Scan 34
Musical Courier 1900-04-11: Vol 40 Iss 1046, 1900
160 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1THE MUSICAL COURIER.
3D. H. BALDWIN & CO.
4Baldwin
5Ellington
6Valley Gem
7PIANOS.
8CINCINNATI,
9INDIANAPOLIS,
10LOUISVILLE,
11CHICAGO.
12Hamilton Organs.
13CATALOGUES FURNISHED ON APPLICATION.
15STRICH & ZEIDLER,
16Producers of High Class Pianos—Upright and Grand,
17134TH STREET AND BROOK AVENUE, NEW YORK.
19POPULAR PEASE PIANOS.
21PEASE PIANO CO.
22Factories: West 43d Street.
23Office and Salesrooms: 109 West 42d Street,
24NEW YORK.
26HYMNOLIA
27Displaces the Reed Organ
28(SAME SIZE)
29CHURCH ORGAN PIPES ONLY.
30ADDRESS
31MR. FRANK TAFT, Organist,
32CHICKERING HALL, NEW YORK.
34Pianos for Export
35Manufacturers can secure export connections by addressing
36"EXPORTER," care MUSICAL COURIER.
38Germany.
40CONCERT DIRECTION
41(Agency Founded 1879.)
42HERMANN WOLFF.
43Germany: Berlin am Flottwellstrasse 1
44Cable Adress: Musikwolff, Berlin.
46Proprietor and Manager of the Philharmonic Concerts, Berlin; the new Subscription Concerts, Hamburg; the Bechstein Hall, Berlin.
48Sole representative of most of the leading artists, viz.: Joachim, d'Albert, Stavenhagen, Mme. Carreño, Mlle. Kleeberg, Mlle. Marcella Sembich, Emil Goetz, the Berlin Philharmonic Orchestra. Manager of the American tours of Josef Hofmann, Eugen d'Albert and Pablo de Sarasate.
50D. M. LEVETT,
51Season 1898-1899 and 1899-1900 with the STERN CONSERVATORY OF MUSIC, BERLIN.
53CONSERVATORY OF MUSIC AND OPERA ACADEMY
54KLINDWORTH-SCHARWENKA,
55Berlin, W. (Germany), Steglitzerstrasse 19.
56DIRECTORS: Ph. Scharwenka, Prof. Xaver Scharwenka, Dr. H. Goldschmidt.
57PRINCIPAL TEACHERS OF THE OPERA ACADEMY: Dr. Goldschmidt, Dr. Aflieri, Dr. Kleefeld (study of parts); Julius Lieban, Mrs. Gally Dehnticke (acting), Artistic Adviser; Royal Chamber-singer Franz Ehrli. Principal teachers of the Conservatory: C. Ansofora, Ph. Scharwenka, Prof. Xaver Scharwenka, Imperial and Royal Court Musicians, W. Berger, W. Leipholz, A. Mayer-Mahl, Miss Elisabeth Jepp (piano); Zajle, Grunberg, Mrs. Scharwenka-Strow (violin), Van der (cello); Grunleke (organ); Dr. H. Goldschmidt, Miss Lina Beck (singing). FRAU ROSA SUCHER, Vocal and Musico-Dramatic Teacher. one of two readings
58PRINCIPAL TEACHERS OF THE OPERA ACADEMY: Dr. Goldschmidt, Dr. Aflieri, Dr. Kleefeld (study of parts); Julius Lieban, Mrs. Gally Dehnticke (acting), Artistic Adviser; Royal Chamber-singer Franz Ehrli. Principal teachers of the Conservatory: C. Ansofora, Ph. Scharwenka, Prof. Xaver Scharwenka, Imperial and Royal Court Musicians, W. Berger, W. Leipholz, A. Mayer-Mahl, Miss Elisabeth Jeppe (piano); Zajle, Grunberg, Mrs. Scharwenka-Strow (violin), Van der (cello); Grunleke (organ); Dr. H. Goldschmidt, Miss Lina Beck (singing). FRAU ROSA SUCHER, Vocal and Musico-Dramatic Teacher. one of two readings
59Prospectus gratis. Hours for application, 4 to 6 P.M.
61The Stern Conservatory of Music,
62FOUNDED 1850
6322a Bernburgerstrasse (Philharmonie), Berlin, S. W.
64Royal Professor GUSTAV HOLLAENDER, Director
65CONSERVATORY: Development in all branches of music. OPERATIC AND DRAMATIC SCHOOL: Complete Training for the Stage. ORCHESTRAL SCHOOL (comprising all solo and all orchestra instruments). SEMINARY: Special training for teachers CHORUS SCHOOL. ELEMENTARY PIANO AND VIOLIN SCHOOL.
66Principal Teachers: HARMONY AND COMPOSITION—Prof. Ludwig Busser, Hans Pfitzner, prof. E. E. Taubert. PIANO Emma Koch, Felix Dreysschok, Anton Foerster, Ernest Hutcheson, Prof. Ernest Jedliczka, A. Papendick, Heiler, Pfitzner, Gustav Pohl, A. Sormann, Prof. E. E. Taubert, Gustav Dreysschok, Victor Foerster, D. M. Levett. SINGING—Fran. Prof. Sena Nickase, Campner, Frau Julia Moller, Wladyslaw Kowalik, Alexander Hennig. OPERATIC AND DRAMATIC CLASS—Emanuel Reicher, Felix Ehrl. VIOLIN—Prof. Gustav Hollaender, Bernhard Dessau, Willy Nickling, W. Rampelmann. CELLO—Anton Hekking. HARP, HARMONIUM—Franz Poenitz. ORGAN—Otto Dicke, Robert Muth, Director, etc. one of two readings
67Principal Teachers: HARMONY AND COMPOSITION—Prof. Ludwig Busser, Hans Pfitzner, prof. E. E. Taubert. PIANO Emma Koch, Felix Dreysschok, Anton Foerster, Ernest Hutcheson, Prof. Ernest Jedliczka, A. Papendick, Heiler, Pfitzner, Gustav Pohl, A. Sormann, Prof. E. E. Taubert, Gustav Dreysschok, Victor Hildebrand, D. M. Levett. SINGING—Fran. Prof. Sormann-Nickel, Campner, Frau Julia Moller, Wladyslaw Kowalik, Alexander Hennig. OPERATIC AND DRAMATIC CLASS—Emanuel Reicher, Felix Ehrl. VIOLIN—Prof. Gustav Hollaender, Bernhard Dessau, Willy Nickling, W. Rampelmann. CELLO—Anton Hekking. HARP, HARMONIUM—Franz Poenitz. ORGAN—Otto Dicke, Robert Muth, Director, etc. one of two readings
68Charges: from 120 Marks ($30) to 500 Marks ($120) Annually
69Prospectuses may be obtained through the Conservatory. Pupils received at any time. Consultation hours from 11 A.M. to 1 P.M.
71A. B. CHASE
72PIANOS.
73Highest type of Artistic Instruments
74For the pianist, the singer, the teacher,
75the student, the conservatory, the concert
76Factory at NORWALK, OHIO.
77REFERENCE: The Editor-in-Chief of THE MUSICAL COURIER.
79THE NEW CHICAGO BORE.
80The Greatest Tone and Easiest Blowing Instrument produced at the present age.
8110 Years
82Guaranteed
8350 Medals
84of Honor
85Covered Strings Manufactured for Soloists' Use.
86C. FISCHER'S Reliable Band Instruments are the best instruments in the market, at the lowest prices.
87C. FISCHER'S Guitars, Mandolins and Banjos are known for their excellent qualities and low prices.
88ARTIST BOWS—Extensive assortment by the best known makers.
89MOHREN'S Solo Violin Rosin.
90MATERIAL FOR VIOLIN MAKERS and hundreds of other Specialties, at WHOLESALE AND RETAIL.
91Correspondence solicited. Exchange granted if not entirely satisfactory.
93MUSIC PUBLISHER AND IMPORTER.
94Carries a complete stock of Imported Sheet Music and Books. All known publishers of Germany, Austria, England, France, Italy, Russia, &c. Catalogues sent free. A complete stock of Orchestra and Military Band Music. Classified Catalogues of music for every instrument and combination supplied upon application.
95"THE METRONOME," a monthly, published in the interest of the music profession. Subscription, $1.00 per annum; 10 cents each copy. Contains each month a list of prizes which are given away gratis.
97CARL FISCHER, 6 and 8 Fourth Ave., NEW YORK.
99Hazelton Brothers
100PIANOS.
101THOROUGHLY FIRST-CLASS IN EVERY RESPECT.
102APPEAL TO THE HIGHEST MUSICAL TASTE.
103Nos. 34 & 36 University Place, New York.
105Italy.
107Concert and Theatrical Direction:
108JOSEPH SMITH,
1098 Via Rondinelli P. P.,
110FLORENCE, ITALY.
111Operatic Engagements managed and negotiated.
112Personal Supervision of Concert Tours in Italy.
113Correspondence with leading Impressari in Italy, and for Paris, London and New York.
115SIGNOR ORESTE BIMBONI,
116Perfection in the Art of Singing. Study of Repertory and Stage Practice. Many years of experience as director with Patti, Gerster, Nevada, Calvé, Scatelli, Melba, Tordella. one of two readings
117Perfection in the Art of Singing. Study of Repertory and Stage Practice. Many years of experience as director with Patti, Gerster, Nevada, Calvé, Scatelli, Melba, Verdi. one of two readings
11818 Viale del Campo di Marte,
119Florence, Italy.
121MASSIMO CIAPINI,
122Principal baritone in some of the most important theatres.
123In America with Patti and Gerster.
124Vocal Instruction—Operatic Perfection.
125Care of Musical Courier
1265 Via Rondinelli, Florence, Italy.
128Madame ELISA FIASCHI,
129(Pupil of Mme. LANDI.)
130Graduate with Diploma of the Conservatory of Milan.
131Speciality in Voice Building and the Correction of Natural and Acquired Defects.
132ELEGANCE OF STYLE. ARTISTIC INTERPRETATION.
133Repertory in Italian, French, German, English.
134FLORENCE: 13 Via Garibaldi.
135CHEV. CH. LOVATI CAZZULANI,
136for twenty-five years Musical Director in the principal theatres of Europe with renowned artists, and possesses the most flattering autographs from Verdi, Thomas, Massenet, Botto and Ponchielli, assisted by Madame de Lespinasse Lovati from the Paris Conservatory, pupil of Madame Viardot-Garcia. Perfection in the art of singing, study of repertory and stage practice. French, German and Italian Repertory. Terms moderate.
13734 VIA TORINO, MILAN, ITALY.
138Pupils received at any time, extra charge, by the Theatrical Agency Lovati & Marin, of which Chev. Ch. Lovati Cazzulani is proprietor.
139FLORENCE, ITALY.—Board in private Italian family; opportunity for constant practice in the language; five to six francs per day, all included (wines, service, &c.). Elvira Andreini, 5 Via Rondinelli (first floor). Florence.
141MILAN.
142Theatrical Agency Fano.
143"IL MONDO ARTISTICO."
144The most esteemed agency in Italy.
145The journal most widely circulated.
147Cincinnati Conservatory of Music,
148(ESTABLISHED 1887.)
149Miss CLARA BAUR, Directress.
150A Thorough Musical Education after the Methods of Foremost European Conservatories.
151BRANCHES TAUGHT.
152Pianoforte, Voice Culture, Pipe Organ, Cabinet Organ, Violin, Violoncello, Flute, Cornet and other Orchestral Instruments, Theory of Music, Ensemble Playing, Elocution and Physical Culture; also Modern Languages and English Literature.
153Students are prepared for positions in Schools and Colleges, in Church Choirs, and for the Stage, Concert or Oratorio.
154Students from the city and vicinity, as well as those from abroad, can enter at any time during the School Year and Study Terms. one of two readings
155Students from the city and vicinity, as well as those from abroad, can enter at any time during the School Year and Summer Terms. one of two readings
156Young ladies from a distance find a home in the Conservatory Building, where they can pursue their studies under the supervision of the Directress. For catalogues, address
157Miss CLARA BAUR,
158Fourth and Lawrence Streets,
159Cincinnati, Ohio.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.