Scan 5
Musical Courier 1898-06-15: Vol 36 Iss 954, 1898
198 lines. Read by computer on 21 September 2026. Printed page 6. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1SOME CHICAGO ADVERTISEMENTS.
3J. H. KOWALSKI,
4CELEBRATED VOCAL STUDIO.
5Suite 54 and 55, Kimball Hall,
6CHICAGO, ILL.
8MAX BENDIX,
9VIOLINIST,
10801 Steinway : all,
11CHICAGO, ILL.
13Mme. JOHANNA HESS-BURR,
14Voice Coaching—Repertoire.
15FRANK S. HANNAH,
16Business Manager.
17Suite 1015-1016 Steinway Hall, Chicago.
19Mme. RAGNA LINNÉ,
20MARCHESI METHOD.
21ORATORIO—CONCERT—SONG RECITAL.
22Limited number of pupils accepted.
23Kimball Hall, Wabash Avenue,
24CHICAGO, ILL.
26HERMAN L. WALKER,
27Pupil of SHAKESPEARE and SBRIGLIA.
28TENOR.
29Concert, Oratorio, Song Recitals.
30Chicago Conservatory, Auditorium Building,
31CHICAGO, ILL.
33FRANK T. BAIRD,
34THE ART OF SINGING.
3584 Monroe Street, CHICAGO, ILL.
37FREDERICK W. CARBERRY,
38TENOR.
39STEINWAY HALL,
40CHICAGO, ILL.
42SHERWOOD PIANO SCHOOL.
43WILLIAM H. SHERWOOD, Director, Steinway Hall, Chicago.
44Special inducements are offered to beginners who may be assured when commencing their studies here that they will never have to retrace their steps, but that their progress will be steady and certain. Mr. Sherwood's methods of technic, touch, phrasing, interpretation, etc., which have produced wonderful results, are exclusively used. Send for prospectus.
45WALTON PERKINS, Secretary and Manager.
47ESTABLISHED 1867.
48Chicago Musical College.
49College Building, 202 Michigan Boulevard,
50CHICAGO, ILL.
51Dr. F. ZIEGFELD, President.
52Dr. F. ZIEGFELD,
53LOUIS LEE,
54HANS VON SCHILLER,
55WILLIAM CASTLE,
56BERNHARD LISTEMANN,
57Musical Directors.
58Catalogue giving full information mailed free upon application.
60SIXTEENTH YEAR,
611866-1867.
62MRS. REGINA WATSON'S SCHOOL
63FOR THE
64HIGHER ART OF PIANO PLAYING.
65297 Indiana Street,
66CHICAGO, ILL.
68MR. AND MRS. BICKNELL YOUNG,
69Lecture recitals on Opera, its Origin and Development; illustrated by vocal examples from the earliest epoch.
70of Kimball Hall Chicago, Ill.
72A. J. GOODRICH,
73Theorist,
74Lock Box 976, Chicago.
75Author of "Goodrich's Analytical Harmony."
76"Complete Musical Analysis."
77"Music as a Language," &c., &c.
78Personal or correspondence lessons in Harmony, Composition, Orchestration, Analysis and Theory of Interpretation.
80WALTER SPRY,
81Director of Conservatory of Music,
82QUINCY, ILL.
83Piano and Organ Recitals…
85ANNA WEISS,
86Late of Vienna Conservatory,
87Concert Pianist and Teacher.
88Suite 906 Steinway Hall, Chicago, Ill.
90KATHARINE SPEAR CORNELL,
91• • • CONTRALTO. • • •
92Hyde Park Hotel,
93Chicago, III.
95Chicago Conservatory of Music.
96SAMUEL KAYZER, Director.
97Auditorium Building, Chicago, Ill.
98SEND FOR CATALOGUE.
99MUSICAL DIRECTORS.
100LEOPOLD GODOWSKY, Piano.
101ARTURO MARESCALCHI, Vocal.
102CLARENCE EDDY, Organ.
103S. E. JACOBSON, Violin.
104FREDERIC GRANT GLEASON, Harmony, &c.
106Henry B. Roney,
107CONCERT ORGANIST—TEACHER.
108Organist and Choirmaster of Plymouth Congregational Church.
109The training of Boys' Voices for church and concert work is a specialty. (Late Organist and Choirmaster of Grace Episcopal Church, Chicago.)
1101887 to 1897. Studio: 2506 Indiana Ave., CHICAGO.
112VICTOR HEINZE,
113Concert Pianist and Piano Teacher.
114Leschetizky Method.
115Studio: 1014 Steinway Hall, Chicago.
116THE HEINZE TRIO:
117VICTOR HEINZE, Piano.
118EMIL BARE, Violin.
119BRUNO STEINDEI, Violoncello.
120Can be engaged for Concerts, Musicales, &c.
121Address Victor Helaze, 1014 Steinway Hall, Chicago.
123MRS. GEORGE BENEDICT CARPENTER,
124Season 1897-98.
125Director of MUSICAL ARTISTS.
126Steinway Hall, Chicago, Ill.
127Representing the Wolfsohn Bureau of New York in Chicago and the West.
129D. A. CLIPPINGER,
130Voice Production and the Art of Singing.
131Room 40 Kimball Hall, Chicago, Ill.
133GOTTSCHALK
134LYRIC SCHOOL,
135INCORPORATED.
136MUSICAL AND DRAMATIC ART.
137L. GASTON GOTTSCHALK, Director
138Isabella Building,
13946 & 48 Van Buren Street, Chicago.
140Catalogues sent upon application.
142THOMAS TAYLOR DRILL,
143BASSO.
144Oratorio, Concerts, Song Recitals.
145—VOCAL INSTRUCTOR.
146Studio: No 51 Kimball Hall,
147CHICAGO, ILL.
149AMERICAN CONSERVATORY,
150Kimball Building, 243 Wabash Ave., Chicago.
151JOHN J. HATTSTAEDT, Director.
152ALL BRANCHES OF MUSIC, DRAMATIC ART. TEACHERS' TRAINING DEPARTMENT.
153Catalogue mailed free.
154JOHN J. HATTSTAEDT, ALLEN H. SPENCER,
155GERTRUDE MURDOUGH, Piano; KARLETON HACKETT, NOYES B. MINER, RAGNA LINNÉ, MME DE NORVILLE, Singing; CLARENCE DICKINSON, Organ; JOSEF VILIM, Violin; ADOLPH WEIDIG, Composition, and thirty other superior instructors.
156GERTRUDE MURDOUGH, Piano
157VILIM TRIO: JOSEF VILIM, Violin.
158JOHN KALAS, 'Cello.
159243 Wabash Ave., care of American Conservatory
161HARRISON M.
162Studio 6,
163241 …
164Wabash Ave.,
165CHICAGO.
167WILD
168CONCERT ORGANIST.
169Piano and Organ Instruction.
171WILLIAM H. SHERWOOD,
172CONCERT AND RECITAL PIANIST.
173MR. SHERWOOD created a furor by his wonderful playing at the meeting of the M. T. N. A in New York City last June. His playing in other large cities this season has aroused the utmost enthusiasm. He has been acknowledged by critics, the public and musicians to be the greatest American pianist. Mr. Sherwood will teach and give recitals as usual at the Chautauqua (N. Y.) Assembly from July 11 to August 13.
175Returning to the present and speaking of singers reminds me to tell you that Lehmann is repeating her Gastspiel of the winter season in the roles of Brunhilde, Norma, Fidelio, Donna Anna &c., at the Court Opera. I have not yet had the pleasure of attending the opera, being overcrowded with other work, but I hear she is repeating old triumphs. As Fidelio she is the best on the modern stage. Schmedes sang for the first time, but not quite equally, the role of Florestan. Schmedes as Lohengrin is an ideal type. This is the baritone that was, who proved to be a tenor, and who proves that the choice of the Court Opera was not a mistaken one, as he constantly grows upon one. Frau Döuges took in the last performance of "Lohengrin" the role of Elsa, but not very acceptably. Demuth, earlier in the season, from the Hamburg theatre, made a brilliant début in the "Masken Ball"; also as Wolfram, Nclusko in the "Africanum" and Peter Michaelof in Lutzings "Zar und Zimmermann." Dippel is another tenor who has had a dispute with Mahler and has left us. Mahler is a little dictatorial for great artists who like to stand a little for themselves. Mahler seems a little irreplaceable in self-assertion, but otherwise a most excellent, painstaking leader in the Court Opera.
176To-morrow Fr. Sz.-Bardossy will take the role of Oscar in the "Masken Ball." Fr. Mattausch, after a very successful guesting as Rosalinde in the "Fledermaus" and Saffi in the "Zigeuner-Baron," has been engaged for next season in the Theater an der Wien.
178* * *
180Vienna streets and houses are gay with flags, festoons and wreaths, in holiday attire in celebration of the Kaiser's jubilee and exposition in Vienna. Much is being done in the theatres and otherwise to celebrate this fiftieth anniversary of the Kaiser's reign. "Hapsburg" is long drawn out, flattering and eulogistic of the house of Hapsburg, but tedious in the extreme.
181It is now running in the Volks-Theater. More interesting and livelier is "The Glory of Austria," after the Spanish of Don Pedro Calderon, which has been given with great pomp in the Rathhaus. Calderon makes the most use of the incident in Austrian history where Maximilian, the son of Frederick III., one of the first of the Hapsburgers, lost his way on the Martinswand while hunting and whom an angel led back to the valley safely (so saith the legend). Another event of the jubilee anniversary is the opening with a "Festspiel" of the new theatre on the Kahlenberg with great festive ceremonies.
182Now I think I have told you all the news, old and new.
183E. POTTER-FRISSELL.
184P. S.—The spring festival given in the Belvidere Gardens, with most brilliant illumination and decoration and gayest festivities, saw a great many Viennese artists, under the patronage of the Princess Metternich, presiding at the tables of the bazaar. The great fest closed with magnificent fireworks.
185E. P. F.
187Mrs. Belle Cole.
188Mrs. Belle Cole, the American contralto residing in London, arrived here on a visit on the Majestic last Wednesday. Her visit will not be of long duration. Her English engagements now booked cover every day from October 1 to December 20.
190Marie Parcello.
191Miss Marie Parcello, the soprano, sang at the commencement exercises of the Ossining School, at Sing Sing-on-Hudson, on Tuesday, June 7, creating much enthusiasm by her musicianly art. Miss Parcello filled a return engagement this season, having made herself a favorite last season on her first appearance at this important school.
193Frank G. Dossert.
194The well-known vocal teacher Frank G. Dossert will continue to teach on Mondays, Wednesdays and Fridays throughout the summer months at his studio, 1205 Carnegie Hall. Mr. Dossert has a large number of pupils, twenty of whom are holding prominent solo positions, in addition to a class of sixty boys, many of whom are engaged in the large Episcopal choirs of this city.
196Hotel Empire (M. T. N. A.).
197People attending the Music Teachers' Convention at New York will find the Hotel Empire, situated at the Boulevard and Sixty-third street, a very desirable and charming hotel to stop at while in the metropolis. It is only four blocks (six minutes' walk) from Carnegie Hall, and is very accessible from all parts of the city. The cuisine and service of this hotel are exceptionally good, and the rates, considering the excellent accommodations, are very reasonable. Any inquiries addressed to the management will be promptly answered.
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