving full information mailed free upon application.
62Chicago. one of two readings
63THEODORE SPIERING, one of two readings
64VIOLINIST. one of two readings
651105 Steinway Hall, one of two readings
66CHICAGO, ILL. one of two readings
68SIXTEENTH YEAR, one of two readings
691896-1897. one of two readings
70MRS. REGINA WATSON'S SCHOOL one of two readings
71FOR THE one of two readings
72HIGHER ART OF PIANO PLAYING. one of two readings
73297 Indiana Street, one of two readings
74CHICAGO, ILL. one of two readings
76A. J. GOODRICH, one of two readings
77Theorist, one of two readings
78Lock Box 976, Chicago. one of two readings
79Author of "Goodrich's Analytical Harmony." one of two readings
80"Complete Musical Analysis." one of two readings
81"Music as a Language," &c., &c. one of two readings
82Personal or correspondence lessons in Harmony, Composition, Orchestration, Analysis and Theory of Interpretation. one of two readings
84Genevra Johnstone Bishop, one of two readings
85SOPRANO, one of two readings
86Oratorio, Concerts and Recitals, one of two readings
872319 Michigan Avenue, CHICAGO, ILL. one of two readings
89Anthony Stankowitch, one of two readings
90PIANIST, one of two readings
91Room 45, 15 Washington St., one of two readings
92CHICAGO, ILL. one of two readings
94ANNA WEISS, one of two readings
95Late of Vienna Conservatory, one of two readings
96Concert Pianist and Teacher. one of two readings
97Suite 96 Steinway Hall, Chicago, Ill. one of two readings
99Chicago Conservatory of Music. one of two readings
100SAMUEL KAYZER, Director. one of two readings
101Auditorium Building, Chicago, Ill. one of two readings
102SEND FOR CATALOGUE. one of two readings
103MUSICAL DIRECTORS. one of two readings
104WILLIAM H. SHERWOOD, Piano. one of two readings
105LEOPOLD GODOWSKY, Piano. one of two readings
106ARTURO MARESCALCHI, Vocal. one of two readings
107CLARENCE EDDY, Organ. one of two readings
108S. E. JACOBSSON, Violin. one of two readings
109FREDERIC GRANT GLEASON, Harmony, &c. one of two readings
111Miss LAURA WEBSTER, one of two readings
112Violoncellist. one of two readings
113For Concerts and Musicals address 39 East 50th Street, New York City. one of two readings
115GEORGE FLEMING, one of two readings
116Baritone, one of two readings
117Concert and Oratorio. one of two readings
118100 West 120th Street, New York. one of two readings
120(no line here) one of two readings
121J. RAYNER, IMPORTER OF
122… MAHOGANY.
123MANUFACTURER AND DEALER IN
124All Kinds of Cut and Sawed Veneers.
125Foot Houston St., East River, AND Fulton and Morgan Streets,
126NEW YORK, CHICAGO.
128Cologne-on-the-Rhine.
129Founded in 1850.
130The Conservatory of Music.
131Principal: PROFESSOR DR. FR. WÜLLNER.
133The Conservatory embraces: First, Instrumental (comprising all solo and all orchestral instruments); second, Vocal; and Third, Theory of Music and Composition Schools.
134The Vocal School is divided into two sections—(a) concert singing and (b) operatic singing. There is also a training school for pianoforte teachers. In connection with these subjects there are classes for Italian, German literature, liturgy, choral singing, ensemble playing (chamber music), ensemble singing, music dictation, elocution, sight reading, orchestral playing, conducting, &c., &c. Teaching staff consists of forty teachers.
135Summer Term will begin April 1; next entrance examination takes places April 1 at the College (Wolfsstrasse 9-3). The yearly fees are 300 marks ($75) for piano, violin, viola, violoncello classes; 200 marks ($50) for all the other orchestral instruments, and 400 marks ($100) for solo singing.
136For full details apply to the Secretary, WOLFSTRASSE 3-5, COLOGNE, GERMANY.
138CONSERVATORY KLINDWORTH-SCHARWENKA,
139BERLIN, W. (Germany), Potsdamerstr. 27 B.
140DIRECTORS: Ph. Scharwenka, Dr. Hugo Goldschmidt.
141ARTISTIC ADVISER: Prof. Karl Klindworth.
142PRINCIPAL TEACHERS: Frau Amalie Joachim, Dr. H. Goldschmidt (Vocal Art); Klindworth, Scharwenka, Dr. Jedliczka, Leitpohl, Berger, Mayer-Mahr, Miss Jeppe (piano); FRAU M. SCHARWENKA-STRESOW, PROF. FLORIAN ZAJIC, Grünberg (violin); Scharwenka (theory); A. Heintz, Clemens (organ); Choir, Beamster. one of two readings
143PRINCIPAL TEACHERS: Frau Amalie Joachim, Dr. H. Goldschmidt (Vocal Art); Klindworth, Scharwenka, Dr. Jedliczka, Leitpohl, Berger, Mayer-Mahr, Miss Jeppe (piano); FRAU M. SCHARWENKA-STRESOW, PROF. FLORIAN ZAJIC, Grünberg (violin); Scharwenka (theory); A. Heintz, Clemens (organ); Choir, Beamsteher. one of two readings
144Applications can be made daily from 11 to 1 and 4 to 6. Prospectus gratis on demand from the directors.
145Lessons given to beginners and up to the finish for concert appearance.
146Tuition fees from 150 marks ($30.00) up to 600 marks ($150.00) annually.
148Cincinnati Conservatory of Music,
149(ESTABLISHED 1867.)
150Miss CLARA BAUR, Directress.
151A Thorough Musical Education after the Methods of Foremost European Conservatories.
152BRANCHES TAUGHT.
153Pianoforte, Voice Culture, Pipe Organ, Cabinet Organ, Violin, Viola, Flute, Cornet and other Orchestral Instruments, Theory of Music, Ensemble Playing, Elocution and Physical Culture; also Modern Languages and English Literature. one of two readings
154Pianoforte, Voice Culture, Pipe Organ, Cabinet Organ, Violin, Cello, Alto, Flute, Cornet and other Orchestral Instruments, Theory of Music, Ensemble Playing, Elocution and Physical Culture; also Modern Languages and English Literature. one of two readings
155Students are prepared for positions in Schools and Colleges, Church Choirs, and for the Stage, Concert or Oratorio.
156Students from the city and vicinity, as well as those from abroad, can enter at any time during the School Year and Summer Term.
157Young ladies from a distance find a home in the Conservatory building where they can pursue their studies under the supervision of the Directress. For catalogues address
158Miss CLARA BAUR,
159Fourth and Laurence Streets.
160Cincinnati, Ohio.
162Royal Conservatory of Music (also Operatic and Dramatic High School),
163DRESDEN, GERMANY.
164Thirty-eighth year. 47 different branches taught. Last year 780 pupils, 88 teachers, among whom for Theoretical branches are Felix Dräse, Prof. Ritschler, Prof. Dr. Ad. Stern, &c.; for Piano, Prof. Döring, Prof. Krantz; Chamber Music Virtuosa, Mrs. Rappold-Kahler, Prof. Schmole Sherwood, Tyson-Wolf, Mus. Doc., &c.; for Organ, Cantor and Organist, Fahrman, Music Director Hopper, Organist, Janssen for Strings and Wind Instruments, the prominent members of the Royal Court Orchestra, the heads of whom are Conductor Prof. Rappold, and Concertmaster Fr. Grutzmacher; for Vocal Culture, Ifert, Präul. von Kotzebue, Mann, Chamber Singer Miss Agl, Orgeni Ronnuberger, &c.; for the Stage, Court Opera Singer Eichberger, Court Actor Senft-Georgi, &c. Education from the beginning to the finish. Full course or single Branch. Principal admission times, beginning of each term, beginning of September. Admission granted also at other times. Prospectus and full list of teachers at the offices of the MUSICAL COURIER and through one of two readings
165Thirty-eighth year. 47 different branches taught. Last year 780 pupils, 88 teachers, among whom for Theoretical branches are Felix Dräse, Prof. Ritschler, Prof. Dr. Ad. Stern, &c.; for Piano, Prof. Döring, Prof. Krantz; Chamber Music Virtuosa, Mrs. Rappold-Kahler, Prof. Schmole Sherwood, Tyson-Wolf, Mus. Doc., &c.; for Organ, Cantor and Organist, Fahrman, Music Director Hopper, Organist, Janssen for Strings and Wind Instruments, the prominent members of the Royal Court Orchestra, the heads of whom are Conductor Prof. Rappold, and Concertmaster Fr. Grutzmacher; for Vocal Culture, Ifert, Präul. von Kotzebue, Mann, Chamber Singer Miss Agl, Orgeni Ronnuberger, &c.; for the Stage, Court Opera Singer Eichberger, Court Actor Senft-Georgi, &c. Education from the beginning to the finish. Full course or single Branch. Principal admission times, beginning of each month, beginning of September. Admission granted also at other times. Prospectus and full list of teachers at the offices of THE MUSICAL COURIER and through one of two readings
166Prof. EUGEN KRANTZ, Director.
168The Stern Conservatory of Music. Founded 1850.
169Professor GUSTAV HOLLAENDER, Director.
17020 WILHELMSTRASSE, BERLIN, S. W.
171CONSERVATORY: Development in all branches of Music. OPERATIC SCHOOL: Complete Training for the Stage. ORCHESTRA SCHOOL (comprising solo and all orchestral instruments). SINGING SCHOOL: Complete Training for Teachers. CHORUS SCHOOL. ELEMENTARY PIANO and VIOLIN SCHOOL.
172Principals—Prof. SELMA NICKLASS-KEMPFER, ADOLF SCHULZE (Vocal), Prof. FRIEDRICH GERNSHEIM, Representing Director; LUDWIG BUSKER (Composition, Theory, Musical History), FELIX DREYER, WILHELM EBERLE, EISENBEITZ, PROF. HEINRICH EINLICH, PROF. FRIEDRICH GERNSHEIM, A. PAPEN-DICK, C. SCHULZ-ZEISIG, ALFRED SORRIN, E. TAUBERT, L. WOLF (Piano); PROF. POPOVITZ (Harp, Harmonium); OTTO DIENEL, Royal Musical Director (Organ); PROF. GUSTAV HOLLAENDER, WILL NICKING (Violin); ANTON HEKKING (Cello), &c., &c. one of two readings
173Principals—Prof. SELMA NICKLASS-KEMPFER, ADOLF SCHULZE (Vocal), Prof. FRIEDRICH GERNSHEIM, Representing Director; LUDWIG BUSKER (Composition, Theory, Musical History), FELIX DREYER, WILHELM EBERLE, EISENBEITZ, PROF. HEINRICH EINLICH, PROF. FRIEDRICH GERNSHEIM, A. PAPENHIC, C. SCHULZ-ZEISIG, ALFRED SORRYN, E. TAUBERT, L. WOLF (Piano); PROF. POPOVITZ (Harp; Harmonium); OTTO DIENEL, Royal Musical Director (Organ); Prof. GUSTAV HOLLAENDER, WILL NICKING (Violin); ANTON HEKKING (Cello), &c., &c. one of two readings
174* Prospectuses may be obtained through the Conservatory.
175Pupils received at any time. Consultation hours from 11 A. M. to 1 P. M.
176On September 1, 1896, the 'cello virtuoso ANTON HEKKING entered the staff of teachers of the Conservatory.
178MADAME MORIANI,
179Private Academy for Voice Training
180AND SCHOOL FOR OPERA.
181Voice Production, Voice Mending,
182and the Aesthetics of Singing Taught.
183Teaching in Five Different Languages.
184All the Repertoires, Classic and Modern.
185The Art of Acting taught by M. VERMANDELE.
18617 Rue de Treves, BRUSSELS, BELGIUM. one of two readings
18717 Rue de Treses, BRUSSELS, BELGIUM. one of two readings
189CONCERT DIRECTION MAYER
190(W. ADLINGTON),
191THE LEADING EUROPEAN AGENCY,
192Representing the World's Greatest Artists,
193Vocal and Instrumental.
194SOLE AGENT FOR M. PADEREWSKI.
195224 Regent St., London, W.
196A B C Code. Cables: "Liszt, London."
198Metropolitan College of Music
199OF THE UNIVERSITY OF THE STATE OF NEW YORK.
200LEADING MUSICAL INSTITUTION OF AMERICA.
201FULL COURSE, $200 PER YEAR.
202Dudley Buck, President.
203Albert Ross Parsons, Vice-President.
204Harry Rowe Shelley, ad Vice-President.
205Herbert W. Greene, Principal Voice Department.
206R. Huntington Woodman, Principal Organ Dept.
207Louis Schmidt, Principal Violin Department.
208Residence Department for pupils from a distance.
209Send for Catalogue.
210JOHN CORNELIUS GRIGGS,
211Musical Director and Secretary,
21219 & 21 E. 14th STREET, NEW YORK.
214To Choral Societies and Church Choirs.
215Sacred Cantata, "SONG OF THE NATIVITY," in two parts (Prophecy and Fulfillment). By WILLIAM S. VINNING, Mus. Bac., Cantab. one of two readings
216Sacred Cantata, "SONG OF THE NATIVITY," in two parts (Prophecy and Fulfillment). By WILLIAM S. VNING, Mus. Bac., Cantab. one of two readings
217Price 40 cents (108 pages); Words of Text, $1 per 100.
218"One of the best sacred cantatas we have ever seen."—Church Times.
219London: SCOTT & CO., 27 South Molton St., W., OR DIRECT FROM THE COMPOSER:
22088 Lansdowne Road, Kensington Park, W.

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