Scan 5
Musical Courier 1898-01-05: Vol 36 Iss 931, 1898
284 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. Printed page 6. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1SOME CHICAGO ADVERTISEMENTS.
3J. H. KOWALSKI,
4Celebrated Vocal Studio,
5Suite 54 and 55, Kimball Hall,
6CHICAGO, ILL.
8MAX BENDIX,
9VIOLINIST.
10801 Steinway Hall,
11CHICAGO, ILL.
13HESS-BURR,
14SCHOOL OF MUSIC.
15JOHANNA HESS-BURR.
16LOUISA HESS-FUCH.
172036 Indiana Avenue,
18Chicago, ILL.
20Mme. RAGNA LINNÉ,
21MARCHESI METHOD.
22ORATORIO—CONCERT—SONG RECITAL.
23Limited number of pupils accepted.
24Kimball Hall, Wabash Avenue,
25CHICAGO, ILL.
27HERMAN L. WALKER,
28Pupil of SHAKESPEARE and SBRIGLIA.
29TENOR.
30Concert, Oratorio, Song Recitals.
31Chicago Conservatory, Auditorium Building,
32CHICAGO, ILL.
34FRANK T. BAIRD,
35THE ART OF SINGING.
3634 Monroe Street,
37CHICAGO, ILL.
39Eliodoro de Campi
40School of English and Italian Opera.
41Steinway Hall Building, Suite 908.
42CHICAGO, ILL.
44FREDERICK W. CARBERRY,
45TENOR.
46STEINWAY HALL,
47CHICAGO, ILL.
49AUGUST HYLLESTED,
5044 Kimball Hall,
51CHICAGO, ILL.
53FRANK KING CLARK,
54Basso-Cantante,
55Management Mrs. Geo. B. Carpenter,
56Steinway Hall, Chicago, Ill.
58EDITH V. RANN,
59Pianist and Teacher.
60915 Steinway Hall, Chicago.
62SHERWOOD PIANO SCHOOL.
63Conducted upon the highest artistic standard. Instruction of the most thorough order given in piano, voice, theory and harmony. Special inducements are offered to beginners who may be assured when commencing their studies here that they will never have to retrace their steps, but that their progress will be steady and certain. Mr. Sherwood's methods of technical touch, phrasing, interpretation, etc., which have produced wonderful results, are extensively used. Send for prospectus.
65ESTABLISHED 1867.
66Chicago Musical College.
67Central Music Hall, Chicago, Ill.
68Dr. F. ZIEGFELD, President.
69Dr. F. ZIEGFELD,
70LOUIS FALK,
71HANS SCHILLER,
72WILLIAM CASTLE,
73BERNHARD LISTEMANN,
74Musical Directors.
75Catalogue giving full information mailed free upon application.
77THEODORE SPIERING,
78VIOLINIST.
791105 Steinway Hall,
80CHICAGO, ILL.
81SIXTEENTH YEAR,
821896-1897.
84MRS. REGINA WATSON'S
85SCHOOL
86FOR THE
87HIGHER ART OF PIANO PLAYING.
88297 Indiana Street,
89CHICAGO, ILL.
91MR. AND MRS. BICKNELL YOUNG,
92Lecture recitals on Opera, its Origin and Development; illustrated by vocal examples from the earliest epoch.
93A. J. GOODRICH,
94Theorist,
95Lock Box 976, Chicago.
96Author of "Goodrich's Analytical Harmony."
97"Complete Musical Analysis."
98"Music as a Language," &c., &c.
99Personal or correspondence lessons in Harmony, Composition, Orchestration, Analysis and Theory of Interpretation.
101Genevra Johnstone Bishop,
102… SOPRANO,
103Oratorio, Concerts and Recitals,
104Address up to June 1, 1898.
105Mr. NEWTON D. HAWKINS, Manager,
10670 State Street, Chicago.
108WALTER SPRY,
109Director of Conservatory of Music,
110QUINCY, ILL.
111Piano and Organ Recitals.
113BESSIE O'BRIEN,
114MEZZO SOPRANO.
115MARCHESI.
116ORATORIO, RECITALS, MUSICALES.
117Address care MUSICAL COURIER office,
118226 Wabash Avenue, Chicago,
119or 130 West Mason Street, Springfield, Ill.
121Mr. HARRY J. FELLOWS,
122TENOR.
123Oratorio, Concert and Song Recitals.
124Address, 81 Fifth Avenue, New York.
125On tour to Coast with Mme. Bishop Concert Company till January, 1898.
127GLEN P. HALL, Tenor.
128ALLEN H. SPENCER, Pianist.
129Kimball Hall, Chicago, Ill.
131Chicago Conservatory of Music.
132SAMUEL KAYZER, Director.
133Auditorium Building, Chicago, Ill.
134SEND FOR CATALOGUE.
135MUSICAL DIRECTORS.
136LEOPOLD GODOWSKY, Piano.
137ARTURO MARESCALCHI, Vocal.
138CLARENCE EDDY, Organ.
139S. E. JACOBSON, Violin.
140FREDERIC GRANT GLEASON, Harmony, &c.
142Henry B. Roney,
143CONCERT ORGANIST—TEACHER.
144Organist and Choirmaster of Plymouth Congregational Church.
145The training of Boys' Voices for church and concert work a specialty. (Late Organist and Choirmaster of Grace Episcopal Church, 1887 to 1897. Studio: 2506 Indiana Ave., CHICAGO.)
147VICTOR HEINZE, CONCERT PIANIST
148and TEACHER of the PIANOFORTE.
149Formerly principal teacher of the piano department of the Royal Normal School at Schweidnitz, in Germany. Piano instruction by the application of the celebrated method of Prof. Leschetizky, with whom Mr. Heinze studied. The Heinze Trio is open for engagements. Address to Victor Heinze,
150Studio 1004 Steinway Hall, CHICAGO, ILL.
152SOPER SCHOOL OF ORATORY.
153Delsarte. Dramatic Art. Twentieth year.
154Able corps of teachers. Nellie Bangs Skelton, Director of Piano Department.
155Write Tenth Floor, Steinway Hall, CHICAGO. one of two readings
156Write Tenth Floor, Steinway Hall, CHICAGO one of two readings
158CONSTANCE LOCKE-VALISI,
159CONCERT ACCOMPANIST.
160Residence: 96 East 42d Pl.
161Address
162Kirby Chamberlain Pardee,
163130 Tremont Street,
164Boston, Mass.
166MARIE L. COBB,
167Concert Pianist and Teacher.
168Hans Von Bülow, Herr Von Weick and Sgambati.
16973 AUDITORIUM BUILDING,
170CHICAGO, ILL.
172MARIE LEWANDOWSKA,
173Only teacher in Chicago representing
174GIRAUDET,
17572 Auditorium Building, Chicago, Ill.
177THE SLAYTON LYCEUM BUREAU.
178Dunstan Collins, General Manager; Henry L. Slayton, President and Treasurer; Wendell Slayton, Secretary. Established 1874.
179General Office: Central Music Hall, Chicago, Ill.
181FAMOUS
182BROOKS' Second Regiment Band.
183(102 MEMBERS.)
184Chicago's Greatest Band.
185135 Michigan Avenue, Chicago, Ill.
187JEANNETTE DURNO,
188Concert Pianist.
189Address for terms and dates
190Mrs. G. B. Carpenter, Steinway Hall, Chicago.
192GOTTSCHALK
193LYRIC SCHOOL,
194INCORPORATED.
195MUSICAL AND DRAMATIC ART.
196L. GASTON GOTTSCHALK, Director
197Isabella Building,
19846 & 48 Van Buren Street, Chicago.
199Catalogues sent upon application.
201THOMAS TAYLOR DRILL,
202BASSO.
203Oratorio, Concerts, Song Recitals.
204VOCAL INSTRUCTOR.
205Studio: No. 57 Kimball Hall,
206CHICAGO, ILL.
208MARY WOOD CHASE,
209Concert Pianiste.
210For terms, dates, &c., address
2111000 Steinway Hall, Chicago, Ill.
213D. A. CLIPPINGER,
214Voice Production and the Art of Singing.
215Room 40 Kimball Hall, Chicago, Ill.
217MRS. GEORGE BENEDICT
218CARPENTER,
219Season 1897-98.
220Director of MUSICAL ARTISTS.
221Steinway Hall, Chicago, Ill.
222Representing the Wolfsohn Bureau of New York in Chicago and the West.
224ANNA WEISS,
225Late of Vienna Conservatory,
226Concert Pianist and Teacher.
227Suite 905 Steinway Hall, Chicago, Ill.
229AMERICAN CONSERVATORY,
230Kimball Building, 243 Wabash Ave., Chicago.
231JOHN J. HATTSTAEDT, Director.
232ALL BRANCHES OF MUSIC. DRAMATIC ART.
233TEACHERS' TRAINING DEPARTMENT.
234Catalogue mailed free.
235JOHN J. HATTSTAEDT, ALLEN H. SPENCER,
236GERTRUDE MURDOUGH, Piano; KARLETON HACKETT,
237NOYES B. MINER, RAGNA LINNÉ, MME DE NORVILLE, one of two readings
238Singing; CLARENCE DICKINSON, Organ; one of two readings
239JOSEF VILIM, Violin; ADOLPH WEIDIG, one of two readings
240Composition, and thirty other superior instructors. one of two readings
241NOYES B. MINER, RAGNA LINNÉ, MME DE NORVILLE, Singing; CLARENCE DICKINSON, Organ; JOSEF VILIM, Violin; ADOLPH WEIDIG, Composition, and thirty other superior instructors. one of two readings
242GERTRUDE MURDOUGH, Piano.
243VILIM TRIO: JOSEF VILIM, Violin.
244JOHN KALAS, Cello.
245243 Wabash Ave., care of American Conservatory.
247HARRISON M.
248Studio 6,
249241 Wabash Ave.,
250CHICAGO.
251WILD
252CONCERT ORGANIST.
253Piano and Organ Instruction.
255HART CONWAY'S
256CHICAGO SCHOOL OF
257DRAMATIC ART,
258Including Series of Matinees.
259Full course opens October 4. Catalogues free
260Handel Hall, 40 East Randolph St.
262HOLMES COWPER,
263TENOR.
264Oratorio, Concerts.
265For terms address
266WILLIAM O. WOLFE, Manager,
267220 Wabash Ave., CHICAGO.
269WILLIAM H. SHERWOOD, Director,
270STEINWAY HALL, CHICAGO.
272MR. SHERWOOD created a furore by his wonderful playing at the meeting of the M. T. N. A in New York City last June. His playing in other large cities this season has aroused the utmost enthusiasm. He has been acknowledged by critics, the public and musicians to be the greatest American pianist. Mr. Sherwood can be engaged for recitals and concertos. He is receiving many requests from musical clubs. For particulars address, MAX ADLER, Manager,
273240 Wabash Avenue, Chicago.
275and would still be recognized as having a character all its own—thoughtful, beautiful, sustained. The performance of the quartet, unfortunately, did not equal the previous one.
277Mlle. Kleeberg gave an ideal rendering of Schumann's "Waldscenen," and a novelette from the "Bunteblätter" as an encore. She seems to be playing for her own enjoyment, hardly regarding the listeners around her, and this gives quite a peculiar charm to her always artistic performance. Miss Greta Williams sang some of Schubert's songs very well; in Mozart's "Lullaby," sung, unfortunately, in English, she was much less successful.
279The cheaper parts of the hall were crowded on Monday and almost all the stalls were taken, Herr Grieg being once more the main attraction. He played his four "Humoresques," giving as an encore a little piece which I did not know, but which I liked best of all. Lady Hallé joined him in his most popular violin and piano sonata, that in F major; the two last movements were played to perfection. Beethoven's quartet in E flat, op. 74, which opened the concert, was a good deal dragged and suffered in consequence. Miss MacDougall appeared with much success, not only in some of her favorite old Italian songs, but giving three of Herr Grieg's lovely Lieder, the well-known "Ich liebe dich," which gains so immensely in effect when sung quietly and naturally, and "Morgenthau" and "Am Schönsten Sommerabend," these two last deserving to be even more popular than the other.
281An event of the past week which calls for special mention is Herr Georg Liebling's fourth recital in St. James' Hall, on Monday afternoon. This great pianist gave a masterly interpretation of a program which must have pleased every musician present, as well as delighted those amateurs who are fond of the best music when so beautifully played. In Beethoven's Sonata in D minor, Op. 31, Herr Liebling displayed his classical style to perfection, his reading of the first movement being powerful to a degree, the second contrasting effectively with it in the poetical sentiment expressed, and the third being most gracefully given. The group of Chopin pieces were throughout a great treat, and the audience became so enthusiastic that he had not only to bow again and again, but to repeat the Etude in G flat major, which was played as I have never heard it before, especially in the last octave run, the effect of which was electrifying. In the "Marche Funebre" and the Prelude in D flat major the artist set in vibration a sympathetic chord in the hearts of all his hearers. Chopin's Barcarolle was given with admirable vivacity and with much delicacy in the soft passages, where we hear the soft murmuring of the lagoon. Then followed the Scherzo in B minor, also brilliantly played, Mozart's Rondo, beautiful in tone and touch, and Scarlatti's Allegro in A major, which was encored. The Rondo Capriccioso of Mendelssohn was remarkably played, resulting in an imperative demand for more, Herr Liebling finally delighting his audience with the same composer's Scherzo in E minor as an extra piece. This was followed by Rubinstein's "Kamennoi Ostrow," Op. 10, No. 22, a charming Mazurka, and the recital closed with a superb rendering of Liszt's Rhapsody, No. 14. There is no doubt that Herr Liebling possesses, besides his wonderful technic, a fund of magnetism which enables him to arouse the greatest enthusiasm wherever he may play.
283The last recital of little Bruno Steindel took place on December 14 in Queen's Hall. I hope the promise to withdraw the child from public appearances will really be carried out, for there is certainly some promise in his
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