Scan 37
Musical Courier 1901-04-24: Vol 42 Iss 1100, 1901
180 lines. Read by computer on 21 September 2026, twice; the two readings disagreed in places. Printed page 38. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1Ferdinand Carri's Pupils' Concert.
3THERE was a large audience at Knabe Hall Monday evening of last week, the occasion being a recital of violin music by pupils of Ferdinand Carri, director of the New York Institute for Violin Playing. The audience seemed to enjoy the concert very much, as there was a great deal of applause and many recalls. The young players played their numbers in a remarkably finished manner, reflecting great credit upon their teacher, Ferdinand Carri.
5In the ensemble, as well as in the solo performances, the young pupils manifested careful and conscientious study, not only from a technical point of view but also musically. The Misses Lilienthal and Fried and the Messrs. David and Moszkowitz opened the concert with the intermezzo from "Cavalleria Rusticana," transcribed for four violins and organ. A tiny little girl, Meti Sprunk, of perhaps six summers, followed with a violin solo, and the astonishing manner this little maiden handled her bow, her true intonation, and the expression she threw into her playing aroused the audience to enthusiasm. She played a solo, and also took the leading part in a quartet.
7Miss Theodora Lilienthal gave an admirable rendition of Vieuxtemps' "Concertstück," op. 35, and later with Sardon Silva a brilliant performance of Sarasate's "Navarra," for two violins. Carl David played the andante and rondo from the Mendelssohn Concerto, the andante of which he played with much expression and the rondo very fluently. He also appeared in the Spohr Concerto, op. 88, for two violins, with Isidor Moszkowitz, both receiving much applause for their performance. Harry Zucker played Vieuxtemps' Ballade and Polonaise with a good deal of dash, and Willie Monaghan and Rosa Ohla scored quite a success with their master's difficult "Ernani" Fantaisie, for two violins, both having also had an opportunity to exhibit their skill as solo players. Master Willie in Leonard's "Souvenir de Haydn," which he played with perfect ease, and little Rosa in a fantaisie by Singlee. Hermann Carri's "Andante Religioso," for violins, piano and organ, which concluded the concert, was splendidly played by the Misses Lilienthal, Fried, Graa, Ohla, Sprunk, the Messrs. David, Silva, Schoner, Mallett, Monaghan, Zucker, T. and Ph. Moszkowitz, Wennstroem, Dubin and Hamy, the composer being at the piano and S. N. Penfield at the organ. The tonal effect in this composition was fine, especially being played by such a large number of violins. one of two readings
8Miss Theodora Lilienthal gave an admirable rendition of Vieuxtemps' "Concertstück," op. 35, and later with Sardon Silva a brilliant performance of Sarasate's "Navarra," for two violins. Carl David played the andante and rondo from the Mendelssohn Concerto, the andante of which he played with much expression and the rondo very fluently. He also appeared in the Spohr Concerto, op. 88, for two violins, with Isidor Moszkowitz, both receiving much applause for their performance. Harry Zucker played Vieuxtemps' Ballade and Polonaise with a good deal of dash, and Willie Monaghan and Rosa Ohla scored quite a success with their master's difficult "Ernani" Fantaisie, for two violins, both having also had an opportunity to exhibit their skill as solo players. Master Willie in Leonard's "Souvenir de Haydn," which he played with perfect ease, and little Rosa in a fantaisie by Singelée. Hermann Carri's "Andante Religioso," for violins, piano and organ, which concluded the concert, was splendidly played by the Misses Lilienthal, Fried, Graa, Ohla, Sprunk, the Messrs. David, Silva, Schoner, Mallet, Monaghan, Zucker, T. and Ph. Moszkowitz, Wennstroem, Dubin and Hamy, the composer being at the piano and S. N. Penfield at the organ. The tonal effect in this composition was fine, especially being played by such a large number of violins. one of two readings
10The concert, all in all, was a decided success, and a splendid illustration of the excellent results of violin training, the students achieve under Ferdinand Carri.
12Successful Bowman Pupils.
14Edgar C. Sherwood Gives an Organ Recital in Brooklyn.
16EDGAR C. SHERWOOD scored a success in his organ recital last Wednesday evening at the Church of the Saviour, Pierrepont street and Monroe place, Brooklyn, of which church he is the organist. A cultivated audience attended the recital. A fine new organ with electric action and modern mechanical accessories was at his command, and on this admirable instrument Mr. Sherwood was able to advantageously exploit the various excellencies of touch, pedaling and registration, in which he has been trained and which he has acquired by diligent study and practice.
18His program included the Toccata and Fugue in D minor, Volume IV., Peters Edition of Sebastian Bach; Dudley Buck's Second Sonata, the one in G minor; Guilmant's "Marche Funebre et Chant Seraphique"; the introduction to Act III. and "Bridal Chorus" from "Lohengrin," and smaller pieces by Callaerts, Foote and others. The Bach number was played with dignity, excellent phrasing and interesting registration. In Buck's Sonata he was most successful in the first two movements, the last being played somewhat too slow to reach the climaxes of which that movement is capable.
20A pastorale by Arthur Foote was delightfully registrated and played, and the clever Guilmant funeral scen received a very effective interpretation. Mr. Sherwood's playing is already artistic, and he gives promise of reaching the first rank. His manual touch is idiomatic to his instrument, clean, rhythmic and facile. His pedaling is well developed, and the work that he did on Wednesday night showed fine perception as to tone, color and balance.
22There were excellent vocal solos by Mrs. Margaret Hegeman, Mr. and Mrs. Wilford Watters and Floyd Mc- Namara, to which Mr. Sherwood played the organ accompaniments, with still further evidence of taste and discretion as an organist.
24To anyone familiar with the methods of touch and interpretation which characterize the teaching and playing of E. M. Bowman, it will be readily observed that Mr. Sherwood has thoroughly profited by his study with that eminent master without being allowed to sacrifice his own individuality. No better model could have been studied, because Mr. Bowman's is founded on an organ pedigree which runs back through several genealogical lines to "der alte Bach" himself, thus including in one or the other line nearly every organ master known to fame.
26Angelo Carames' Pupils.
28THE pupils of Angelo Carames, himself a pupil of E. M. Bowman, gave a recital at the Carnegie Lyceum, Carnegie Music Hall, last Thursday evening, before a crowded audience. The playing reflected credit on the methods pursued by Mr. Carames, in which he has been trained by Mr. Bowman. The playing of Lolita Gainsberg, a five year old child, was received with great favor. She shows genuine musical talent, and if judiciously held back rather than forced she will probably become a fine player. She is being well taught, and we understand is under the advice of Mr. Bowman.
30Rubinstein Club Concert.
32The Rubinstein Club, a chorus of ladies' voices under the direction of William R. Chapman, will give the third and last concert of the season in the grand ballroom of the Waldorf-Astoria, on Thursday evening, April 25, at 8:30 o'clock. Willis E. Bacheller, tenor, and Hans Kronold, 'cellist, will be the assisting artists.
34S. G. PRATT
35Principal West End Private School of Music.
36176 West 86th Street, New York.
37Accepts engagements for Chopin Analytical Recitals and the famous Concert-Lecture,
38"THE SOUL OF A SONG."
40London, England.
42CHEVALIER GEORG LIEBLING,
43COURT PIANIST.
44Engagements accepted for recitals and concerts. Professor at the Guildhall School of Music. Advanced pupils specially prepared for recitals and concerts, privately or in class.
45Address 6 F, Hyde Park Mansions, London, W.
47MME. MORIANI,
48Private Academy for Voice, Training and School for Opera. Complete Training for Voice, Style and the Different Repertories.
49Madame Moriani, in consequence of the great number of applications received, has now established herself permanently in London.
50Lessons and Consultations (private and classes). For terms and particulars write to MADAME MORIANI, 3 York Place, Portman Square, London, W.
52PROF. MICHAEL HAMBURG'S Academy for the Higher Development of Pianoforte Playing.
5315 Warwick Road, Maida Vale.
55RENÉ PAPIN,
56Authorized Representative of the Yersin's Method
577 Dorset Square, N. W., London. (Near Baker street station).
59MARIE WITHROW,
60VOICE PRODUCTION,
6184 New Bond Street, London.
63THE CONCORDE CONCERT CONTROL and Organized Entertainment and Lecture Bureau. The COURT CIRCULAR says: "The most reliable Bureau in London."
64The Concorde Handbook of Artists (the most complete existing list of the best artists) free on application. Address: 310 Regent St., London, W. Telephone: 4153 GERRARD. Telegraphic address: Concorde, London. Telegraphic Code: The Concorde Code.
66VOICE PRODUCTION and SINGING.
67Invariable results of
68MME. MARIAN VELTRINO'S SYSTEM
69GUARANTEED IN A SHORT TIME
70to EVERY PERSON of ORDINARY INTELLIGENCE with AVERAGE MUSICAL EAR.
71Perfect attack. Perfect ease. Clearness of Tone throughout the Voice. Richness, Roundness, Sweetness, Carrying Power. Freedom from breaks. No throat-aching.
72Abundance of and control over breath.
73Lost voices regained. Voices made, Compass of at least two octaves.
74Undeniable proof of the above statements can be given. Appointments and particulars of unique interest on request. Complete artistic training for opera, concert work, &c., follows above results. Studio: 163 New Bond Street, London, W. (Established twelve years.)
76EDOUARD DAREWSKI,
77Professor of Singing.
78Percy House, Randolph Rd, Maida Vale, London. Faderman, 11 in March, 1860. "I know your remarkable qualities both as a singer and as a vocal teacher, and especially your method, which is ITALIAN IN THE BEST SENSE OF THE WORD." one of two readings
79Percy House, Randolph Rd, Maida Vale, London. "Percy House" in March, 1862. "I know your remarkable qualities both as a singer and as a vocal teacher, and especially your method, which is ITALIAN IN THE BEST SENSE OF THE WORD." one of two readings
81Paris.
83SCHOOL FOR ACTING.
84EMIL BERTIN,
851er Régisseur de la Scène de l'Opéra Comique. Stage Practice. In Cast. 41 rue des Martyrs, Paris.
87DELLE SEDIE, Paris.
88Pure Italian Method. Complete course. Stage practice. Voice, lyric, declamation, languages, solfège, ensemble music, mise-en-scène. Class and single lessons. Regular course, three years. Terms moderate. 30 rue St. Petersbourg.
90MONSIEUR HENRI FALCKE,
91PIANIST.
92Lessons in Piano Playing and Theory. M. Falcké speaks English, German and Spanish. Address: 169 Avenue Victor Hugo, Paris.
94LA VILLA VIOLETTE
95TROCADERO,
9622 rue Raynouard. Mme. Fiessinger. Assortment of rooms. Excellent table. Gardens. All facilities of bus and tram. one of two readings
9722 rue Raynouard. Mme. Fiessinger. Assortment of rooms. Excellent table. Gardens. All facilities of 'bus and tram. one of two readings
99PROFESSOR OF FRENCH,
100Special Method for Foreigners. MME. MARIE FOURNAISE, American reference. 29 Boulevard de Batignolles.
102MME. MARIE ROZE,
103PROFESSEUR DE CHANT,
10437 rue Joubert, Chaussée d'Antin, Paris. Mise-en-scène. Ensemble practice in cast on stage.
106MME. IDA LURIG,
107PROFESSEUR DE CHANT.
108French—Italian—German. Specialty of German Songs and Oratorio. (Trocadero) 5 rue Petrarque, Paris.
110MISS JULIA KLUMPKÉ,
111VIOLINISTE.
112Pupil of MM. Eugène Ysaye and G. Rémy. Concerts, Musicales, Lessons Violin and Accompaniment. 10 rue Poidiveau, Paris. one of two readings
113Pupil of MM. Eugène Ysaye and G. Rémy. Concerts, Musicales, Lessons Violin and Accompaniment. 10 rue Poidraveaux, Paris. one of two readings
115MLLE. KIKINA,
116PROFESSEUR DE CHANT,
117Ancienne Elève de MARCHESI, 100 Avenue de Villiers, Paris.
119MME. FLORENZA d'ARONA,
120VOCAL PROFESSEUR,
12120 Rue Clement Marot, Paris. Special sessions during the summer in REPERTOIRE AND INTERPRETATION.
123INSTITUT MOZART.
124Language. Complete Musical Education. Singing. Diction by best professors. Board and residence for pupils' comfort; quiet, convenient. Apply to manager, MISS HEGEMANN, 7 rue du Commandant Riviere.
126FRENCH SCHOOL
127M. DUMARTHERRY.
128From Sounds to Literature, Pronunciation, Accent. Conversation. (Opera.) 14 rue Taitbout.
130MLLE. GRACE LEE HESS
131Supplementary Education. SCHOOL. French Language Obligatory. 145 Avenue Victor Hugo, Paris.
133BALDELLI,
134Italian baritone. Théâtre Royal, Madrid. Professeur de Chant. (Champs Elysées). 6 rue Euler, Paris. one of two readings
135Italian baritone. one of two readings
136Théâtre Royal, Madrid. Professeur de Chant. (Champs Elysées). 6 rue Euler, Paris. one of two readings
138Mme. ROGER-MICLOS,
139PIANO-PARIS.
140Elementary and Superior Class and Private Public Pupils' Concerts. (l'Etoile.) 27 Avenue MacMahon.
142Mme. ROSINE LABORDE,
143PROF. DE CHANT,
14462 rue de Ponthien, Paris.
146THE FRENCH LANGUAGE
147Rapidly, easily and correctly acquired by KIMON'S PRACTICAL SYSTEM. (3 francs, post free.) Private lessons by M. D. Kimon, 10 rue Cambon, Paris.
149MME. J. VIEUXTEMPS,
150Vocal Professor.
151Classes and Private Lessons. Placing and Mending of Tones. 25 rue de Tocqueville (Monceau).
153MLLE. MARTINI,
154Artiste Opéra, Opéra Comique, Théâtre Lyrique, Professor of "Mime." Silent Interpretation, Stage Business, Gesture, Pantomime, &c. by rue St. Lazare, Paris.
156PARIS.
157Only opportunity now in Paris for the Leschetizky Method. Address
158E. POTTER FRISSELL,
159Pupil of Leschetizky, Sauer and Moszkowski. Credit Lyonnais, Boulevard des Italiens.
161PENNSYLVANIA.
162ETTA C. KEIL,
163SOPRANO.
164Oratorio, Concerts, Recitals. 3354 Fifth Avenue, PITTSBURG, PA.
166LUIGI VON KUNITS,
167VIOLINIST.
168Concertmaster Pittsburgh Orchestra. Pittsburgh, Pa.
170JENNIE FOELL,
171Dramatic Soprano, Concerts, Oratorio. Care of Gustave Candidus, Steinway Hall, New York, or 907 West Susquehanna Avenue, Philadelphia, Pa.
173FREDERICK MAXSON,
174CONCERT ORGANIST.
175813 North 17th Street, Philadelphia, Pa.
177KATHRYN C. McGUCKIN,
178CONTRALTO.
179Wrightman Building. 1524 Chestnut Street, Philadelphia, Pa.
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