Scan 5
Musical Courier 1898-01-19: Vol 36 Iss 933, 1898
282 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. Printed page 6. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1SOME CHICAGO ADVERTISEMENTS.
3J. H. KOWALSKI,
4Celebrated Vocal Studio,
5Suite 54 and 55, Kimball Hall,
6CHICAGO, ILL.
8MAX BENDIX,
9VIOLINIST.
10801 Steinway Hall,
11CHICAGO, ILL.
13HESS-BURR
14SCHOOL OF VOCAL ART AND PIANO,
15MME. JOHANNA HESS-BURR.
16Voice, Répertoire, German Lieder, Oratorio,
17Concert and Opera.
18FRANK HANNAH, Business Manager,
193504 Ellis Avenue, Chicago,
20and Pfister Hotel, Milwaukee.
22Mme. RAGNA LINNÉ,
23MARCHESI METHOD.
24ORATORIO—CONCERT—SONG RECITAL.
25Limited number of pupils accepted.
26Kimball Hall, Wabash Avenue,
27CHICAGO, ILL.
29HERMAN L. WALKER,
30Pupil of SHAKESPEARE and SBRIGLIA.
31TENOR.
32Concert, Oratorio, Song Recitals.
33Chicago Conservatory, Auditorium Building,
34CHICAGO, ILL.
36FRANK T. BAIRD,
37THE ART OF SINGING.
3834 Monroe Street,
39CHICAGO, ILL.
41Elidoro de Campi
42School of English and Italian Opera.
43Steinway Hall Building, Suite 908.
44CHICAGO, ILL.
46FREDERICK W. CARBERRY,
47TENOR.
48STEINWAY HALL,
49CHICAGO, ILL.
51AUGUST HYLLESTED,
5244 Kimball Hall,
53CHICAGO, ILL.
55FRANK KING CLARK,
56Basso-Cantante,
57Management Mrs. Geo. B. Carpenter,
58Steinway Hall, Chicago, Ill.
60EDITH V. RANN,
61Pianist and Teacher.
62915 Steinway Hall, Chicago.
64SHERWOOD PIANO SCHOOL.
65Conducted upon the highest artistic standard. Instruction of the most thorough order given in piano, voice, theory and harmony. Special inducements are offered to beginners who may be assisted when commencing their studies here that they will never have to stretch their steps, but that their progress will be steady and certain. Mr. Sherwood's methods of technic, touch, phrasing, interpretation, etc., which have produced wonderful results, are exclusively used. Send for prospectus.
66WALTON PERKINS, Secretary and Manager.
68ESTABLISHED 1867.
69Chicago Musical College.
70Central Music Hall, Chicago, Ill.
71Dr. F. ZIEGFELD, President.
72Dr. F. ZIEGFELD,
73LOUIS VON SCHILLER,
74HANS VON SCHILLER,
75WILLIAM CASTLE,
76BERNHARD LISTEMANN,
77Musical Directors.
78Catalogue giving full information mailed free upon application.
80THEODORE SPIERING,
81VIOLINIST.
821105 Steinway Hall,
83CHICAGO, ILL.
84SIXTEENTH YEAR,
851896-1897.
87MRS. REGINA WATSON'S SCHOOL
88FOR THE
89HIGHER ART OF PIANO PLAYING.
90297 Indiana Street,
91CHICAGO, ILL.
93MR. AND MRS. BICKNELL YOUNG,
94Lecture recitals on Opera, its Origin and Development; illustrated by vocal examples from the earliest epoch.
9567 Kimball Hall, Chicago, Ill.
97A. J. GOODRICH,
98Theorist,
99Lock Box 976, Chicago.
100Author of "Goodrich's Analytical Harmony."
101"Complete Analytical Analysis."
102"Music as a Language," &c., &c.
103Personal or correspondence lessons in Harmony, Composition, Orchestration, Analysis and Theory of Interpretation.
105Genevra-Johnstone Bishop,
106… SOPRANO.
107Oratorio, Concerts and Recitals.
108Address
109KIRBY CHAMBERLAIN PARDEE, Manager.
11070 State Street, Chicago, Ill.
112WALTER SPRY,
113Director of Conservatory of Music,
114QUINCY, ILL.
115Piano and Organ Recitals.
117BEESIE O'BRIEN, one of two readings
118BESSIE O'BRIEN, one of two readings
119MEZZO SOPRANO.
120MARCHESI.
121ORATORIO, RECITALS, MUSICALES.
122Address care MUSICAL COURIER office,
123226 Wabash Avenue, Chicago,
124or 130 West Mason Street, Springfield, Ill.
126Mr. HARRY J. FELLOWS,
127TENOR.
128Oratorio, Concert and Song Recitals.
129Address, 81 Fifth Avenue, New York.
130On tour to Coast with Mme. Bishop Concert Company till January, 1898.
132GLEN P. HALL, Tenor.
133ALLEN H. SPENCER, Pianist.
134Kimball Hall, Chicago, Ill.
136Chicago Conservatory of Music.
137SAMUEL KAYZER, Director.
138Auditorium Building, Chicago, Ill.
139SEND FOR CATALOGUE.
140MUSICAL DIRECTORS.
141LEOPOLD GODOWSKY, Piano.
142ARTURO MARESCALCHI, Vocal.
143CLARENCE EDDY, Organ.
144S. E. JACOBSON, Violin.
145FREDERIC GRANT GLEASON, Harmony, &c.
147Henry B. Roney,
148CONCERT ORGANIST—TEACHER.
149Organist and Chor'master of Plymouth Congregational Church.
150The training of Boys' Voices for church and concert work a specialty. (Late Organist and Chor'master of Grace Episcopal Church, 1887 to 1897. Studio: 2500 Indiana Ave., CHICAGO.)
152VICTOR HEINZE, CONCERT PIANIST
153and TEACHER of the PIANOFORTE.
154Formerly principal of the piano department of the Royal Normal School at Schweidnitz, in Germany. Piano instruction by the application of the celebrated method of Prof. Leschetizky, with whom Mr. Heinze studied. Studio open for engagements.
155Address to VICTOR HEINZE,
156Studio 1004 Steinway Hall, CHICAGO, ILL.
158SOPER SCHOOL OF ORATORY.
159Delartse. Dramatic Art. Twentieth year.
160Able corps of teachers. Nellie Bangs Skeiton, Director of Piano Department.
161Write Tenth Floor, Steinway Hall, CHICAGO.
163CONSTANCE LOCKE-VALISI,
164CONCERT ACCOMPANIST.
165Residence: 96 East 42d Pl.
166Address
167Kirby Chamberlain Pardee,
168130 Tremont Street,
169Boston, Mass.
171MARIE L. COBB,
172Concert Pianist and Teacher.
173Hans Von Billow, Herr Von Weick and Scambati.
17473 AUDITORIUM BUILDING,
175CHICAGO, ILL.
177MARIE LEWANDOWSKA,
178Only teacher in Chicago representing
179GIRAUDET,
18072 Auditorium Building, Chicago, Ill.
182THE SLAYTON LYCEUM BUREAU.
183Dunstan Collins, General Manager; Henry L. Slayton, President and Treasurer; Wendell Slayton, Secretary. Established 1874.
184General Office: Central Music Hall, Chicago, Ill.
186FAMOUS
187BROOKS' Second Regiment Band.
188(102 MEMBERS.)
189Chicago's Greatest Band.
190135 Michigan Avenue, Chicago, Ill.
192JEANNETTE DURNO,
193Concert Pianist.
194Address for terms and dates
195Mrs. G. B. Carpenter, Steinway Hall, Chicago.
197GOTTSCHALK
198LYRIC SCHOOL,
199INCORPORATED.
200MUSICAL AND DRAMATIC ART.
201L. GASTON GOTTSCHALK, Director
202Isabella Building,
20346 & 48 Van Buren Street, Chicago.
204Catalogues sent upon application.
206THOMAS TAYLOR DRILL,
207BASSO.
208Oratorio, Concerts, Song Recitals.
209VOCAL INSTRUCTOR.
210Studio: No. 57 Kimball Hall,
211CHICAGO, ILL.
213MARY WOOD CHASE,
214Concert Pianist.
215For terms, dates, &c., address
2161000 Steinway Hall, Chicago, Ill.
218D. A. CLIPPINGER,
219Voice Production and the Art of Singing.
220Room 40 Kimball Hall, Chicago, Ill.
222MRS. GEORGE BENEDICT
223CARPENTER,
224Director of MUSICAL ARTISTS.
225Season 1897-98.
226Steinway Hall, Chicago, Ill.
227Representing the Wolfsohn Bureau of New York in Chicago and the West.
229ANNA WEISS,
230Late of Vienna Conservatory,
231Concert Pianist and Teacher.
232Suite 908 Steinway Hall, Chicago, Ill.
234AMERICAN CONSERVATORY,
235Kimball Building, 243 Wabash Ave., Chicago.
236JOHN J. HATTSTAEDT, Director.
237ALL BRANCHES OF MUSIC. DRAMATIC ART. TEACHERS' TRAINING DEPARTMENT.
238Catalogue mailed free.
239JOHN J. HATTSTAEDT, ALLEN H. SPENCER,
240GERTRUDE MURDOUGH, Piano; KARLETON HACKETT, NOYES B. MINER, RAGNA LINNÉ, MME DE NORVILLE, Singing; CLARENCE DICKINSON, Organ; JOSEF VILIM, Violin; ADOLPH WEIDIG, Composition, and thirty other superior instructors.
241GERTRUDE MURDOUGH, Piano.
242VILIM TRIO: JOSEF VILIM, Violin.
243JOHN KALAS, 'Cello.
244243 Wabash Ave., care of American Conservatory.
246HARRISON M.
247Studio 6,
248.. 241 ..
249Wabash Ave.,
250CHICAGO.
252WILD
253CONCERT ORGANIST.
254Piano and Organ Instruction.
256HART CONWAY'S
257CHICAGO SCHOOL OF ACTING and all Branches of DRAMATIC ART,
258Including Series of Matinees.
259Full course opens October 4. Catalogues free
260Handel Hall, 40 East Randolph St.
262HOLMES COWPER,
263TENOR.
264Oratorio, Concerts.
265For terms address
266WILLIAM O. WOLFK, Manager,
267220 Wabash Ave., CHICAGO.
269(no line here) one of two readings
270WILLIAM H. SHERWOOD, Director, one of two readings
271STEINWAY HALL, CHICAGO. one of two readings
272MR. SHERWOOD created a furor by his wonderful playing at the meeting of the M. T. N. A in New York City last June. His playing in other large cities this season has aroused the utmost enthusiasm. He has been acknowledged by critics, the public and musicians to be the greatest American pianist. Mr. Sherwood can be engaged for recitals and concerts. He is receiving many requests from musical clubs. For particulars address, MAX ADLER, Manager,
273240 Wabash Avenue, Chicago.
275The Dual Aspect of Music.
277MUSIC is both sensuous and spiritual in its appeal to man. Beethoven once wrote on the Mass in D, "From the heart it has come; to the heart it shall penetrate," but he evidently did not refer to the sensuous effect of music. He must have felt that his ideas were worth expressing, and that the feeling with which he expressed them threw about them that indescribable atmosphere which distinguishes a great poem or statue or picture. This atmosphere is always unmistakable, but it cannot be explained any more clearly than the perfume of the rose can be explained, or the light in a face when irradiated by some noble thought. Like all who create works of art Beethoven must have wished for appreciation, and he wrote in these simple words his conviction that he would receive it.
279Music, painting, sculpture, literature, all seem to have in common, as a central motive for their being, the desire to convey something of pleasure to others. The man of genius desires to impart something of the high enthusiasm with which he works out his own conceptions; something of the satisfaction which he derives from seeing them take attractive forms; something of the pure delight which he feels in knowing that he has brought from the ideal world another golden link for the chain which binds the ideal to the real. This almost naive spirit of interest in one's own work is far different from the ordinary egoism of the ordinary man; it is the evidence of that eternal childhood in which most men of genius pass their lives—not an intellectual childhood, but a childhood of feeling, of freshness of thought, of never-dying interest in all that is beautiful, uplifting, inspiring.
281But there is none the less another light in which music may be considered. The light, for example, in which Eric the Good regarded it when he commanded a certain renowned musician to be brought before him, "but not until all weapons were put out of reach." The minstrel came, and by his gloomy modulations cast over everyone a deep depression, but he soon changed melancholy to rejoicing, then to hilarity. "This hilarity he worked up to frenzy, until all were so aroused that," as the chronicles relate, "even the king rushed out of the
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