Scan 6
Musical Courier 1902-02-26: Vol 44 Iss 1144, 1902
226 lines. Read by computer on 22 September 2026, twice; the two readings disagreed in places. Printed page 7. See the scan on archive.org.
A town on its own line is one of the directory's headings. That is where the town on a maker's page comes from.
1from Berlin this week on behalf of the committee to make some preliminary arrangements and to confer with several of the leading members of our colony on the subject. We understand the project has been most favorably received and keen interest excited."
3Somewhere I came across this apt definition: "A vampire is a pale, dazed young man, who vamps an accompaniment to everything with the same three chords.
5The Sondheim sisters, ensemble pianists, from St. Louis, recently gave a concert in Paris. Of the event a Berlin journal says sagely: "Their future lies before them."
7Is this in contradistinction to those pianists whose future lies behind them?
9J. W. Otto Voss, an American piano virtuoso, who is establishing a splendid reputation in Germany, played with the Meiningen Orchestra recently at Eisenach. The local papers speak of Voss as "phenomenal" and "great."
11Professors of voice production whose methods are sometimes criticised by their rivals should recall that piece of wisdom from one of W. S. Gilbert's plays: "Whenever a person thays an impertinent thing, I conthole myself with the reflection that there's always a thundering good auther to it, if one only knew what it was."
13Frankfort-on-the-Main, Germany, with 250,000 population, has the following record for the musical season of 1900-1: Thirty-six grand symphonic concerts, 110 smaller orchestral concerts, six oratorios and twenty-eight chamber music concerts, without counting the opera and a great number of artists' and popular concerts.
15"La Pompadour," a new opera by Emanuel Moor, well known in New York, will be produced at Cologne early in March.
17It will be remembered that the last movement of Hans Huber's "Böcklin" Symphony is a series of variations, intended to illustrate the composer's feelings on contemplating certain pictures by the famous painter Böcklin. An English critic says: "This would seem to open up an altogether new idea, and amateurs may anticipate with interest Sir A. C. Mackenzie's orchestral work on looking through the current number of the Graphic, or Dr. Stanford's Rhapsody on contemplating the portrait of Sir Frederick Bridge!"
19MILWAUKEE.
21The appearance of Mme. Lilli Lehmann in a song recital at the Pabst Theatre on the evening of January 23 constituted a rare treat for those who were fortunate enough to be present.
23Further interest was given the program by excerpts from Wagner's "Nibelungen Trilogy," which were admirably illustrated at the piano by Reinhold Herman, who, in addition, explained their true meaning.
25The Pabst Theatre was again the scene of one of the season's most important musical events, namely, the appearance of the Chicago Orchestra, under the auspices of the Milwaukee Maennerchor. That this concert, which took place Thursday evening, February 4, did not attract the audience it deserved is rather discouraging for those who have so liberally contributed toward offering the public the very best obtainable.
27The entire program, which is of particular interest, is appended:
28Concert Overture, Cockaigne (In London Town), op. 40…….Elgar
29Suite, Ein Maerchen (Pohadka), op. 16………….Josef Suk
30Adagio ……………………………………………..Vicuetaemps one of two readings
31Adagio ……………………………………………..Vicentemps one of two readings
32Polonaise …………………………………………..Laub
33E. Bare.
34Good Friday Spell (Parsifal)………………………..Wagner
35Transformation Scene (Parsifal)……………………Wagner
36Glorification (Parsifal)……………………………..Wagner
37Tone Poem, Don Juan, op. 20……………………….R. Strauss
38Zwei Legenden, aus dem Finnlaendischen Volksepos, Kalevala.Sibelius
39Ruses d'Amour, op. 61 (new)………………………..Glazounow
41The last of the ballad concerts, under the direction of Mrs. Garrita Nash, was held at the Pabst Theatre the evening of January 27. This event offered the opportunity of listening to the renowned pianist, Mrs. Fannie Bloomfield-Zeisler. It is no exaggeration to state that Mrs. Zeisler proved herself one of the most wonderful expo-
43ESTABLISHED 1867.
44CHICAGO MUSICAL COLLEGE.
45DR. F. ZIEGFELD, President.
46The Largest and Most Complete Institution of Musical Learning in America.
47COLLEGE BUILDING, 202 MICHIGAN BLVD.,
48The finest structure in existence devoted exclusively to a Musical College.
49SCHOOL OF ACTING, MUSIC ELOCUTION, ORATORY, LANGUAGES.
50BOARD OF MUSICAL DIRECTORS.
51DR. F. ZIEGFELD, HANS VON SCHILLER, BERNARD LISTEMANN, RUDOLPH GANZ, HERMAN DEVRIES, DR. LOUIS FALK, WILLIAM CASTLE, S. E. JACOBSON, CHARLES GAUTHIER, HART CONWAY, Director School of Acting. Catalogue Mailed Free.
53BUREAU OF FINE ARTS,
54CHAS. BEACH, President,
55LOUIS EVANS, Secretary and Treasurer,
56Successors to
57THE HAMLIN COMPANY,
58Directors of
59Concerts and Musical Artists,
60806 Fine Arts Building,
61CHICAGO.
62CABLE ADDRESS: LINARK, CHICAGO. LONG DISTANCE TELEPHONE: HARRISON 2255.
64REPRESENTATIVE AGENCY OF MIDDLE STATES
65EXCLUSIVE DIRECTION
66HELEN BUCKLEY and JESSICA De WOLF—Sopranos.
67SUE HARRINGTON FURBECK and ELAINE De SELLEM—Contraltos.
68GEORGE HAMLIN and HOLMES COWPER—Tenors.
69CHARLES W. CLARK and SYDNEY BIDEN—Baritones.
70ARTHUR DUNHAM—Organist, and THEODORE SPIERING—Violinist.
71WE WILL NEGOTIATE FOR ALL HIGH-CLASS ARTISTS.
73CHICAGO ADVERTISEMENTS.
75HARRISON M. WILD
76CONCERT ORGANIST.
77Studio 6, 241 Wabash Ave., CHICAGO.
78D. A. CLIPPINGER,
79THE ART OF SINGING.
80Conductor.
81Author of "The Development of the Singing Voice."
82410 Kimball Hall, Chicago, Ill.
84Frederick Warren
85BARITONE,
86CHICAGO AUDITORIUM CONSERVATORY.
88JEANETTE R. HOLMES,
89Contralto.
90Oratorio and Concert.
91613 Fine Arts Building, Chicago.
92Concerts. Recitals.
94LOUIS MAGNUS,
95Young American Violinist.
96627 Fine Arts Building, Chicago.
98CAROLYN LOUISE WILLARD,
99PIANIST. Instruction.
100Pupil of Ernst Jedliczka, Bloomfield-Zeisler.
101Address: 4164 Lake Avenue, Chicago.
103R. CAPOUL CUTTRISS WARDE,
104SINGING MASTER.
105The teacher of many prominent artists now before the public. Send for list.
106STUDIO: No. 911 Cable Building, Cor. Jackson and Wabash, CHICAGO.
108GRACE VAN VALKENBURGH,
109CONTRALTO.
110Management DUNSTAN COLLINS, Fine Arts Building, CHICAGO.
112ALLEN SPENCER,
113PIANIST.
114Concerts, Recitals.
115Address: KIMBALL HALL, CHICAGO.
117KARLETON HACKETT,
118Teacher of Singing.
119Kimball Hall, Chicago.
121EARL R. DRAKE,
122VIOLIN VIRTUOSO.
123Teacher.
124Studio: 505 Handel Hall, Chicago.
126HOWARD WELLS,
127Pianist.
128Kimball Hall, Chicago.
130JOSEPH VILIM,
131VIOLINIST.
132Trio Concert Co. Orchestra.
133SEND FOR PROSPECTUS.
135JAN VAN OORDT,
136VIOLINIST.
137KIMBALL HALL, CHICAGO.
139MARY PECK THOMSON,
140SOPRANO,
141620 Fine Arts Building, CHICAGO.
143HENRY WILLIS NEWTON,
144TENOR, TEACHER, CONDUCTOR.
145724 Kimball Hall, Chicago.
147MRS. THEODORE WORCESTER, one of two readings
148PIANIST. one of two readings
149Address, 1402 Auditorium Tower, Chicago. one of two readings
151MRS. MARY HEALY MULLETTE, one of two readings
152DRAMATIC MEZZO-SOPRANO, one of two readings
153ORATORIO, CONCERT, RECITAL. one of two readings
154Address 638 Fine Arts Building, CHICAGO. one of two readings
156Gottschalk Lyric School. one of two readings
157Musical and Dramatic. one of two readings
158CATALOGUE MAILED ON APPLICATION. one of two readings
159KIMBALL HALL, 243-253 Wabash Avenue, CHICAGO. one of two readings
161THE CHURCH PARSONS MUSIC METHOD. one of two readings
162Kindergarten and Graded Course. one of two readings
163610 FINE ARTS BUILDING, CHICAGO. one of two readings
165AMERICAN CONSERVATORY, one of two readings
166KIMBALL HALL BUILDING, Wabash Avenue and Jackson Boulevard, CHICAGO. one of two readings
167THE LEADING SCHOOL OF MUSIC AND DRAMATIC ART IN THE WEST. one of two readings
168Among the fifty eminent instructors the following might be mentioned: one of two readings
169PIANO—JOHN J. HATTSTAEDT, VICTOR GARWOOD, ORGAN—WILHELM MIDDLSCHULTE. one of two readings
170VIOLIN—JAN VAN OORDT. one of two readings
171COMPOSITION—ADOLPH WEIDIG. one of two readings
172VIOLONCELLO—JAN KALAS and many others of equal prominence. one of two readings
173JOHN J. HATTSTAEDT, Director one of two readings
175(no line here) one of two readings
176MABELLE CRAWFORD,
177Address CHARLES R. BAKER,
178Fine Arts Building.
179Contralto.
180Teaching at Residence.
1815246 Prairie Ave., Chicago
183Dahl Rich,
184Concert Pianist.
1851440 Edgecomb Place,
186CHICAGO.
188Chicago Auditorium Conservatory.
189FREDERIC GRANT GLEASON, Director. ROY ARTHUR HUNT, Manager.
190"Phones: Harrison 1910 and 1736. Unsurpassed Faculty Teaching.
191ALL BRANCHES OF MUSIC.
192Stage Training, Elocution, Languages and the Fine Arts. SEND FOR CATALOGUE.
193(no line here) one of two readings
195WORCESTER, one of two readings
196Address, 1402 Auditorium Tower, Chicago. one of two readings
197PIANIST. one of two readings
198MRS. MARY HEALY MULLETTE, one of two readings
199DRAMATIC MEZZO-SOPRANO, one of two readings
200ORATORIO, CONCERT, RECITAL. one of two readings
201Address 638 Fine Arts Building, one of two readings
202CHICAGO. one of two readings
203Gottschalk Lyric School. one of two readings
204Musical and Dramatic. one of two readings
205CATALOGUE MAILED ON APPLICATION. one of two readings
206KIMBALL HALL, 243-253 Wabash Avenue, CHICAGO. one of two readings
207THE CHURCH PARSONS MUSIC METHOD. one of two readings
208Kindergarten and Graded Course. one of two readings
209610 FINE ARTS BUILDING, CHICAGO. one of two readings
211AMERICAN CONSERVATORY, one of two readings
212KIMBALL HALL BUILDING, Wabash Avenue and Jackson Boulevard, one of two readings
213CHICAGO. one of two readings
214THE LEADING SCHOOL OF MUSIC AND DRAMATIC ART IN THE WEST. one of two readings
215Among the fifty eminent instructors the following might be mentioned: one of two readings
216PIANO—JOHN J. HATTSTAEDT, VICTOR GARWOOD, ORGAN—WILHELM MIDDLSCHULTE. one of two readings
217VIOLIN—JAN VAN OORDT. one of two readings
218COMPOSITION—ADOLPH WEIDIG. one of two readings
219VIOLONCELLO—JAN KALAS and many others of equal prominence. one of two readings
220JOHN J. HATTSTAEDT, Director one of two readings
222MABELLE CRAWFORD, one of two readings
223Address CHARLES R. BAKER, one of two readings
224Fine Arts Building. one of two readings
225Contralto. one of two readings
The computer misreads some letters and numbers. Where a name matters to you, read the scan.