Scan 41
Musical Courier 1901-01-23: Vol 42 Iss 1087, 1901
340 lines. Read by computer on 22 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1The Clavier Piano School.
3Rainy weather did not prevent an enthusiastic audience from listening to the following varied and interesting program at the Clavier Company Piano School last Thursday evening:
5Holberg Suite …………………………………………….. Grieg
6Berceuse ……………………………………………………. Miss Florence Dodd.
7Burlesque ……………………………………………………. Ijinsky
8Arabesque ………………………………………………….. Scholtz
9Moments Musical ………………………………………….. Schumann
10Norwegian Bridal Procession …………………………… Grieg
11Perle V. Jervis.
12Remarks—Subject, "The Origin, History and Philosophy of the Clavier Method Briefly Stated."
13A. K. Virgil.
14Technical Illustrations and Etudes—
15Etudes Nos. 1 and 2, op. 120 …………………………… Duvernoy
16Sidney Steinheimer.
17Gavotte ……………………………………………………… Gluck-Brahms
18Fantaisie, C minor ……………………………………… Mozart
19Prelude, D flat …………………………………………… Chopin
20Berceuse ……………………………………………………. Chopin
21Warum ……………………………………………………… Schumann
23Aufschwung …………………………………………….. Schumann
24Caprice Espagnole ……………………………………… Moszkowski
25Miss Bertha Hoberg.
27Miss Dodd opened the program with the Grieg Holberg Suite, splendidly given, despite her frost bitten fingers; in the Rigaudon the octave passages were brilliantly executed. Miss Willett's beautiful touch charmed all in the Berceuse by Ijinsky, while in her second number she displayed much variety of tone color. Miss Kilian is becoming more artistic in her playing.
29Mr. Jervis produced some pretty touch effects in his first number; the second is always pleasing. Mr. Virgil's lecture was awaited with much interest, as he spoke upon "The Origin and History of the Clavier Method." It is a general idea that the method is the outgrowth of the Clavier, but it is the reverse. The method demanded the Clavier, not the Clavier the method.
31Illustrations of the first study work, in which the principles of the method are first applied, were given by Mr. Steinheimer. Miss Brower gave the Gluck Gavot, arranged by Brahms, a graceful reading. The Mozart Fantaisie is rather uninteresting for a concert number. John Rebarer certainly possesses the Chopin temperament. He displayed a pure singing tone in the Prelude. Miss Foster's playing is full of strength and originality; with her temperament she ought to develop into a good pianist. Miss Hoberg closed the program with a splendid exhibition of bravura playing in the "Caprice Espagnole," by Moszkowski, displaying also a good rhythmic sense.
33Metropolitan Concert Company.
35An audience of some 800 persons attended the concert given Thursday evening last (the 17th) at the New York Presbyterian Church, by the Metropolitan Concert Company, of New York, notwithstanding the inclement weather.
37For Sale—Conservatory of Music; established 1885; desirable location; high reputation. Address "F," Drawer A, Milledgeville, Ga.
39Haydn String Quartet.
40Formerly members of the late Kaltenborn Quartet.
41Carl Hugo Engel, Violin Soloist.
42Hermann Beyer-Hane, 'Cello Soloist.
43Mrs. Louise B. Kaltenborn, Manager.
44Telephone: 248 Riverside.
4578 West 88th St., New York City.
47London, England.
49The Guildhall School of Music
50Principal, William H. Cummings, Esq.
51Established by the Corporation of London, 1880.
52All branches of Music, Elocution and Languages taught.
53Improvisation, Accompanying, Sight Singing, Sight Reading (Instrumental), Choral, Orchestral, Opera and Chamber Music Classes. Second studies at greatly reduced rates. Scholarships, prizes, &c., given.
54Fees from £1 11s. 6d. to £4 14s. 6d. per term of twelve weeks.
55Staff of 130 Professors. Over 3,500 students.
56Resident Lady Superintendent. Prospectus and full particulars of the Secretary.
57By order of the Committee.
58Hilton Carter, Secretary.
59Victoria Embankment, London, E. C.
61Chevalier Georg Liebling,
62Court Pianist.
63Engagement accepted for recitals and concerts. Professor at the Guildhall School of Music. Advanced pupils specially prepared for recitals and concerts, privately or in class.
64Address 6 F, Hyde Park Mansions, London, W.
66Mr. Albert Visettti,
67Professor of Voice Production
68and the Aesthetics of Singing
69at the Royal College of Music and the Guildhall School of Music.
7014 Trebovir Road, Earl's Court, S. W., London.
72Mme. Moriani,
73Private Academy for Voice Training and School for Opera. Complete Training for Voice, Style and the Different Répertoires.
74Madame Moriani, in consequence of the great number of applications, has now established herself permanently in London.
75Lessons and Consultations (private and classes).
76For terms and particulars write to
77MADAME MORIANI,
783 York Place, Portman Square, London, W.
80Mrs. Emil Behnke,
81Scientific Voice Training for Singers, Speakers and Stammerers.
8218 Earl's Court Square, London, S. W.
84Prof. Michael Hambourg's
85Academy for the Higher Development of Pianoforte Playing.
86Patron and Honorary Examiner, M. Paderewski.
87For prospectus apply to the Secretary,
882 Clifton Gds., Maida Hill, London, W.
90René Papin,
91Authorized Representative of the Yersin Method
92French Diction.
9330 New Cavendish Street, W., London.
95Marie Withrow,
96Voice Production,
9784 Bond Street, London.
99Miss Fannie Hirsch,
100Concert and Oratorio.
101Dramatic Soprano. Steinway Hall, (Seymour Street), London.
103The London Concert Direction.
104(ETHEL L. ROBINSON.)
105122 Beaufort St., CHELSEA, S. W.
107The Klingenhfeld College of Music
108—And—
109School of Elocution,
110108 Hancock Street, BROOKLYN, N. Y.
111New York Studio: 40 West 35th Street.
113Paris.
115School for Acting.
116Emil Bertin,
1171er Regisseur de la Scène de l'Opéra Comique.
118Stage Practice. In Cast.
11941 rue des Martyrs, Paris.
121Delle Sedie, Paris.
122Pure Italian Method. Complete course. Stage practice. Voice, lyric, declamation, languages, solfège, ensemble music, mise-en-scène.
123Class and single lessons.
124Regular course, three years. Terms moderate.
12530 rue St. Petersbourg.
127Monsieur Henri Falcke,
128Pianist.
129Lessons in Piano Playing and Theory. M. Falcke speaks English, German and Spanish.
130Address: 169 Avenue Victor Hugo, Paris.
132For the Exposition.
133La Villa Violette,
134Trocadero.
13522 rue Raynouard, Mme. Fessinger.
136Assortment of Rooms. Gardens. Excellent Table. Three minutes' walk from Exposition Grounds.
138Mme. Ed. Colonne,
139Professeur de Chant.
140Specialty of Pure French School and French Diction.
14143 rue de Berlin, Centre.
143Professor of French,
144Special Method for Foreigners.
145Mlle. Marie Fournaise,
146American reference.
14729 Boulevard de Batignolles.
149Mme. Marie Roze,
150Professeur de Chant.
151Chaussée d'Antin, one of two readings
15237 rue Joubert, one of two readings
153Paris. one of two readings
154Chaussée d'Antin, Paris. one of two readings
155Mise-en-scène. Ensemble practice in caste on stage.
157Mme. Ida Lurig,
158Professeur de Chant.
159French—Italian—German.
160Specialty of German Songs and Oratorio.
161(Trocadero) 5 rue Petrarque, Paris.
163Paris.
164Only opportunity now in Paris for the Leschetizky Method.
165Address
166E. Potter Frissell,
167Pupil of Leschetizky, Sauer and Moszkowski.
168Credit Lyonais, Boulevard des Italiens.
170Miss Julia Klumpké,
171Violiniste.
172Pupil of MM. Eugene Ysaye and G. Remy.
173Concerts, Musicales. Lessons Violin and Accompaniment.
17410 rue Froidevaux, Paris.
176Mlle. Martini,
177Artiste Opéra, Opéra Comique, Theatre Lyrique.
178Professor of "Mime."
179Silent Interpretation, Stage Business, Gesture, Pantomime, &c.
18087 rue St. Lazare, Paris.
182Mlle. Kikina,
183Professeur de Chant,
184Ancienne Elève de Marchesi.
185100 Avenue de Villiers, Paris.
187Mme. Florenza d'Arona,
18820 rue Clement Marot.
189Professeur de Chant, Voice Placement, Répertoire. Pour Langues, Mise-en-Scène.
191Mme. Robinson Duff,
192Professeur de Chant.
1934 rue de la Renaissance l'Alma, Paris.
195Mlle. Grace Lee Hess
196School.
197Supplementary Education.
198French Language Obligatory.
199145 Avenue Victor Hugo, Paris.
201A New Work.
202French Conversation.
203(Private Lessons.)
20410 rue Cambon, Paris.
206Baldelli,
207Italian Baritone.
208Théâtre Royal, Madrid. Professeur de Chant.
209(Champs Elysées.) 6 rue Euler, Paris.
211Mme. Roger-Miclos,
212Piano—Paris.
213Elementary and Superior Class and Private Public Pupils' Concerts.
21417 Av. MacMahon.
216Mme. Rosine Laborde,
217Prof. de Chant.
21866 Rue de Ponthien, Paris.
220Mr. Francis Stuart,
221Teacher of Singing.
222First season in New York. Ten years in San Francisco. Pupil of Lamperti, the elder.
223Being in full possession of my method of singing, be sure to ability to form great artists.—Francesco Lamperti.
224Reception hours, Mondays and Thursdays, 2 to 3.
225Studio: 862 Carnegie Hall.
227Carl Venth,
228Violinist.
229Studio: 58 Seventh Avenue, Brooklyn, N. Y.
230Residence: 7 Hanson Place.
232Wm. Russell Squire
233Tenor.
234Oratorio, Concert, Musical, Recital.
235209 West 80th St., New York.
236Phone: 887 RIVERSIDE.
238School for Pianoforte and Musical Theory.
239Mrs. Clara A. Korn, Director.
240600 Springdale Ave., East Orange, N. J.
242Prof. and Mrs. F. J. Kirpal,
243Piano and Voice Culture.
244Plushing Conservatory, 42 North Prince St.
245New York Studio: 2 West Thirty-third St.
247Katherine Ruth Heyman,
248Concert Pianiste.
249145 East 23d Street, New York.
251Albert Quesnel,
252Tenor.
253Opera, Oratorio, Concert, Musica.
254173 West 140th street, New York.
256A. J. Goodrich,
257Personal or Correspondence Lessons in Harmony, Counterpoint, Composition, Orchestration and Practical Musicianship.
258Author of "Analytical Harmony," "Theory of Interpretation," "Complete Music Analysis," "Synthetic Counterpoint," "Guide to Practical Musicianship."
259119 West 48d Street, New York City.
261Mrs. Charles S. Hardy,
262Pianist and Teacher. Children's work a specialty.
263Studio: 1337 Eighth Street, Des Moines, Ia.
265Hobart Smock,
266Robust Tenor,
26745 W. 32d St., New York.
268Telephone: 2283 Madison Square.
270Shannah Cumming
271Soprano.
272Oratorio, Concert, Recitals.
2731424 Pacific Street, – BROOKLYN, N. Y.
274Telephone: 906A Bedford.
276S. G. Pratt
277Principal West End Private School of Music,
278176 West 86th Street, New York
279Accepts engagements for Chopin Analytical Recitals and the famous Concert-Lecture,
280"THE SOUL OF A SONG."
282Percy T. Hemus,
283Basso-Cantante.
284Voice Placing. The Art of Singing.
285128 West 6th Street, New York.
287Carl Herrmann,
288Concert Pianist,
289Receives pupils at his residence:
290234 East 2nd Street, New York.
292Eduard Herrmann,
293Solo Violinist and Instructor.
294Also classes for ensemble and quartet playing.
295Address: 67 West 9th Street, New York.
297Joseph Joachim Violin School.
298Geraldine Morgan, Director.
299Violoncello and Orchestral Department,
300Paul Morgan.
301Carnegie Hall, New York.
303Pennsylvania.
305Etta C. Keil
306Soprano.
307Oratorio, Concerts, Recitals.
3083334 Fifth Avenue,
309Pittsburg, Pa.
311Luigi von Kunits,
312Violinist.
313Concertmaster Pittsburg Orchestra.
314Pittsburg, Pa.
316Jennie Foell,
317Dramatic Soprano, Concerts, Oratorio.
318Care of Gustave Candidus, Steinway Hall, New York, or 907 West Susquehanna Avenue, Philadelphia, Pa.
320Frederick Maxson,
321Concert Organist.
322813 North 17th Street, Philadelphia, Pa.
324Miss M. A. Groff,
325Voice Culture.
326Artistic side: Mochel Method. one of two readings
327Artistic side: Mocheli Method. one of two readings
328Scientific side: Phonetics System of Prof. Alex. M. Bell, Edinboro University, Scotland.
329Studio: 15 North 13th St., Philadelphia.
331Kathryn C. McGuckin,
332Contralto.
333Wrightman Building.
3341524 Chestnut Street, Philadelphia, Pa.
336Lelia B.
337Organist,
338861 Liberty Street,
339Meadville, Pa.
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